Skyhigh 19 Shuze'n'socks
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Shuze'n'socks The main (-ish) man returns in issue 19 of this great tome of knowledge... Yes, you have reached the chapter written by the guy who knows nothing about everything, but everything about nothing... Yes, what else could it be but Shuze/Afl's chapter? That's right, Shuze and Socks. You know, over the years I have been on the scene, I have taken quite a lot of shit about my handle, with people saying it is a lame handle, and that it me calling my disknotes Shuze and Socks is even lamer. Well, I am pissed off lately, so all I can say to those people is that I will do what I want. I am sick of conventionalism in real life, and in the scene. If I don't want to send out every two days, why should I? If I don't want to send the hottest wares, why should I have to be bothered about it? It's like in life, if I don't want to sit in the cantine at college, why should I have to? Where are the rules that say everyone has to sit in the cantine? Who wrote these rules? Just lately, I have noticed the major problem with the scene. Everyone is the same! Bear with me for a minute.... Look at all the major first release groups (I consider them to be AVT, AFL, SCS+TRC, Chromance, Onslaught, Hitmen, F4CG, and Motiv8) Virtually all of them are the same. In each group you have a select few individuals who do all the work. In nearly all the groups you have a demo section (a recent idea, and a particularly shite one in my opinion). All run the same system of having a board in the USA, and a few Euro boards. All follow the same pattern, until one group has a new idea, then the rest will follow. Look a the demo section idea. F4CG got one, so all of a sudden, there was Onslaught, Motiv8, Chromance (although I think that the posse did it first) and so did Avantgarde. Why? Who needs a demo section in a cracking group? It is just a cop-out. The whole idea is that if, for some reason, the first release suppliers fail, or the group loses their boards, then they will have a demo section to fall back on. It is just too easy. I think it is alright for a group to have a few people who are interested in making demos (like with Zar/<C>), but when you get people like Devil being recruited to a cracking group, all it does is vastly reduce the amount of demo groups (notice that since F4CG recruited their demo section, Noice is about to die). Where is all this leading? I think that if the scene survives another year or two (in a decent form), we will find that there will be only a few major supergroups left. I can see it happening, as people are coaxed away from pure demo groups, by the offers of cards (as everyone likes to have cards to call out, no matter what their opinions are on games) and that will eventually lead to the death of a lot of groups. The first sign of this is with Onslaught, and their side group, Onslaught Design. They are recruiting people from Crest, Chorus, and more, maybe causing the death of those groups. Sure, I don't think it is bad that Onslaught wish to make a demo section of their group, but I am just unfortunately forced to use them as an example at the moment. Maybe the leaders of groups, suvch as Onslaught, should consider the common idea of an inactive list.. That has always seemed like a good idea to me, although you do tend to lose members somewhere along the line... --------------------------------------------- Oh yes, I just remembered. In case you read the new issue of Vandalism News (issue 23...), and had a quick peek at the Lighterside chapter, you would have read the bit about me being stolen! Don't be worried! I was soon found again, and the gang who stole me have been apprehended... Hehehe, I do like those Lighterside chapters, especially the one in Vandalism News. It is my favourite chapter in the magazine, simply because of Vengeance's nice way of joking about people, without going too far (but it was good to see him admit he may have crossed the line in a previous issue, by using the mag just to get at Alphaflight). It is things like that which give me a bit of faith in this ever squabbling scene, when someone in such a high ranking position as Vengeance admits a mistake, as so many other sceners would not have shown Matt's great editorial prowess, and spoken so honestly. Maybe Matt's eloquence is helped by the fact he speaks English as a first language. While thinking about that idea, I remember someone mentioned to me a while back about the problem with having people who do not speak English as their first language. He said it was because they do not understand sarcasm properly. I am going to stick my neck on the line here, and agree with that statement. People who do not have good English skills (by "good" I mean that they speak English fluently (like Nastiness Inc, Duke, Biz Kid, Bizarre, Mr Warp, Antifan, and so on)) do often miss sarcastic comments. I have often got in trouble in the past for speaking sarcastically, be it on the phone, or in a note. It is like if I said this: "Oh yeah, the Airwolf Team, they WERE elite" Obviously, due to the subject of the sentence, I am speaking sarcastically (no offence to old AWT members, some of them are my best scene friends), but some people who do not have a great grasp of the English language would not realise that I was being sarcastic, and would rag on me for saying that the AWT was an elite group! It has happened in the past to me, when I said to someone on the phone: "Hehehe (we had been joking), you're just a lamer...." And he took great offence at this, as the guy I was speaking to was what you could call "elite", if you believed in that. Whereas, when I speak to someone else, who speaks fluent English, they would just joke back. It is a problem when you have people of all levels of English speaking in the scene, but I really do think that now and again, some people could do with looking at what they are about to do after someone made a comment, and seeing if it was meant as a jibe, or small joke, or if it really was meant to be hurtful. Its in the context of the thing.... --------------------------------------------- I have been thinking a lot about the scene lately, mainly because I had some serious thought about quitting all my activities, due to an excess of work and too much life left to live while I am young. I came up with one major thing. The scene is not just a hobby, it is a sort of mini-community, that is, it is a kind of lifestyle, much like if you go to school, there are all the people in your class, except the scene is a bit bigger. And in a class, you have people that you like, and people that you don't. Usually, you find there are about equal numbers of people you like or don't. Then look at the scene. For some reason, everyone believes you have to get on with all other people. But why? For the scene to work and not to be incredibly boring, you need people that you like, and people that you don't. If you don't have a combination like that you will be bored, as I don't know about you, but there are people at my college that I absolutely love to take the piss out of, and people that I am good friends with. For a lot of people, there is the odd group here and there that they insult, but it is very rare for people to openly show they dislike someone, or it is straight away called a war! I personally dislike one person on the scene a hell of a lot (I won't say who he is, as it isn't right to use this chapter just to rag on people), and I enjoy ragging on him, and insulting him, mainly because anyone who hears me ragging on him knows what a lamer he really is, and that mean it is usually quite funny. But people say to me "You shouldn't rag on people", "It isn't right to provoke a war". If you rag on someone in a classroom, like I know I do in college, as I am particularly nasty to a lot of the geeks in my classes, people will either laugh along or say "that is cruel". They do not say to you "It isn't right to start a war of words with someone". If they did, people would usually throw stuff at them or tell them to shut up for being a complete nerd by saying that. So if the scene is a community, like I have said, why can't I rag on someone if I want to? Sure, I think that there is a line you shouldn't cross, and that you have to be careful you don't go too far in your raggings on people, as sometimes you can go to far (which can cause a war or something like that), but surely I can just say "I don't like this person" without everyone getting on their high horses and accusing me of being lame for saying so. I'm sorry to have to say that, but that is just one more of the things that pisses me off on this scene, with all the people who seem so fragile and weak that they can't understand that sometimes you just have your own opinions on something..... Oh well.... --------------------------------------------- OK, I want to just go onto a completely non-scene subject now (well, it has a little to do with all the anti-nazi attitudes in the scene). If you remember all the reports there were when Germans went to see the film Schinder's List, and came out truly shocked by the brutality of the Nazi's and so on. Well, I went to see the film Braveheart the other day, and I must admit to having an idea how horrified all those German's were. Being English, there were points during the film when I was ashamed to actually be English, seeing the true nature of my ancestors (although my parents are Scottish, so I held some hope that maybe I could consider myself to have descended from a decent race). It was just amazing to see what the English, supposedly the world's most civilised race, had done in the past. I would advise anyone to go and see that film... --------------------------------------------- Anyway, this has been a rather slow, and sombre chapter, mainly due to my boredom of the scene lately, so I will end with a few phrases for all non-German's to use in their notes: "Sie Schnitzelrancher" "You bag of Schnitzel" "Haben Sie sich etwa in mich verliebt?" "Could it be you have fallen in love with me?" "Was fur ein Tier war das?" "Which animal was this?" OK, you can all probably find a few times to slip those little phrases into your notes to people, and I am finished for now, as I think I have gone on about nothing for long enough. Shuze/Afl'70 ?-----