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		<id>http://c64mags.untergrund.net/wiki/index.php?action=history&amp;feed=atom&amp;title=Addybook_15_The_Party_93</id>
		<title>Addybook 15 The Party 93 - Revision history</title>
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	<entry>
		<id>http://c64mags.untergrund.net/wiki/index.php?title=Addybook_15_The_Party_93&amp;diff=6445&amp;oldid=prev</id>
		<title>Xiii at 14:44, 27 October 2013</title>
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				<updated>2013-10-27T14:44:47Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
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			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;←Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 14:44, 27 October 2013&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;lt;pre&amp;gt; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#160; &lt;/del&gt;report from THE PARTY'93&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;lt;pre&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/table&gt;</summary>
		<author><name>Xiii</name></author>	</entry>

	<entry>
		<id>http://c64mags.untergrund.net/wiki/index.php?title=Addybook_15_The_Party_93&amp;diff=6444&amp;oldid=prev</id>
		<title>Xiii: Created page with &quot;&lt;pre&gt;   report from THE PARTY'93                --------------------------                                                 by PRI/TIA/OXYRON.                                  ...&quot;</title>
		<link rel="alternate" type="text/html" href="http://c64mags.untergrund.net/wiki/index.php?title=Addybook_15_The_Party_93&amp;diff=6444&amp;oldid=prev"/>
				<updated>2013-10-27T14:44:27Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;lt;pre&amp;gt;   report from THE PARTY&amp;#039;93                --------------------------                                                 by PRI/TIA/OXYRON.                                  ...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;pre&amp;gt;   report from THE PARTY'93        &lt;br /&gt;
       --------------------------       &lt;br /&gt;
                                        &lt;br /&gt;
by PRI/TIA/OXYRON.                      &lt;br /&gt;
                                        &lt;br /&gt;
hello  and  welcome  to another, already&lt;br /&gt;
almost traditional party report of mine.&lt;br /&gt;
as usual, it contains:                  &lt;br /&gt;
                                        &lt;br /&gt;
    1. the party and its events         &lt;br /&gt;
    2. competition results              &lt;br /&gt;
    3. a list of the groups present     &lt;br /&gt;
    4. a personal comment               &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
the party was organized by camelot (64),&lt;br /&gt;
and silents,lemon and spaceballs (amiga/&lt;br /&gt;
pc). it took  place in  a big exhibition&lt;br /&gt;
centre at herning,denmark, starting mon-&lt;br /&gt;
day, december 27th,at 9.00 hours (or was&lt;br /&gt;
it 10.00 ?) and ending wednesday, decem-&lt;br /&gt;
ber 29th, at 15.00 hours. the exhibition&lt;br /&gt;
centre really was a huge place, twice or&lt;br /&gt;
even three times  as big as on any party&lt;br /&gt;
i've ever been to - aars'91,'92 and tcc.&lt;br /&gt;
five (!) of the  nine  halls  were used,&lt;br /&gt;
the biggest one as main party hall, two &lt;br /&gt;
smaller ones  in  addition  for the same&lt;br /&gt;
purpose, as  well as  two for  sleeping.&lt;br /&gt;
the entrance hall had a very representa-&lt;br /&gt;
tive  design, and institutions such as a&lt;br /&gt;
a bank, a kiosk , a cafeteria , a large &lt;br /&gt;
bistro, an ice-cream stand, and of cour-&lt;br /&gt;
se  the  information counter  were to be&lt;br /&gt;
found there. furthermore, there were se-&lt;br /&gt;
veral exhibition  and  selling stands of&lt;br /&gt;
well-known  computer firms in one of the&lt;br /&gt;
smaller party-halls.                    &lt;br /&gt;
the facilities  in  the sleeping-halls  &lt;br /&gt;
were  very  good. many  separating walls&lt;br /&gt;
had been  put  all around there, so  you&lt;br /&gt;
had many little  corners  you  could lay&lt;br /&gt;
down  in. also  special  corridors  were&lt;br /&gt;
marked, so you didn't  have to walk over&lt;br /&gt;
people. best, however, were the large a-&lt;br /&gt;
reas of  isolation mat  laid  out every-&lt;br /&gt;
where! the  only  disturbing  thing were&lt;br /&gt;
the loudspeakers which  never were swit-&lt;br /&gt;
ched  off in  these  halls, so every few&lt;br /&gt;
minutes you were woken up by the organi-&lt;br /&gt;
zers' calls!                            &lt;br /&gt;
talking about loudspeakers, there  did  &lt;br /&gt;
not seem  to  be any electronical signal&lt;br /&gt;
or  jingle to  introduce  the  calls, so&lt;br /&gt;
they kept making &amp;quot;ding-dong&amp;quot;-like noises&lt;br /&gt;
with their own  voices  which really got&lt;br /&gt;
on your nerves later on. but on the who-&lt;br /&gt;
le, the  technical  equipment was rather&lt;br /&gt;
good and also well-positioned: there we-&lt;br /&gt;
re two big  screens, one  quite  big one&lt;br /&gt;
in  one  of the smaller party-halls, and&lt;br /&gt;
one  very big  one in the main hall. the&lt;br /&gt;
projectors were fixed  high above on wi-&lt;br /&gt;
res hanging down from the ceiling, which&lt;br /&gt;
saved a lot of space. the  speakers were&lt;br /&gt;
not that big, but  of good  quality. for&lt;br /&gt;
my taste they only could have been a bit&lt;br /&gt;
louder during the competitions, in order&lt;br /&gt;
to draw  more  attention  to them and to&lt;br /&gt;
carry the sound also to the further cor-&lt;br /&gt;
ners of  the  hall. furthermore, the big&lt;br /&gt;
screen was positioned  not on the short,&lt;br /&gt;
but on the long  side  of the rectangle-&lt;br /&gt;
formed  hall, which made it possible for&lt;br /&gt;
more people to watch it.                &lt;br /&gt;
at last - the showers, as  well as the  &lt;br /&gt;
toilets, were  very  clean, so the clea-&lt;br /&gt;
ning staff did a really good job!       &lt;br /&gt;
like at aars'92, the  party's  own tv-  &lt;br /&gt;
channels  were  broadcast. inbetween  e-&lt;br /&gt;
vents  the screens  were used  in a very&lt;br /&gt;
informative way, showing info such as a-&lt;br /&gt;
bout upcoming competitions and deadlines&lt;br /&gt;
which also  were announced via loudspea-&lt;br /&gt;
ker. furthermore, the whole pogramme and&lt;br /&gt;
time-table  printed  on  paper was to be&lt;br /&gt;
found in  several  corners of the halls.&lt;br /&gt;
quite  a  bit  of  surprise-competitions&lt;br /&gt;
such  as  tug of war, karaoke  and body-&lt;br /&gt;
crashing  (1,5 l coke ex! )  were  being&lt;br /&gt;
held, which was  real fun. for the first&lt;br /&gt;
time ever, programming seminars were of-&lt;br /&gt;
fered; there also was  the  new category&lt;br /&gt;
&amp;quot;dealer demo&amp;quot; in the amiga competitions,&lt;br /&gt;
which, however, only  had  two  entries.&lt;br /&gt;
another new event was  the c64 cult-demo&lt;br /&gt;
show, in which important highlights from&lt;br /&gt;
the old times were shown.               &lt;br /&gt;
in the  competition shows  one  got to  &lt;br /&gt;
see some rather nice stuff  on  all sys-&lt;br /&gt;
tems. it  was, however, striking that a-&lt;br /&gt;
bout  half  of  the  pc demoes  crashed.&lt;br /&gt;
therefore  we  saw an  excellent 64 demo&lt;br /&gt;
show with lots of quality stuff - all in&lt;br /&gt;
all 10 demoes. also in  the graphics and&lt;br /&gt;
the  music  show there were  some rather&lt;br /&gt;
nice contributions to be found.         &lt;br /&gt;
regrettably, the  time limits for  the  &lt;br /&gt;
music  and  the  demo contributions  had&lt;br /&gt;
been reduced  from  5 minutes  for music&lt;br /&gt;
and  20 minutes  for demo (according  to&lt;br /&gt;
camelot's invitation file) to 4 minutes/&lt;br /&gt;
15 minutes (paper invitation). but  most&lt;br /&gt;
of the participating  tunes were already&lt;br /&gt;
faded out after 2 minutes  or even 1.30,&lt;br /&gt;
for no obvious reason -there mostly even&lt;br /&gt;
were long breaks in between. during  the&lt;br /&gt;
demoshow, however, the  total  limit  of&lt;br /&gt;
2 hours and  also  the 15 minutes' limit&lt;br /&gt;
for each  demo  even were exceeded: many&lt;br /&gt;
demo groups, especially  those whose de-&lt;br /&gt;
moes were of  a longer  duration than 15&lt;br /&gt;
minutes, had criticized  the lowering of&lt;br /&gt;
the limit, so  after  long  negotiations&lt;br /&gt;
with the organizers a jury was formed by&lt;br /&gt;
one coder each  participating group. out&lt;br /&gt;
of a total number of 18 this jury selec-&lt;br /&gt;
ted the best 10 demoes to be on the com-&lt;br /&gt;
petition show, which  finally lasted for&lt;br /&gt;
over two and a half hours.              &lt;br /&gt;
                                        &lt;br /&gt;
                                     &amp;gt;&amp;gt;&amp;gt;&lt;br /&gt;
just like last  x-mas, votes had to be  &lt;br /&gt;
delivered on  a specially formatted disk&lt;br /&gt;
which in the end  were to be read out by&lt;br /&gt;
the organizers' computers. this was dis-&lt;br /&gt;
played on the big screen  and was called&lt;br /&gt;
&amp;quot;live  counting&amp;quot;. the  display, however,&lt;br /&gt;
was quite confusing for many paople, and&lt;br /&gt;
even the  organizers  themselves  didn't&lt;br /&gt;
always seem to be sure about the results&lt;br /&gt;
when handing out the prizes: the guy who&lt;br /&gt;
did the talking during the amiga ceremo-&lt;br /&gt;
ny seemed quite  uncertain and sometimes&lt;br /&gt;
wasn't even able  to  read  the winners'&lt;br /&gt;
names from the screen. while  the 64 re-&lt;br /&gt;
sults concerning  demo and  music seemed&lt;br /&gt;
to match with  the  screen  display, the&lt;br /&gt;
graphics results  even differed totally,&lt;br /&gt;
which was supposed to  be due to (quote)&lt;br /&gt;
&amp;quot;some amiga guy&amp;quot; who had  &amp;quot;fucked up the&lt;br /&gt;
system&amp;quot;.                                &lt;br /&gt;
before i come over to  the results i'd  &lt;br /&gt;
like to say that we in oxyron do not ta-&lt;br /&gt;
ke them fully  seriously  as we strongly&lt;br /&gt;
believe the competitions have been mani-&lt;br /&gt;
pulated! (see my comment)               &lt;br /&gt;
                                        &lt;br /&gt;
but now here are the full results.      &lt;br /&gt;
+--------------&amp;gt; demo &amp;lt;----------------+&lt;br /&gt;
                                        &lt;br /&gt;
           place points group           &lt;br /&gt;
      ----------------------------      &lt;br /&gt;
        1.   (1640) CAMELOT             &lt;br /&gt;
        2.   (1328) CENSOR DESIGN       &lt;br /&gt;
        3.   (1044) FOCUS               &lt;br /&gt;
        4.   ( 704) fairlight           &lt;br /&gt;
        5.   ( 400) oxyron              &lt;br /&gt;
        6.   ( 224) dual crew           &lt;br /&gt;
+---------------- demo ----------------+&lt;br /&gt;
                                        &lt;br /&gt;
              place point               &lt;br /&gt;
        -----------------------         &lt;br /&gt;
          7.   ( 168) silicon           &lt;br /&gt;
          8.   (  96) antic             &lt;br /&gt;
               (  96) spirit            &lt;br /&gt;
         10.   (  48) w.o.w.            &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
+------------&amp;gt; graphics &amp;lt;--------------+&lt;br /&gt;
                                        &lt;br /&gt;
          place points artist           &lt;br /&gt;
    -------------------------------     &lt;br /&gt;
      1.   (740)  OXIDY/FAIRLIGHT       &lt;br /&gt;
      2.   (604)  DANE/TRIAD            &lt;br /&gt;
      3.   (364)  DEEKAY/CREST          &lt;br /&gt;
      4.   (288)  mad/padua             &lt;br /&gt;
      5.   (224)  creeper/antic         &lt;br /&gt;
      6.   (220)  stasi/noice           &lt;br /&gt;
      7.   (204)  ivan/smash des.       &lt;br /&gt;
           (204)  joe/antic             &lt;br /&gt;
      9.   (196)  scat/red sector       &lt;br /&gt;
     10.   (188)  floris/chromance      &lt;br /&gt;
     11.   (160)  felidae/reflex        &lt;br /&gt;
     12.   (140)  mirage/focus          &lt;br /&gt;
     13.   ( 76)  electric/extend       &lt;br /&gt;
     14.   ( 72)  syndrom/crest         &lt;br /&gt;
     15.   ( 64)  mystic/crossline      &lt;br /&gt;
     16.   ( 56)  ?/?                   &lt;br /&gt;
     17.   ( 52)  hein holt/focus       &lt;br /&gt;
           ( 52)  shadowolf/paralyze    &lt;br /&gt;
     19.   ( 48)  hi-lite/success       &lt;br /&gt;
     20.   ( 40)  sander/focus          &lt;br /&gt;
           ( 40)  rob/camelot           &lt;br /&gt;
     22.   ( 32)  sdi/alpha flight      &lt;br /&gt;
     23.   ( 24)  p.s./eastgang         &lt;br /&gt;
           ( 24)  drunken man/?         &lt;br /&gt;
     25.   ( 20)  avalanche/atlantis    &lt;br /&gt;
           ( 20)  sundancer/regina      &lt;br /&gt;
     27.   ( 12)  the leader/bsab       &lt;br /&gt;
           ( 12)  awa/tsr/wow           &lt;br /&gt;
           ( 12)  pollux/equinoxe       &lt;br /&gt;
           ( 12)  aeg/smash des.        &lt;br /&gt;
     31.   (  8)  mike/?                &lt;br /&gt;
     32.   (  4)  alcohol/bronx         &lt;br /&gt;
           (  4)  panic/earthquake      &lt;br /&gt;
     34.   (  0)  yoga/wow              &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
+--------------&amp;gt; music &amp;lt;---------------+&lt;br /&gt;
                                        &lt;br /&gt;
          place points artist           &lt;br /&gt;
   -----------------------------------  &lt;br /&gt;
     1.   (1000) RED DEVIL/FAIRLIGHT    &lt;br /&gt;
     2.   ( 488) BLUES/LIGHT            &lt;br /&gt;
     3.   ( 384) ZYRON/ANTIC            &lt;br /&gt;
     4.   ( 320) ody/eastgang           &lt;br /&gt;
     5.   ( 308) amadeus/meka design    &lt;br /&gt;
     6.   ( 176) doh/cryptoburners      &lt;br /&gt;
     7.   ( 160) erik af ekhage/indy    &lt;br /&gt;
     8.   ( 152) licket/noice           &lt;br /&gt;
     9.   ( 148) echo/comic pirates     &lt;br /&gt;
    10.   ( 140) m.harestad/moz(ic)art  &lt;br /&gt;
    11.   ( 124) emax/trsi              &lt;br /&gt;
    12.   ( 100) yoko/fiction           &lt;br /&gt;
    13.   (  92) shark/regina           &lt;br /&gt;
    14.   (  80) tango/triad            &lt;br /&gt;
    15.   (  56) trident&amp;amp;dane/triad     &lt;br /&gt;
          (  56) danko/censor design    &lt;br /&gt;
    17.   (  20) syndrom/tia/crest      &lt;br /&gt;
    18.   (  16) morbid/shazam          &lt;br /&gt;
    19.   (  12) thor/extend            &lt;br /&gt;
          (  12) b.i.o./creatures       &lt;br /&gt;
    21.   (   0) pri/tia/oxyron         &lt;br /&gt;
          (   0) herr tie/mtv           &lt;br /&gt;
          (   0) the alien/b.c.d.       &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                +-----+                 &lt;br /&gt;
now for a  (probably incomplete) list of&lt;br /&gt;
the groups present at the party:        &lt;br /&gt;
                                        &lt;br /&gt;
alpha flight, amnesia, antic,  atlantis,&lt;br /&gt;
black code,bronx, bsab, camelot, censor,&lt;br /&gt;
chromance,comic pirates,crest,creatures,&lt;br /&gt;
crossline, dual crew,eastgang, equinoxe,&lt;br /&gt;
excess,extend, fairlight, fiction,focus,&lt;br /&gt;
genesis, jam, light, lore of arts, meka,&lt;br /&gt;
noice, oxyron, padua,  paralyze, reflex,&lt;br /&gt;
regina, silicon, smash, spirit, success,&lt;br /&gt;
tia, topaz, trc, triad, trsi, wow.      &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
well, now i will  come  over to the last&lt;br /&gt;
part of  this report: the  personal com-&lt;br /&gt;
ment!                                   &lt;br /&gt;
first off- in my opinion, on the whole  &lt;br /&gt;
this party was the  most  well organized&lt;br /&gt;
one so far, except for one important as-&lt;br /&gt;
pect: the competitions, that is, the mu-&lt;br /&gt;
sic show, the confusing mode of counting&lt;br /&gt;
and announcing the winners, and of cour-&lt;br /&gt;
se the results.                         &lt;br /&gt;
while in camelot's file-invitation the  &lt;br /&gt;
time limit for each tune had been set to&lt;br /&gt;
5 minutes, it had been reduced to 4 when&lt;br /&gt;
the paper-invitation  came out. but none&lt;br /&gt;
of the tunes was  actually played longer&lt;br /&gt;
than two or even only one and a half mi-&lt;br /&gt;
nutes! a lot of people -including myself&lt;br /&gt;
- were  quite  pissed  about  this. many&lt;br /&gt;
composers had done  tunes  which were a-&lt;br /&gt;
bout  three  or  four minutes  long  and&lt;br /&gt;
which they had spent quite a bit of work&lt;br /&gt;
in. it seems many  people do not realize&lt;br /&gt;
that it is very  important  to listen to&lt;br /&gt;
the whole  tune, not  only to  its first&lt;br /&gt;
one or two  minutes. when  you look at a&lt;br /&gt;
picture, you don't  only watch the lower&lt;br /&gt;
or the upper part, either - you look  at&lt;br /&gt;
the whole one! and that's what it should&lt;br /&gt;
be  like  concerning  music. some  tunes&lt;br /&gt;
need a longer  time  to build up, others&lt;br /&gt;
have major changes only after some minu-&lt;br /&gt;
tes, and so on. so  if  you don't listen&lt;br /&gt;
long enough, you  might estimate the tu-&lt;br /&gt;
ne's  character and  quality wrongly! so&lt;br /&gt;
to all future party organizers: make su-&lt;br /&gt;
re to play all tunes  fully, and if this&lt;br /&gt;
is not possible, form  a  jury to select&lt;br /&gt;
the best ones. better disadvantage  only&lt;br /&gt;
some competitors than all of them!      &lt;br /&gt;
  over to the  next point - the counting&lt;br /&gt;
of the votes. while  at aars'92 the pro-&lt;br /&gt;
mised &amp;quot;live counting&amp;quot; had not taken pla-&lt;br /&gt;
ce, it was realized  this time, but in a&lt;br /&gt;
quite confusing way. without  any intro-&lt;br /&gt;
duction, they  started  to display info-&lt;br /&gt;
screens containing data about the parti-&lt;br /&gt;
cipants and their  current  positions in&lt;br /&gt;
each   competition.  regrettably   these&lt;br /&gt;
screens were flipped  quite fast, and so&lt;br /&gt;
it wasn't really  possible  to gain much&lt;br /&gt;
information  from  them, which  lead  to&lt;br /&gt;
confusion  among  people. finally,  when&lt;br /&gt;
all votes had been counted and the win- &lt;br /&gt;
ners were to be announced,the organizers&lt;br /&gt;
did not even seem to be able to stop the&lt;br /&gt;
required display for each competition as&lt;br /&gt;
it kept switching over all the time.    &lt;br /&gt;
furthermore there didn't seem to be a-  &lt;br /&gt;
ny monitor or not  even any written form&lt;br /&gt;
which told the  organizers  the results,&lt;br /&gt;
so they always had to  twist their heads&lt;br /&gt;
to read from  the  big  screen, in which&lt;br /&gt;
one of the amiga  organizers even failed&lt;br /&gt;
as he wasn't able to read the names! ri-&lt;br /&gt;
diculous really...                      &lt;br /&gt;
now some words on the disk-voting sys-  &lt;br /&gt;
tem, which in my opinion perhaps is easy&lt;br /&gt;
to handle by the organizers, but defina-&lt;br /&gt;
tely inconvenient for the voters: as on-&lt;br /&gt;
ly the competitor's  number, but not his&lt;br /&gt;
name is counted, it is  hard to memorize&lt;br /&gt;
all numbers you want  to vote for, espe-&lt;br /&gt;
cially  if  there is a greater amount of&lt;br /&gt;
competitors and  if  you  perhaps change&lt;br /&gt;
your  mind  during a compo show. to help&lt;br /&gt;
the people out  who  had  forgotten  the&lt;br /&gt;
numbers, only  one  or  two  small lists&lt;br /&gt;
were  laid  out at the information coun-&lt;br /&gt;
ter, however, the 64 demo-compo was left&lt;br /&gt;
out there! the voting system at tcc  had&lt;br /&gt;
been much better - you had all the names&lt;br /&gt;
and numbers displayed  on one screen and&lt;br /&gt;
could enter your votes directly into the&lt;br /&gt;
computer. i do hope people stick to this&lt;br /&gt;
system in the future!                   &lt;br /&gt;
but now let me finally lose some words  &lt;br /&gt;
about the competition results. what fol-&lt;br /&gt;
lows now does not only represent my per-&lt;br /&gt;
sonal  opinion, but  also  those  of  my&lt;br /&gt;
groupmates, furthermore  those  of  many&lt;br /&gt;
other people i spoke to at the party.   &lt;br /&gt;
if you take a  closer look  at the re-  &lt;br /&gt;
sults, you  surely  will  agree  with my&lt;br /&gt;
claim that there  has  been  some  VOTE-&lt;br /&gt;
CHEATING going on, or  the  results have&lt;br /&gt;
been FAKED, or even both.               &lt;br /&gt;
  look at  the  demo-results. camelot at&lt;br /&gt;
#1 is absolutely justified, censor at #2&lt;br /&gt;
is ok, too. but focus at #3, in front of&lt;br /&gt;
fairlight and oxyron? very strange. dual&lt;br /&gt;
crew and silicon in front of  spirit and&lt;br /&gt;
antic? weird. (already  when the coders'&lt;br /&gt;
jury selected  the  10 best demoes, e.g.&lt;br /&gt;
ours was ranked top 3 or higher, so... )&lt;br /&gt;
there also was  a  rumour circulating,  &lt;br /&gt;
saying fairlight-members  were  supposed&lt;br /&gt;
to have delivered a lot of disks contai-&lt;br /&gt;
ning  votes for  themselves. this  would&lt;br /&gt;
explain why on  both  music and graphics&lt;br /&gt;
compo there are fairlight-members at #1.&lt;br /&gt;
another fact which adds to this supposi-&lt;br /&gt;
tion is red devil  getting  the exact a-&lt;br /&gt;
munt of 1000 points, while the differen-&lt;br /&gt;
ce to #2 is over 500 points. now if this&lt;br /&gt;
is not cheated  you  can call me moskva-&lt;br /&gt;
tv! not to mention  my  own place at #21&lt;br /&gt;
with 0 (in  words: zero) points. absolu-&lt;br /&gt;
tely ridiculous... without any arrogance&lt;br /&gt;
- i was one of the  most well-known com-&lt;br /&gt;
posers there, and i  dare to say my tune&lt;br /&gt;
wasn't bad either, furthermore there we-&lt;br /&gt;
re quite some  people  who  told me they&lt;br /&gt;
had voted me top 5  or  higher, so don't&lt;br /&gt;
try to tell me anything...              &lt;br /&gt;
there are some  more curiosities to be  &lt;br /&gt;
found in both the music and graphics re-&lt;br /&gt;
sults, e.g hein holt  only  at #17, even&lt;br /&gt;
lower than the  FAKE  picture &amp;quot;crossfire&lt;br /&gt;
sucks&amp;quot; at #16, and so on...  furthermore&lt;br /&gt;
the rather doubtful excuse that &amp;quot;some a-&lt;br /&gt;
miga guy&amp;quot; was supposed  to  have &amp;quot;fucked&lt;br /&gt;
up the system&amp;quot;  when  the organizers did&lt;br /&gt;
the announcement of the 64 graphics win-&lt;br /&gt;
ners, which  was  absolutely incongruent&lt;br /&gt;
to the display on the big screen.       &lt;br /&gt;
to put it in a nutshell - i do not ha-  &lt;br /&gt;
ve any proofs  for  my claim, but it all&lt;br /&gt;
seems very suspicious, doesn't it? so in&lt;br /&gt;
my and also many other  people's opinion&lt;br /&gt;
either  the  organizers  must  have  had&lt;br /&gt;
their hands in there somewhere, or there&lt;br /&gt;
must have been some  voters who cheated,&lt;br /&gt;
or even both.                           &lt;br /&gt;
anyway, as the whole party was so much  &lt;br /&gt;
fun it is really a pity that these inci-&lt;br /&gt;
dents occured at the  end, so  the great&lt;br /&gt;
atmosphere suddenly  was  destroyed. but&lt;br /&gt;
i still think  on  the  whole  it  was a&lt;br /&gt;
great event and a milestone  in the his-&lt;br /&gt;
tory of parties. - now  my  wish for the&lt;br /&gt;
next party is: general organization like&lt;br /&gt;
herning, voting  system  like  tcc, fair&lt;br /&gt;
competitions and decent results like tcc&lt;br /&gt;
or aars! let's see if it comes true...  &lt;br /&gt;
                                        &lt;br /&gt;
                +-----+                 &lt;br /&gt;
at last i  would  like  to  make clear  &lt;br /&gt;
that my  comment is  ment to be taken as&lt;br /&gt;
serious  matter-of-fact  criticism,  but&lt;br /&gt;
definately not as  any personal offence.&lt;br /&gt;
so i hope there won't  occur any hostile&lt;br /&gt;
feelings!                               &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
if anybody would like to comment on this&lt;br /&gt;
feel free to contact me under:          &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
              xxxxxx xxxxx              &lt;br /&gt;
              xxxxxx xxxx               &lt;br /&gt;
            xxxxx xxxxxxxxx             &lt;br /&gt;
                germany                 &lt;br /&gt;
                                        &lt;br /&gt;
            +49(0)xxxxxxxxxx            &lt;br /&gt;
i'm off the keys...                     &lt;br /&gt;
                                        &lt;br /&gt;
                   yours,               &lt;br /&gt;
                                        &lt;br /&gt;
                         PRI/TIA/OXYRON &lt;br /&gt;
                        +--------------+&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>Xiii</name></author>	</entry>

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