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		<title>Ymgve at 17:15, 29 November 2007</title>
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				<updated>2007-11-29T17:15:34Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;pre&amp;gt;Music collection review&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Music-Collection Review:&lt;br /&gt;
&lt;br /&gt;
RETRIBUTION&lt;br /&gt;
RETRIBUTION&lt;br /&gt;
&lt;br /&gt;
by:&lt;br /&gt;
&lt;br /&gt;
MHD / FENIKS&lt;br /&gt;
MHD / FENIKS&lt;br /&gt;
(now Motiv8)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
INTRODUCTION&lt;br /&gt;
INTRODUCTION&lt;br /&gt;
&lt;br /&gt;
Again Bizkid has put me to work. This time it's the&lt;br /&gt;
music reviews, that I have been put in charge of. The&lt;br /&gt;
initial idea was that I should review the music in&lt;br /&gt;
demos, much like what Syndrom does in The Pulse&lt;br /&gt;
(World of Demos) and PRI in Relax. However, since&lt;br /&gt;
there are also quite a lot of music-collections being&lt;br /&gt;
released, we thought that it would be in everyone's&lt;br /&gt;
interest to review this instead.&lt;br /&gt;
&lt;br /&gt;
One could ask the question, if I was in any way&lt;br /&gt;
'colored' by e.g. a special taste in music, but I can&lt;br /&gt;
assure you all, that my taste in music ranges widely&lt;br /&gt;
from jazz to hardcore techno ...&lt;br /&gt;
&lt;br /&gt;
I will now present you with the scale, from which I&lt;br /&gt;
judge the music:&lt;br /&gt;
&lt;br /&gt;
00-10%   This is NOT music!&lt;br /&gt;
11-20%    Huuuge technical problems&lt;br /&gt;
21-30%   Still not good enough&lt;br /&gt;
31-40%   You've got &amp;quot;something&amp;quot; to built on&lt;br /&gt;
41-50%   Just below average&lt;br /&gt;
51-60%   Average - everybody does this&lt;br /&gt;
61-70%   Very good, but still missing something&lt;br /&gt;
71-80%   Even better - You've got melody!&lt;br /&gt;
81-90%   This kicks ass !!!&lt;br /&gt;
91-100%  Outta this world!&lt;br /&gt;
&lt;br /&gt;
Anyway, let's get to the point - the review of&lt;br /&gt;
MHD/Feniks (now Motiv8) music-collection.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
OUTFIT&lt;br /&gt;
OUTFIT&lt;br /&gt;
&lt;br /&gt;
The outfit in Retribution looks better than most&lt;br /&gt;
collection-screens, I've seen before. There's a big&lt;br /&gt;
&amp;quot;FENIKS&amp;quot; fli-logo in the top, and it is drawn in a&lt;br /&gt;
style where each letter is designed differently, and&lt;br /&gt;
I must admit, that it looks good! From the middle&lt;br /&gt;
down, there's a list of the tunes in the collection -&lt;br /&gt;
moving cursors in all directions select from the 2&lt;br /&gt;
columns of 8 names each (16 in all). You select a&lt;br /&gt;
tune by pressing 'return'. When a tune is loaded, and&lt;br /&gt;
the texture switches to some kind of a asm-monitor,&lt;br /&gt;
where you look at $1000+, you can roll forward and&lt;br /&gt;
backwards with the cursorkeys. Also the playing-&lt;br /&gt;
time and the rastertime is shown. Pressing 'return'&lt;br /&gt;
will take you back to the 'main menu', where you can&lt;br /&gt;
select another tune.&lt;br /&gt;
&lt;br /&gt;
The player used by MHD is not one I've seen before.&lt;br /&gt;
I think it was coded by Lyon/Feniks, because he's&lt;br /&gt;
mentioned in the credits. Anyway, the routine has&lt;br /&gt;
a weird init adress.. $1047 or something... strange.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
REVIEW&lt;br /&gt;
REVIEW&lt;br /&gt;
&lt;br /&gt;
As mentioned before, there are 16 tunes in this&lt;br /&gt;
collection, so I will not review each and every one&lt;br /&gt;
of the tunes. Instead I will give some general&lt;br /&gt;
critics to the tunes - I will also try to give some&lt;br /&gt;
advices to the composer.&lt;br /&gt;
&lt;br /&gt;
Generally I can say, that even though this guy, MHD,&lt;br /&gt;
is a very unknown guy (well, to me atleast) I think&lt;br /&gt;
this is quite a debut. However, there are some things&lt;br /&gt;
I would like to comment.&lt;br /&gt;
&lt;br /&gt;
The quality of the player is quite good. MHD has made&lt;br /&gt;
some instruments, that are different from the usual.&lt;br /&gt;
To give an example: he often play the snare-drum in&lt;br /&gt;
the base-line and thus with a filter. That adds a&lt;br /&gt;
more soft and deep touch to the drum - and that&lt;br /&gt;
sounds good I think. His base-instruments, and here&lt;br /&gt;
I think of the filter-settings, are also managed&lt;br /&gt;
nicely, so that it sounds good on a new SID.&lt;br /&gt;
&lt;br /&gt;
The style of the tunes vary, so you wont get too&lt;br /&gt;
bored listening to these tunes. When you listen to a&lt;br /&gt;
composer you can often point out details, that&lt;br /&gt;
makes it easy to identify the composer - and MHD is&lt;br /&gt;
such a composer. The detail that identifies MHD is&lt;br /&gt;
that he usually has no 'real' lead - he doesn't use&lt;br /&gt;
&amp;quot;hold&amp;quot; on his leader, instead he uses short notes&lt;br /&gt;
and a lot of echo, much like an Amiga-composer&lt;br /&gt;
would do. This can sound good, but I was often&lt;br /&gt;
wondering where the melody was. I think that if MHD&lt;br /&gt;
would combinate the echo-sequences with some real&lt;br /&gt;
lead-sequences, his music would increase in quality.&lt;br /&gt;
&lt;br /&gt;
MHD is a polish composer, and I think he is influenced&lt;br /&gt;
by polish music, and why shouldn't he! It's just that&lt;br /&gt;
in a few of his tunes, I think there are some very&lt;br /&gt;
strange harmonies, which i believe to be known in&lt;br /&gt;
polish folk-music. I am convinced that it's not&lt;br /&gt;
because MHD plays the false notes, coz there are&lt;br /&gt;
very few errors in his music. One thing he really&lt;br /&gt;
needs to change, is his way of sliding his notes! It's&lt;br /&gt;
close to the way Moon used to slide, and that really&lt;br /&gt;
gives me the creeps!!! His choice in harmonies would&lt;br /&gt;
have to change too, if he wants to be a chartbreak-&lt;br /&gt;
ing musician.&lt;br /&gt;
&lt;br /&gt;
Here are the list of the tunes in the pack. I have&lt;br /&gt;
given them a percentage for the overall impression,&lt;br /&gt;
the tune gave me.&lt;br /&gt;
&lt;br /&gt;
Mermaids  (50%)&lt;br /&gt;
Lyon on the Pass  (50%)&lt;br /&gt;
Zylion (55%)&lt;br /&gt;
Resstles  (45%)&lt;br /&gt;
3M  (35%)&lt;br /&gt;
Vacation  (45%)&lt;br /&gt;
Fortress of Doone  (30%)&lt;br /&gt;
The Extirpator  (50%)&lt;br /&gt;
Avantgarda  (55%)&lt;br /&gt;
ECP  (45%)&lt;br /&gt;
For Chaos  (55%)&lt;br /&gt;
Ammargedon  (30%)&lt;br /&gt;
Out of Tropic  (35%)&lt;br /&gt;
Covox  (50%)&lt;br /&gt;
Lightside  (45%)&lt;br /&gt;
Decada  (40%)&lt;br /&gt;
&lt;br /&gt;
OVERALL : 44.69% = 45%&lt;br /&gt;
&lt;br /&gt;
If you take the 45% and compare to the scale&lt;br /&gt;
presented in the beginning of this article, you'll see&lt;br /&gt;
that my overall impression of this music-pack is&lt;br /&gt;
&amp;quot;Just below average&amp;quot;. However, had MHD not included&lt;br /&gt;
tunes such as 'Ammargedon' or 'Fortress of Doone'&lt;br /&gt;
the overall impression would have been better.&lt;br /&gt;
&lt;br /&gt;
If I were to choose a favorite tune from this pack,&lt;br /&gt;
my choice would without doubt be 'Zylion'. Even&lt;br /&gt;
though this tune is a techno-tune, it kinda reminds&lt;br /&gt;
me of the kind of techno, that was the trademark of&lt;br /&gt;
the danish undergroup group called &amp;quot;The Overlords&amp;quot;&lt;br /&gt;
in 1991.&lt;br /&gt;
&lt;br /&gt;
MHD has joined Motiv8, and I'm sure we'll hear more&lt;br /&gt;
of this musician, who with some more knowledge&lt;br /&gt;
could be one to look out for.&lt;br /&gt;
&lt;br /&gt;
That was the review for this time. Next time, I'll&lt;br /&gt;
probably check out the entries of the unofficial&lt;br /&gt;
c64-music competition at TP5 - due to the deadlines&lt;br /&gt;
of this issue, I wont be able to review them untill&lt;br /&gt;
next time ...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
With regards,&lt;br /&gt;
Torben Hansen / Vibrants - and then some... ;)&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ymgve</name></author>	</entry>

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