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		<title>Propaganda 22 ch12 - Revision history</title>
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	<entry>
		<id>http://c64mags.untergrund.net/wiki/index.php?title=Propaganda_22_ch12&amp;diff=1592&amp;oldid=prev</id>
		<title>Ymgve at 20:43, 18 June 2007</title>
		<link rel="alternate" type="text/html" href="http://c64mags.untergrund.net/wiki/index.php?title=Propaganda_22_ch12&amp;diff=1592&amp;oldid=prev"/>
				<updated>2007-06-18T20:43:50Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;pre&amp;gt;                  d=b&lt;br /&gt;
                  'o'&lt;br /&gt;
                  /_\&lt;br /&gt;
&lt;br /&gt;
          ___________________&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
          T H E   A N N U A L&lt;br /&gt;
&lt;br /&gt;
          P R O P A G A N D A&lt;br /&gt;
          P R O P A G A N D A&lt;br /&gt;
&lt;br /&gt;
          P O L L S   1 9 9 6&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
          ___________________&lt;br /&gt;
&lt;br /&gt;
                  d=b&lt;br /&gt;
                  'o'&lt;br /&gt;
                  /_\&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
           +----------------+&lt;br /&gt;
           |AS DUPLICATED BY|&lt;br /&gt;
           |OTHER MAGAZINES.|&lt;br /&gt;
           +----------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
             +--------------PROPAGANDA-+&lt;br /&gt;
             |JUDGED BY THE PROPAGANDA.|&lt;br /&gt;
             +-------------------------+&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|  G R O U P   O F | T H E   Y E A R&lt;br /&gt;
|            +------------+&lt;br /&gt;
|            |ALPHA FLIGHT|&lt;br /&gt;
|            |ALPHA FLIGHT|&lt;br /&gt;
|            +------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|The year belonged to ALPHA FLIGHT,&lt;br /&gt;
|without doubt. Their presence was noted&lt;br /&gt;
|across the entire scene, and with some&lt;br /&gt;
|of the juiciest releases coming from&lt;br /&gt;
|the Germanbased operation, the decision&lt;br /&gt;
|is clear and simple.&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|     SETBACK: RERELEASING CYCLES.&lt;br /&gt;
|                  |&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ _________________________&lt;br /&gt;
|RUNNERUPS| SCS TRC&lt;br /&gt;
|---------| SCS*TRC did a good job&lt;br /&gt;
|         | releasing and supporting&lt;br /&gt;
|         | the scene with their pre-&lt;br /&gt;
|         | sence. The Czech expansion&lt;br /&gt;
|         | and a cleanup in the org-&lt;br /&gt;
|         | anization seemed to work.&lt;br /&gt;
|         |&lt;br /&gt;
|         | _________________________&lt;br /&gt;
|         | CHROMANCE&lt;br /&gt;
|         | CHROMANCE had a very good&lt;br /&gt;
|         | and as always silent year.&lt;br /&gt;
|         | Silence doesn't necess-&lt;br /&gt;
|   d=b   | arely mean a lack of re-&lt;br /&gt;
|   'o'   | leases. BOOM among many,&lt;br /&gt;
|   /_\   | came to represent the best.&lt;br /&gt;
+---------+&lt;br /&gt;
            _________________________&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|D E M O G R O U P |O F  T H E  Y E A R&lt;br /&gt;
|             +----------+&lt;br /&gt;
|             |BYTERAPERS|&lt;br /&gt;
|             |BYTERAPERS|&lt;br /&gt;
|             +----------+&lt;br /&gt;
|                  |&lt;br /&gt;
|BYTERAPERS have never failed to live&lt;br /&gt;
|up to expectations and with a startling&lt;br /&gt;
|contribution to ASSEMBLY, BYTERAPERS&lt;br /&gt;
|clearly reminded us why they have been&lt;br /&gt;
|the most liked demogroup over the past&lt;br /&gt;
|few years. Good thing for demolovers,&lt;br /&gt;
|the journey will continue.&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|     SETBACK: 1 SINGLE RELEASE.&lt;br /&gt;
|                  |&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| BEYOND FORCE&lt;br /&gt;
|---------| BEYOND FORCE, the old Finn-&lt;br /&gt;
|         | ish legend startled with a&lt;br /&gt;
|         | slightly different NOTHING&lt;br /&gt;
|         | BUT CODE. A masterpiece in&lt;br /&gt;
|         | code, keeping them light-&lt;br /&gt;
|         | years ahead of many other&lt;br /&gt;
|         | hardworking groups.&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | CREST&lt;br /&gt;
|         | CREST made an appearance&lt;br /&gt;
|         | with what many considered&lt;br /&gt;
|   d=b   | to be their best work yet&lt;br /&gt;
|   'o'   | to come. New graphic-modes&lt;br /&gt;
|   /_\   | set new standards for 64-art&lt;br /&gt;
+---------+&lt;br /&gt;
            ___________________________&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|  B O A R D   O F | T H E   Y E A R&lt;br /&gt;
|         +-----------------+&lt;br /&gt;
|         |MYSTICAL|PARADISE|&lt;br /&gt;
|         |MYSTICAL|PARADISE|&lt;br /&gt;
|         +-----------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|A European board that actually compet-&lt;br /&gt;
|ed with American popularity, for the&lt;br /&gt;
|first time ever. A heavey set of toll-&lt;br /&gt;
|frees arranged and located in one of&lt;br /&gt;
|the most 64-represented countries, made&lt;br /&gt;
|THE MYSTICAL PARADISE a must-call.&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|  SETBACK: GET PERMANENT TOLLFREES!!&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| THE DUNGEON&lt;br /&gt;
|---------| THE DUNGEON has since the&lt;br /&gt;
|         | days GENESIS*PROJECT picked&lt;br /&gt;
|         | it up been one of the most&lt;br /&gt;
|         | popular systems. 1996 was&lt;br /&gt;
|         | not an exception.&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | ANTIDOTE&lt;br /&gt;
|         | ANTIDOTE breathed in fresh&lt;br /&gt;
|         | air in a declining, Swedish&lt;br /&gt;
|         | boardscene. A dedicated sys-&lt;br /&gt;
|         | op has maintained and care-&lt;br /&gt;
|   d=b   | fully managed the board,&lt;br /&gt;
|   'o'   | making it a pleasant visit&lt;br /&gt;
|   /_\   | within Swedish borders.&lt;br /&gt;
+---------+&lt;br /&gt;
            ___________________________&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
| S U R P R I S E  O F  T H E  Y E A R&lt;br /&gt;
|               +------+&lt;br /&gt;
|               |HITMEN|&lt;br /&gt;
|               |HITMEN|&lt;br /&gt;
|               +------+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|Not only did HITMEN continue at a fai-&lt;br /&gt;
|rly good pace in releasing, but they&lt;br /&gt;
|also released 2 demos that after all&lt;br /&gt;
|were quite impressive for coming from&lt;br /&gt;
|an illegal group. One can only say hats&lt;br /&gt;
|off for the effort|and good luck in&lt;br /&gt;
|1997.             |&lt;br /&gt;
|                  |&lt;br /&gt;
|   SETBACK: ORGANIZATION IS SHOWING&lt;br /&gt;
|      INTEREST IN OTHER FORMATS.&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| NTSC SCENE&lt;br /&gt;
|---------| NTSC-SCENE, headed by the&lt;br /&gt;
|         | magazine DRIVEN, the entire&lt;br /&gt;
|         | American legal market has&lt;br /&gt;
|         | been on heavy expansion dur-&lt;br /&gt;
|         | ing the year. More demos,&lt;br /&gt;
|         | more groups, more people.&lt;br /&gt;
|         | We better watch out for the&lt;br /&gt;
|         | yanks!&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | AVANTGARDE&lt;br /&gt;
|         | AVANTGARDE dies as a group,&lt;br /&gt;
|         | where the active remains&lt;br /&gt;
|   d=b   | continued in F4CG. Better&lt;br /&gt;
|   'o'   | than letting them go down.&lt;br /&gt;
|   /_\   |&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
| C O M E B A C K  O F  T H E  Y E A R&lt;br /&gt;
|                +-----+&lt;br /&gt;
|                |TRIAD|&lt;br /&gt;
|                |TRIAD|&lt;br /&gt;
|                +-----+&lt;br /&gt;
|                  |&lt;br /&gt;
|Triad has not yet managed to threaten&lt;br /&gt;
|the very top in cracking or coding, but&lt;br /&gt;
|taking in consideration the years gone&lt;br /&gt;
|by, one cannot help being happy to see&lt;br /&gt;
|several new faces working their butts&lt;br /&gt;
|off. New cracks have appeared, some of&lt;br /&gt;
|them almost being firstreleased, small-&lt;br /&gt;
|er demos and development of software.&lt;br /&gt;
|                  |&lt;br /&gt;
|  SETBACK: TRIAD ISN'T REALLY TRIAD.&lt;br /&gt;
|   DOES JERRY EVEN BOTHER ANYMORE?&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| REFLEX&lt;br /&gt;
|---------| REFLEX was the group every-&lt;br /&gt;
|         | body counted out after the&lt;br /&gt;
|         | amazing MATHEMATICA. Since&lt;br /&gt;
|         | then, they have not deliv-&lt;br /&gt;
|         | ered anything as good, but&lt;br /&gt;
|         | won a handful of competitons&lt;br /&gt;
|         | I do say. Bring QUISS back!&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         |&lt;br /&gt;
|         |&lt;br /&gt;
|         |              ..&lt;br /&gt;
|         |              &amp;amp;gt;&amp;amp;lt;&lt;br /&gt;
|   d=b   |&lt;br /&gt;
|   'o'   |&lt;br /&gt;
|   /_\   |&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|C R A C K E R   O F   T H E   Y E A R&lt;br /&gt;
|              +---------+&lt;br /&gt;
|              |IGNORANCE|&lt;br /&gt;
|              |IGNORANCE|&lt;br /&gt;
|              +---------+&lt;br /&gt;
|                  |&lt;br /&gt;
|Loved for his work for several years,&lt;br /&gt;
|but 1996 was the year he was praised&lt;br /&gt;
|for the efforts. So be it, as some of&lt;br /&gt;
|the releases from the ALPHA FLIGHT-&lt;br /&gt;
|house speak of days when cracking still&lt;br /&gt;
|wasn an art, and speed a style for the&lt;br /&gt;
|scum. IGNORANCE's strength is in com-&lt;br /&gt;
|bining the two.   |&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|       SETBACK: ANONYMOUS PROFILE.&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| MOONCHILD&lt;br /&gt;
|---------| MOONCHILD is a name on lips&lt;br /&gt;
|         | of the people today. His&lt;br /&gt;
|         | membership in the dead FAIR-&lt;br /&gt;
|         | LIGHT is doubtful, but his&lt;br /&gt;
|         | skills have been rightfully&lt;br /&gt;
|         | used in HITMEN.&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | JACK ALIEN&lt;br /&gt;
|         | JACK ALIEN had a good year&lt;br /&gt;
|         | for both AVANTGARDE and&lt;br /&gt;
|         | F4CG. Combining both fixing&lt;br /&gt;
|         | and crackingskills, some of&lt;br /&gt;
|   d=b   | the work (UPSIDE DOWN) is&lt;br /&gt;
|   'o'   | worth to be checked twice.&lt;br /&gt;
|   /_\   |&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|  C O D E R   O F | T H E   Y E A R&lt;br /&gt;
|               +------+&lt;br /&gt;
|               |MR SEX|&lt;br /&gt;
|               |MR.SEX|&lt;br /&gt;
|               +------+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|FOLLOW THE SIGN 3 was just what we&lt;br /&gt;
|needed in the demoscene. Some pieces&lt;br /&gt;
|of new ideas, wellworked code combin-&lt;br /&gt;
|ed in a very tasteful way, that was&lt;br /&gt;
|later on followed by the rest of the&lt;br /&gt;
|scene in a very duplicating manner.&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|  SETBACK: WE WANT MORE DEMOS. GAMES.&lt;br /&gt;
|       INTROS. UTILITIES. NOW!&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| GREMLIN&lt;br /&gt;
|---------| GREMLIN who has been pro-&lt;br /&gt;
|         | ducing material for BEYOND&lt;br /&gt;
|         | FORCE since 1987. 1O years&lt;br /&gt;
|         | and running, NOTHING BUT&lt;br /&gt;
|         | CODE featured nothing but&lt;br /&gt;
|         | advanced, mindboggling code.&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | PROFI&lt;br /&gt;
|         | PROFI1.O who took PROFIK to&lt;br /&gt;
|         | the charts in 1996. It is&lt;br /&gt;
|         | not yet matching the top of&lt;br /&gt;
|         | the scene, but a good set of&lt;br /&gt;
|   d=b   | productivity and increased&lt;br /&gt;
|   'o'   | quality speaks of a good 97.&lt;br /&gt;
|   /_\   |&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
| A R T I S T   O F|  T H E   Y E A R&lt;br /&gt;
|                +---+&lt;br /&gt;
|                |JOE|&lt;br /&gt;
|                |JOE|&lt;br /&gt;
|                +---+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|Was WRATH DESIGNS contribution the sex-&lt;br /&gt;
|est and most professionally designed&lt;br /&gt;
|demo ever on the Commodore 64? JOE has&lt;br /&gt;
|become an icon on this machine, and we&lt;br /&gt;
|hope for more work|to appear over the&lt;br /&gt;
|coming year. Also check I LOVE YOU from&lt;br /&gt;
|THE PARTY 6.      |&lt;br /&gt;
|                  |&lt;br /&gt;
|      SETBACK: NOT|MUCH RELEASED.&lt;br /&gt;
|                  |&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
| M U S I C I A N  O F  T H E  Y E A R&lt;br /&gt;
|            +------------+&lt;br /&gt;
|            |MITCH   DANE|&lt;br /&gt;
|            |MITCH &amp;amp;amp; DANE|&lt;br /&gt;
|            +------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|Second year in a row, we must award the&lt;br /&gt;
|duo for taking music to a new level.&lt;br /&gt;
|At a time when most musicians on the&lt;br /&gt;
|64 consider normal SID dead, and head&lt;br /&gt;
|for techno, MITCH &amp;amp;amp; DANE deliver a&lt;br /&gt;
|good set of oldschool-music with the&lt;br /&gt;
|touch of the 199O's. Just what we need.&lt;br /&gt;
|                  |&lt;br /&gt;
|    SETBACK: FEW SONGS DURING 1996.&lt;br /&gt;
|   MAYBE A COLLECTION WOULD DO GOOD?&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| JEFF&lt;br /&gt;
|---------| JEFF made a much liked song&lt;br /&gt;
|         | for OXYRON'S dawnfall, late&lt;br /&gt;
|         | 1995, and it came to be us-&lt;br /&gt;
|         | ed in several productions.&lt;br /&gt;
|         | His 2 new songs during 1996&lt;br /&gt;
|         | showed the world, that JEFF&lt;br /&gt;
|         | can fuck up your ears, for&lt;br /&gt;
|         | a long time to come.&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | SHOGOON&lt;br /&gt;
|         | SHOGOON has a passion for&lt;br /&gt;
|         | classic music, something he&lt;br /&gt;
|   d=b   | brings to the sound of the&lt;br /&gt;
|   'o'   | SID - in a truely astonish-&lt;br /&gt;
|   /_\   | ing way. We want more.&lt;br /&gt;
+---------+&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|  S W A P P E R  O F  T H E  Y E A R&lt;br /&gt;
|               +-------+&lt;br /&gt;
|               |CALYPSO|&lt;br /&gt;
|               |CALYPSO|&lt;br /&gt;
|               +-------+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|Has somewhat come to represent the fin-&lt;br /&gt;
|est of traditional swapping across the&lt;br /&gt;
|scene, even though we are heading for&lt;br /&gt;
|a market where everybody is hooked up&lt;br /&gt;
|to the net. If you're not swapping&lt;br /&gt;
|with CALYSO, you're not really swapping&lt;br /&gt;
|at all. So there. |&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|   SETBACK: CUTTING BACK ON CONTACTS.&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| SPLATTERHEAD&lt;br /&gt;
|---------| SPLATTERHEAD maintained his&lt;br /&gt;
|         | immense popularity in the&lt;br /&gt;
|         | charts and among his cont-&lt;br /&gt;
|         | acts, putting him miles&lt;br /&gt;
|         | ahead of the average.&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | EL BANDIDOS&lt;br /&gt;
|         | EL BANDIDOS who rocketed&lt;br /&gt;
|         | every chart for his group&lt;br /&gt;
|         | TRC*SCS. A new face is al-&lt;br /&gt;
|         | ways welcome, especially as&lt;br /&gt;
|         | they bring on tradtion,&lt;br /&gt;
|   d=b   | quality and style.&lt;br /&gt;
|   'o'   |&lt;br /&gt;
|   /_\   | ___________________________&lt;br /&gt;
+---------+&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
| M A G A Z I N E  O F  T H E  Y E A R&lt;br /&gt;
|               +------+&lt;br /&gt;
|               |DRIVEN|&lt;br /&gt;
|               |DRIVEN|&lt;br /&gt;
|               +------+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|As an American magazine, they dared&lt;br /&gt;
|heading for a new target-group, and&lt;br /&gt;
|with that the Ameracan scene once again&lt;br /&gt;
|exploded. The magazine has even manag-&lt;br /&gt;
|ed to get a whole set of European fans.&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|   SETBACK: EVEN THOUGH SHORT, THE&lt;br /&gt;
|      OUTFIT IS TRAGICALLY UGLY.&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| RELAX&lt;br /&gt;
|---------| RELAX is the only European&lt;br /&gt;
|         | magazine that deserves an&lt;br /&gt;
|         | award, as releases have&lt;br /&gt;
|         | been stable through the&lt;br /&gt;
|         | entire year. However, after&lt;br /&gt;
|         | many issues, there is no&lt;br /&gt;
|         | sense of renovation. It is&lt;br /&gt;
|         | well written, but you get&lt;br /&gt;
|         | the feeling that you're re-&lt;br /&gt;
|         | ading the same issue over&lt;br /&gt;
|         | and over again.&lt;br /&gt;
|         | MARC who manages the rele-&lt;br /&gt;
|   d=b   | ase charts would probably&lt;br /&gt;
|   'o'   | need to check in on a few&lt;br /&gt;
|   /_\   | things as well. Credibility&lt;br /&gt;
|         | for instance.&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|   D E M O   O F  |T H E   Y E A R&lt;br /&gt;
|          +-----------------+&lt;br /&gt;
|          |FOLLOW THE SIGN  |&lt;br /&gt;
|          |FOLLOW THE SIGN 3|&lt;br /&gt;
|          +-----------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|Without doubt, the|sexiest release&lt;br /&gt;
|through the entire|year. It was truely&lt;br /&gt;
|amazing to see that the demomarket was&lt;br /&gt;
|not stagnating, but brought on some&lt;br /&gt;
|new, wellpresented ideas. The concept&lt;br /&gt;
|has already been duplicated in several&lt;br /&gt;
|demos.            |&lt;br /&gt;
|                  |&lt;br /&gt;
|      SETBACK: THE 100%-VERSION&lt;br /&gt;
|      HAS NOT YET BEEN RELEASED.&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| NOTHING BUT CODE&lt;br /&gt;
|---------| NOTHING BUT CODE was a pre-&lt;br /&gt;
|         | sentation in how one still&lt;br /&gt;
|         | can present stunning code&lt;br /&gt;
|         | in a sexy way. The music&lt;br /&gt;
|         | was used earlier, but being&lt;br /&gt;
|         | one of the best tracks ever&lt;br /&gt;
|         | on the 64, we didn't mind.&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | CUCUMBER JUICE&lt;br /&gt;
|         | CUCUMBER JUICE 2, may seem&lt;br /&gt;
|         | as an odd decision, but did&lt;br /&gt;
|         | in fact bring on old spirits&lt;br /&gt;
|   d=b   | of a demo, great music and&lt;br /&gt;
|   'o'   | a style we really liked.&lt;br /&gt;
|   /_\   |&lt;br /&gt;
+---------+ __________________________&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|   G A M E   O F  |T H E   Y E A R&lt;br /&gt;
|              +-------+&lt;br /&gt;
|              |CENTRIC|&lt;br /&gt;
|              |CENTRIC|&lt;br /&gt;
|              +-------+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|So REFLEX did well|in the world of&lt;br /&gt;
|gameproduction as well. Several people&lt;br /&gt;
|have been tossing their heads over this&lt;br /&gt;
|game, and by far it kept many busy for&lt;br /&gt;
|days. An added 2-player mode further&lt;br /&gt;
|motivates our decision. 64'er and other&lt;br /&gt;
|64-magazins praised the game.&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
+---------+&lt;br /&gt;
|RUNNERUPS| DENIFIA&lt;br /&gt;
|_________| DENIFIA (ALPHA FLIGHT)&lt;br /&gt;
|         | Wellwritten space-epic.&lt;br /&gt;
|         |&lt;br /&gt;
|         | DAVE SPEED&lt;br /&gt;
|         | DAVE SPEED (ALPHA FLIGHT)&lt;br /&gt;
|         | Splendid Giana-clone.&lt;br /&gt;
|         |&lt;br /&gt;
|         | UPSIDE DOWN&lt;br /&gt;
|         | UPSIDE DOWN (F4CG)&lt;br /&gt;
|         | Puzzle of the year.&lt;br /&gt;
|         |&lt;br /&gt;
|         | BOOM&lt;br /&gt;
|         | BOOM (CHROMANCE)&lt;br /&gt;
|         | Good arcade-adventure.&lt;br /&gt;
|   d=b   |&lt;br /&gt;
|   'o'   | BURAGO RALLY&lt;br /&gt;
|   /_\   | BURAGO RALLY (ONSLAUGHT)&lt;br /&gt;
+---------+ Cars, cars, cars.&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|      DISAPPOINTMENT OF THE YEAR&lt;br /&gt;
|              +-------+&lt;br /&gt;
|              |TRIBUTE|&lt;br /&gt;
|              |TRIBUTE|&lt;br /&gt;
|              +-------+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|The party that seemed to become one&lt;br /&gt;
|of the most successful events of the&lt;br /&gt;
|9O's was cancelled due to lastminute&lt;br /&gt;
|stall by the Swedish Health Care Inst-&lt;br /&gt;
|itute. Hopefully, there will be a new&lt;br /&gt;
|one planned for the future.&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|           ADVANTAGE: NONE&lt;br /&gt;
|                  |&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
|RUNNERUPS| THE PULSE&lt;br /&gt;
|---------| THE PULSE ceases. Editor&lt;br /&gt;
|         | DUKE declares to have lost&lt;br /&gt;
|         | interest and faith in the&lt;br /&gt;
|         | best society of them all.&lt;br /&gt;
|         | Shame on you, for not be-&lt;br /&gt;
|         | lieving. Anymore.&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | ONSLAUGHT&lt;br /&gt;
|         | ONSLAUGHT started out quite&lt;br /&gt;
|         | strongly, but as the second&lt;br /&gt;
|         | half of 1996 started, the&lt;br /&gt;
|         | group failed to deliver and&lt;br /&gt;
|   d=b   | live up to their own words.&lt;br /&gt;
|   'o'   | We hope to see them back.&lt;br /&gt;
|   /_\   |&lt;br /&gt;
+---------+ ___________________________&lt;br /&gt;
&lt;br /&gt;
+------------------+&lt;br /&gt;
|                  |&lt;br /&gt;
|  P A R T Y   O F | T H E   Y E A R&lt;br /&gt;
|                +---+&lt;br /&gt;
|                |X  |&lt;br /&gt;
|                |X96|&lt;br /&gt;
|                +---+&lt;br /&gt;
|                  |&lt;br /&gt;
|                  |&lt;br /&gt;
|Is there another place to visit? Is&lt;br /&gt;
|there a cozier, better and more com-&lt;br /&gt;
|fortable place for a 64-scener? TRC*&lt;br /&gt;
|SCS have a winner at their hands, and&lt;br /&gt;
|the party left out just nothing. This&lt;br /&gt;
|will become the natural mustgo, now&lt;br /&gt;
|that Denmark have closed their doors.&lt;br /&gt;
|                  |&lt;br /&gt;
|    SETBACK: THE DEMOCOMPETION WAS&lt;br /&gt;
|         THE WORST IN HISTORY.&lt;br /&gt;
+------------------+&lt;br /&gt;
&lt;br /&gt;
+---------+&lt;br /&gt;
|RUNNERUPS| ___________________________&lt;br /&gt;
|---------| THE PARTY&lt;br /&gt;
|         | THE PARTY 6 is the only big&lt;br /&gt;
|         | gathering that attracted a&lt;br /&gt;
|         | wide sellection of people.&lt;br /&gt;
|         | Good competitons and atmo-&lt;br /&gt;
|         | sphere, the Danish event&lt;br /&gt;
|         | impressed for the last time.&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | JAZZCAT'S HOUSE BURNING.&lt;br /&gt;
|         | (WITH SPECIAL GUESTS)&lt;br /&gt;
|         |&lt;br /&gt;
|         | ___________________________&lt;br /&gt;
|         | CRAZY POMPOM, MINI-TRIBUTE&lt;br /&gt;
|   d=b   | (F4CG &amp;amp;amp; CENSOR-GOTHENBURG)&lt;br /&gt;
|   'o'   |&lt;br /&gt;
|   /_\   | ___________________________&lt;br /&gt;
+---------+&lt;br /&gt;
&lt;br /&gt;
+--------------+&lt;br /&gt;
|SMALLER AWARDS| MOTIVATED SCENER&lt;br /&gt;
+--------------+ Count Zero/SCS*TRC&lt;br /&gt;
+--------------+&lt;br /&gt;
|              | __________________&lt;br /&gt;
|              | SUPPLIER&lt;br /&gt;
|              | Nightshade/SCS*TRC&lt;br /&gt;
|              |&lt;br /&gt;
|              | __________________&lt;br /&gt;
|              | FTP&lt;br /&gt;
|      d=b     | Digital Dunegon/SCS*TRC&lt;br /&gt;
|      'o'     |&lt;br /&gt;
|      /_\     | __________________&lt;br /&gt;
|              | UTILITY&lt;br /&gt;
|              | Novaterm 9.6&lt;br /&gt;
|              |&lt;br /&gt;
|              | __________________&lt;br /&gt;
|              | INTENSE SCENER&lt;br /&gt;
|              | Tranziie/Hitmen&lt;br /&gt;
+--------------+&lt;br /&gt;
&lt;br /&gt;
+--------------+&lt;br /&gt;
|SMALLER AWARDS| SLOGAN&lt;br /&gt;
+--------------+ &amp;quot;World's #1&amp;quot; - Haha!&lt;br /&gt;
+--------------+ used by Alpha flight&lt;br /&gt;
|              |&lt;br /&gt;
|              | ____________________&lt;br /&gt;
|              | HOMEPAGE&lt;br /&gt;
|              | Propaganda&lt;br /&gt;
|              |&lt;br /&gt;
|      d=b     | ____________________&lt;br /&gt;
|      'o'     | EVENT&lt;br /&gt;
|      /_\     | The Pokergame at X96&lt;br /&gt;
|              |&lt;br /&gt;
|              | ____________________&lt;br /&gt;
|              | SCROLLTEXT&lt;br /&gt;
|              | On Ice/Avantgarde&lt;br /&gt;
|              |&lt;br /&gt;
|              | ____________________&lt;br /&gt;
|              |&lt;br /&gt;
+--------------+&lt;br /&gt;
&lt;br /&gt;
+--------------+&lt;br /&gt;
|SMALLER AWARDS| PR-STUNT&lt;br /&gt;
+--------------+ F4CG-Merchandise&lt;br /&gt;
+--------------+&lt;br /&gt;
|              | ____________________&lt;br /&gt;
|              | LAMEST GROUPNAME&lt;br /&gt;
|              | Streetchildren&lt;br /&gt;
|              |&lt;br /&gt;
|              | ____________________&lt;br /&gt;
|      d=b     | +------------------+&lt;br /&gt;
|      'o'     | |                  |&lt;br /&gt;
|      /_\     | |  The awards were |&lt;br /&gt;
|              | |   nominated and  |&lt;br /&gt;
|              | |   judged by the  |&lt;br /&gt;
|              | | Propaganda staff |&lt;br /&gt;
|              | |   January 1997.  |&lt;br /&gt;
|              | |                  |&lt;br /&gt;
|              | |  .Praise the 64. |&lt;br /&gt;
|              | |                  |&lt;br /&gt;
+--------------+ +------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
              +---------+&lt;br /&gt;
              |so there.|&lt;br /&gt;
              +---------+&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ymgve</name></author>	</entry>

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