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		<title>Jazzcat: Created page with &quot;&lt;pre&gt;           E D I T O R I A L            -----------------  welcome to the EDITORIAL of THE LINK. this chapter is divided into the following sections:     1. CREDITS FOR T...&quot;</title>
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				<updated>2013-01-09T10:25:52Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;lt;pre&amp;gt;           E D I T O R I A L            -----------------  welcome to the EDITORIAL of THE LINK. this chapter is divided into the following sections:     1. CREDITS FOR T...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;pre&amp;gt;           E D I T O R I A L&lt;br /&gt;
           -----------------&lt;br /&gt;
&lt;br /&gt;
welcome to the EDITORIAL of THE LINK.&lt;br /&gt;
this chapter is divided into the&lt;br /&gt;
following sections:&lt;br /&gt;
&lt;br /&gt;
   1. CREDITS FOR THE LINK&lt;br /&gt;
   2. HELP SCREEN FOR LINK OPERATION&lt;br /&gt;
   3. UPTONOGOOD'S IMPORTANT MESSAGES&lt;br /&gt;
   4. GIORGIO ARMANI'S SAY&lt;br /&gt;
&lt;br /&gt;
ok, let's roll with the show...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
CREDITS FOR ISSUE TEN:&lt;br /&gt;
-----------------------&lt;br /&gt;
&lt;br /&gt;
coding:      giorgio armani/tsr-plx&lt;br /&gt;
graphics:    megazzap/paralax&lt;br /&gt;
music:       neptune/tsr&lt;br /&gt;
             oliver klee/dos&lt;br /&gt;
fli-sprite:  giorgio armani/tsr-plx&lt;br /&gt;
char-set:    unknown&lt;br /&gt;
editor:      uptonogood/tsr&lt;br /&gt;
co-editors:  guru/tsr&lt;br /&gt;
             giorgio armani/tsr-plx&lt;br /&gt;
             megazzap/paralax&lt;br /&gt;
             rogue/tsr&lt;br /&gt;
&lt;br /&gt;
menu system:&lt;br /&gt;
------------&lt;br /&gt;
&lt;br /&gt;
use joystick to move around. click ICONS&lt;br /&gt;
to select chapters. click on THE STAR to&lt;br /&gt;
load your own tune. TUNE must locate at&lt;br /&gt;
$1000-1FFF. select tune by entering the&lt;br /&gt;
initial  eg. enter P for pianotune.dmc!&lt;br /&gt;
&lt;br /&gt;
in chapter reader, use DOWN &amp;amp;amp; RIGHT to&lt;br /&gt;
go forward, LEFT &amp;amp;amp; UP to go back a page.&lt;br /&gt;
click on button for menu.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
EDITOR: UPTONOGOOD'S IMPORTANT MESSAGE!!&lt;br /&gt;
&lt;br /&gt;
welcome to the editorial section of this&lt;br /&gt;
mag.  i can tell you now that this will&lt;br /&gt;
be a VERY long editorial as there is a&lt;br /&gt;
lot to be said.&lt;br /&gt;
&lt;br /&gt;
first i would like to thank those,who's&lt;br /&gt;
efforts have helped in putting this mag&lt;br /&gt;
out.  MEGAZZAP/PARALAX for the gfx done&lt;br /&gt;
in this issue.  GIORGIO ARMANI/TSR for&lt;br /&gt;
the coding of this mag.  GURU/TSR for&lt;br /&gt;
electronics he has done. and anyone else&lt;br /&gt;
i have forgotten to say thanks to. also,&lt;br /&gt;
i hope that you like this character set!&lt;br /&gt;
now to the important things i would to&lt;br /&gt;
get off my chest.  it has been brought&lt;br /&gt;
to my attention that there are those out&lt;br /&gt;
there that were not happy with the 8TH&lt;br /&gt;
issue of this mag.&lt;br /&gt;
&lt;br /&gt;
you people know who i am referring to,do&lt;br /&gt;
you not.  i was in no way responsible&lt;br /&gt;
for the comments made in the EDITORIAL&lt;br /&gt;
of that issue,and just because my name&lt;br /&gt;
appeared as co-editor,dosen't mean that&lt;br /&gt;
i had a hand in writing the BLOODY thing&lt;br /&gt;
&lt;br /&gt;
yes i did my usual sections,namely the&lt;br /&gt;
addies,charts,reactions,news,humour and&lt;br /&gt;
the message section,but i repeat i did&lt;br /&gt;
not have a hand in writing the editorial&lt;br /&gt;
&lt;br /&gt;
if you people would like to make your&lt;br /&gt;
comments in this mag,feel free to do so,&lt;br /&gt;
and i can assure you,that they will get&lt;br /&gt;
published in any issue you want.&lt;br /&gt;
&lt;br /&gt;
i had a conversation with STIGS/MSR the&lt;br /&gt;
other day,who said that there was a lot&lt;br /&gt;
of upset people out there,well i am now&lt;br /&gt;
giving you the chance to have your say!&lt;br /&gt;
&lt;br /&gt;
yes i will say that i made a mistake by&lt;br /&gt;
not reading the editorial before sending&lt;br /&gt;
it out.  i have explained that because&lt;br /&gt;
of the magazine coming out late,i had no&lt;br /&gt;
time to check everything as i have a lot&lt;br /&gt;
of packs to make up at this time of the&lt;br /&gt;
month,but i can assure you it will never&lt;br /&gt;
happen again.&lt;br /&gt;
&lt;br /&gt;
i issue this WARNING to all members of&lt;br /&gt;
TSR.  i will not tolerate any slagging&lt;br /&gt;
of another member of any group what so&lt;br /&gt;
ever.  we are here to promote the OZ&lt;br /&gt;
scene,not bring it down.  so if you have&lt;br /&gt;
a problem with another member of our or&lt;br /&gt;
any other group,or for that matter any&lt;br /&gt;
group,then talk to me,i am always here&lt;br /&gt;
to listen to your problems,so feel free&lt;br /&gt;
to talk to me any time.  i know that if&lt;br /&gt;
we can keep our noses clean and get on&lt;br /&gt;
with promoting the scene here,then we&lt;br /&gt;
will have acheived something.&lt;br /&gt;
&lt;br /&gt;
i am sorry to bore the shit out of the&lt;br /&gt;
rest of the readers,but these comments&lt;br /&gt;
have upset me greatly.  as i stated to&lt;br /&gt;
STIGS/MSR,that i have been on the scene&lt;br /&gt;
now for the last 12 months and said to&lt;br /&gt;
him have you heard any complaints about&lt;br /&gt;
me before and his reply was no i haven't&lt;br /&gt;
&lt;br /&gt;
so i ask my fellow sceners to give this&lt;br /&gt;
new management a FAIR go at running this&lt;br /&gt;
group.&lt;br /&gt;
&lt;br /&gt;
i know we have the abilities to produce&lt;br /&gt;
some good wares and in the coming months&lt;br /&gt;
will endeavour to set high standards&lt;br /&gt;
amongst our fellow AUSSIES.&lt;br /&gt;
&lt;br /&gt;
so lets start the ball rolling with the&lt;br /&gt;
release of this issue of THE LINK 10.&lt;br /&gt;
&lt;br /&gt;
i hope this statement will appease the&lt;br /&gt;
feelings that some of you had towards&lt;br /&gt;
our last management.  so sit back and&lt;br /&gt;
enjoy yourselves on the scene and always&lt;br /&gt;
remember the SCENE is bigger than any 1&lt;br /&gt;
member or group.  long live the 64 scene&lt;br /&gt;
&lt;br /&gt;
thank you for taking the time to read&lt;br /&gt;
this article,but its something that had&lt;br /&gt;
to be said,and i make no apologies to&lt;br /&gt;
anyone for THE LINK 8 editorial.&lt;br /&gt;
&lt;br /&gt;
now on a lighter note we at TSR are very&lt;br /&gt;
proud to present THE LINK 10.&lt;br /&gt;
&lt;br /&gt;
in this issue you will find the usual&lt;br /&gt;
sections,but as you noticed in THE LINK&lt;br /&gt;
9 issue we have introduced a new section&lt;br /&gt;
called ELECTRONICS where we will try to&lt;br /&gt;
help those people who want to learn some&lt;br /&gt;
thing about computers etc.  such as how&lt;br /&gt;
to put in a reset switch.  GURU and my-&lt;br /&gt;
self will show you with diagrams and&lt;br /&gt;
instructions how to fix most of your&lt;br /&gt;
nagging problems.&lt;br /&gt;
&lt;br /&gt;
so if you have anything that you would&lt;br /&gt;
like to know about repairs or setting up&lt;br /&gt;
then please drop us a line and we will&lt;br /&gt;
be only to happy to help you.&lt;br /&gt;
&lt;br /&gt;
also i would like to announce that the&lt;br /&gt;
amalgamtion between TSR-PLX has gone and&lt;br /&gt;
we have become a friendship co-op with&lt;br /&gt;
PLX and both groups will now produce&lt;br /&gt;
their own wares and magazines.  i think&lt;br /&gt;
this is the way to go and so does PINK&lt;br /&gt;
PANTHER.&lt;br /&gt;
&lt;br /&gt;
this way we will have a mag released in&lt;br /&gt;
the first few days of the month and one&lt;br /&gt;
at the end of the month.  that way we&lt;br /&gt;
will be able to keep you up to date on&lt;br /&gt;
what is happening in the land of OZ.&lt;br /&gt;
&lt;br /&gt;
so in finishing this editorial let me&lt;br /&gt;
add that the main thing to be gained out&lt;br /&gt;
of the scene is the friendships that are&lt;br /&gt;
made both here and overseas so lets all&lt;br /&gt;
work together i am sure that we can keep&lt;br /&gt;
the scene alive a lot longer.&lt;br /&gt;
&lt;br /&gt;
so enjoy life and all the best in 1993&lt;br /&gt;
keep up the good work everybody.&lt;br /&gt;
remember let there be PEACE and not WAR&lt;br /&gt;
in this scene.&lt;br /&gt;
&lt;br /&gt;
before i forget,i would like to take&lt;br /&gt;
this opportunity to thank all of those&lt;br /&gt;
people,who have helped in making this&lt;br /&gt;
mag.  namely the coders,gfx's musos and&lt;br /&gt;
those who made intro's for us.  we thank&lt;br /&gt;
you very much.  we hope you like this&lt;br /&gt;
new format.        UPTONOGOOD/TSR EDITOR&lt;br /&gt;
CO-EDITOR: GIORGIO ARMANI'S WORD...&lt;br /&gt;
&lt;br /&gt;
i like to extend my welcome to all of&lt;br /&gt;
you dear people for all your support in&lt;br /&gt;
the past. the link has now matured to&lt;br /&gt;
its TENTH issue. i'm looking forward to&lt;br /&gt;
the 20TH already! there are a lot of&lt;br /&gt;
things we can be proud of. link has grew&lt;br /&gt;
to become the leading mag of the oz&lt;br /&gt;
scene. it can now be proud and loud to&lt;br /&gt;
say that we have the most reliable&lt;br /&gt;
charts. we certainly are keeping our&lt;br /&gt;
standard to very high. a big thanks to&lt;br /&gt;
all our readers who beared with LINK&lt;br /&gt;
since its infancy. now to its more&lt;br /&gt;
mature phase, you can now expect only&lt;br /&gt;
better as issues goes by. i, myself,&lt;br /&gt;
have very high hopes for the LINK and&lt;br /&gt;
THE SECOND RING as THE SECOND TO NONE&lt;br /&gt;
group producing quality which the oz&lt;br /&gt;
scene deserves.&lt;br /&gt;
&lt;br /&gt;
of course, we do other things, too.&lt;br /&gt;
tsr will be releasing demos in the near&lt;br /&gt;
future to celebrate the scene years for&lt;br /&gt;
tsr. let's have some fun together by&lt;br /&gt;
promoting this great scene.&lt;br /&gt;
&lt;br /&gt;
i do, as many others would, hope that&lt;br /&gt;
no more slagging for the scene. and i&lt;br /&gt;
hope that STIG can lay down the past and&lt;br /&gt;
look forward to the future. it certainly&lt;br /&gt;
won't do anybody any good shall this&lt;br /&gt;
affair be prolonged.&lt;br /&gt;
&lt;br /&gt;
if STIG and others are after some sort&lt;br /&gt;
of apology for what happened. i'll say&lt;br /&gt;
it if the scene can go back to normal. i&lt;br /&gt;
say that because i know alot of people&lt;br /&gt;
are doing things behind other people.&lt;br /&gt;
an example would be grabbing members of&lt;br /&gt;
a group to join another so as to&lt;br /&gt;
achieve some kind of objective whatever&lt;br /&gt;
they may be. of course, this brings&lt;br /&gt;
instability to the scene as a whole.&lt;br /&gt;
i can claim that, australia would have&lt;br /&gt;
the highest turnover in people&lt;br /&gt;
movement in the world. that's because of&lt;br /&gt;
things that are going on. also, how long&lt;br /&gt;
can a group last (without merging or&lt;br /&gt;
breaking-up and reforming or renaming)?&lt;br /&gt;
can anyone tell me how many group in oz&lt;br /&gt;
has lasted for more than 2 years with&lt;br /&gt;
the above condition? then answer me the&lt;br /&gt;
question: WHY IS THIS HAPPENING?&lt;br /&gt;
&lt;br /&gt;
there's no point dragging on in this&lt;br /&gt;
issue but to say: STOP IT!!! because&lt;br /&gt;
there is no other solution. god save the&lt;br /&gt;
oz scene...&lt;br /&gt;
please send your feedback to TSR. we are&lt;br /&gt;
very much interested in your idea of how&lt;br /&gt;
the scene may serve its prime purpose:&lt;br /&gt;
TO HAVE LOTS OF FUN. and let us don't&lt;br /&gt;
lose sight of that fact. let us not&lt;br /&gt;
bring it down to feed your ego. and let&lt;br /&gt;
us work together to bring FRIENDSHIP,&lt;br /&gt;
UNITY AND FUN-FUN-FUN!!!!!!&lt;br /&gt;
&lt;br /&gt;
                        giorgio armani&lt;br /&gt;
                        co-editor.&lt;br /&gt;
&lt;br /&gt;
               ---------&lt;br /&gt;
                THE END&lt;br /&gt;
               ---------&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>Jazzcat</name></author>	</entry>

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