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		<title>Ymgve at 16:42, 29 November 2007</title>
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				<updated>2007-11-29T16:42:53Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;pre&amp;gt;Shuze'n'socks&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The main (-ish) man returns in issue 19 of this great&lt;br /&gt;
tome of knowledge... Yes, you have reached the&lt;br /&gt;
chapter written by the guy who knows nothing&lt;br /&gt;
about everything, but everything about nothing...&lt;br /&gt;
&lt;br /&gt;
Yes, what else could it be but Shuze/Afl's chapter?&lt;br /&gt;
&lt;br /&gt;
That's right, Shuze and Socks.&lt;br /&gt;
&lt;br /&gt;
You know, over the years I have been on the scene,&lt;br /&gt;
I have taken quite a lot of shit about my handle,&lt;br /&gt;
with people saying it is a lame handle, and that it&lt;br /&gt;
me calling my disknotes Shuze and Socks is even&lt;br /&gt;
lamer. Well, I am pissed off lately, so all I can say&lt;br /&gt;
to those people is that I will do what I want.&lt;br /&gt;
&lt;br /&gt;
I am sick of conventionalism in real life, and in the&lt;br /&gt;
scene. If I don't want to send out every two days,&lt;br /&gt;
why should I? If I don't want to send the hottest&lt;br /&gt;
wares, why should I have to be bothered about it?&lt;br /&gt;
It's like in life, if I don't want to sit in the cantine at&lt;br /&gt;
college, why should I have to? Where are the rules&lt;br /&gt;
that say everyone has to sit in the cantine? Who&lt;br /&gt;
wrote these rules?&lt;br /&gt;
&lt;br /&gt;
Just lately, I have noticed the major problem with&lt;br /&gt;
the scene. Everyone is the same! Bear with me for&lt;br /&gt;
a minute.... Look at all the major first release&lt;br /&gt;
groups (I consider them to be AVT, AFL, SCS+TRC,&lt;br /&gt;
Chromance, Onslaught, Hitmen, F4CG, and Motiv8)&lt;br /&gt;
&lt;br /&gt;
Virtually all of them are the same. In each group&lt;br /&gt;
you have a select few individuals who do all the&lt;br /&gt;
work. In nearly all the groups you have a demo&lt;br /&gt;
section (a recent idea, and a particularly shite one&lt;br /&gt;
in my opinion). All run the same system of having a&lt;br /&gt;
board in the USA, and a few Euro boards. All follow&lt;br /&gt;
the same pattern, until one group has a new idea,&lt;br /&gt;
then the rest will follow. Look a the demo section&lt;br /&gt;
idea. F4CG got one, so all of a sudden, there was&lt;br /&gt;
Onslaught, Motiv8, Chromance (although I think that&lt;br /&gt;
the posse did it first) and so did Avantgarde. Why?&lt;br /&gt;
&lt;br /&gt;
Who needs a demo section in a cracking group? It is&lt;br /&gt;
just a cop-out. The whole idea is that if, for some&lt;br /&gt;
reason, the first release suppliers fail, or the&lt;br /&gt;
group loses their boards, then they will have a demo&lt;br /&gt;
section to fall back on. It is just too easy. I think&lt;br /&gt;
it is alright for a group to have a few people who&lt;br /&gt;
are interested in making demos (like with Zar/&amp;amp;lt;C&amp;amp;gt;),&lt;br /&gt;
but when you get people like Devil being recruited&lt;br /&gt;
to a cracking group, all it does is vastly reduce&lt;br /&gt;
the amount of demo groups (notice that since F4CG&lt;br /&gt;
recruited their demo section, Noice is about to die).&lt;br /&gt;
&lt;br /&gt;
Where is all this leading? I think that if the scene&lt;br /&gt;
survives another year or two (in a decent form),&lt;br /&gt;
we will find that there will be only a few major&lt;br /&gt;
supergroups left. I can see it happening, as people&lt;br /&gt;
are coaxed away from pure demo groups, by the&lt;br /&gt;
offers of cards (as everyone likes to have cards to&lt;br /&gt;
call out, no matter what their opinions are on games)&lt;br /&gt;
and that will eventually lead to the death of a lot&lt;br /&gt;
of groups.&lt;br /&gt;
&lt;br /&gt;
The first sign of this is with Onslaught, and their&lt;br /&gt;
side group, Onslaught Design. They are recruiting&lt;br /&gt;
people from Crest, Chorus, and more, maybe causing&lt;br /&gt;
the death of those groups. Sure, I don't think it is&lt;br /&gt;
bad that Onslaught wish to make a demo section of&lt;br /&gt;
their group, but I am just unfortunately forced to&lt;br /&gt;
use them as an example at the moment. Maybe the&lt;br /&gt;
leaders of groups, suvch as Onslaught, should&lt;br /&gt;
consider the common idea of an inactive list.. That&lt;br /&gt;
has always seemed like a good idea to me, although&lt;br /&gt;
you do tend to lose members somewhere along the&lt;br /&gt;
line...&lt;br /&gt;
&lt;br /&gt;
---------------------------------------------&lt;br /&gt;
&lt;br /&gt;
Oh yes, I just remembered. In case you read the&lt;br /&gt;
new issue of Vandalism News (issue 23...), and had a&lt;br /&gt;
quick peek at the Lighterside chapter, you would&lt;br /&gt;
have read the bit about me being stolen! Don't be&lt;br /&gt;
worried! I was soon found again, and the gang who&lt;br /&gt;
stole me have been apprehended... Hehehe, I do like&lt;br /&gt;
those Lighterside chapters, especially the one in&lt;br /&gt;
Vandalism News. It is my favourite chapter in the&lt;br /&gt;
magazine, simply because of Vengeance's nice way&lt;br /&gt;
of joking about people, without going too far (but it&lt;br /&gt;
was good to see him admit he may have crossed the&lt;br /&gt;
line in a previous issue, by using the mag just to get&lt;br /&gt;
at Alphaflight). It is things like that which give me a&lt;br /&gt;
bit of faith in this ever squabbling scene, when&lt;br /&gt;
someone in such a high ranking position as Vengeance&lt;br /&gt;
admits a mistake, as so many other sceners would&lt;br /&gt;
not have shown Matt's great editorial prowess, and&lt;br /&gt;
spoken so honestly.&lt;br /&gt;
&lt;br /&gt;
Maybe Matt's eloquence is helped by the fact he&lt;br /&gt;
speaks English as a first language.&lt;br /&gt;
&lt;br /&gt;
While thinking about that idea, I remember someone&lt;br /&gt;
mentioned to me a while back about the problem with&lt;br /&gt;
having people who do not speak English as their&lt;br /&gt;
first language. He said it was because they do not&lt;br /&gt;
understand sarcasm properly.&lt;br /&gt;
&lt;br /&gt;
I am going to stick my neck on the line here, and&lt;br /&gt;
agree with that statement. People who do not have&lt;br /&gt;
good English skills (by &amp;quot;good&amp;quot; I mean that they&lt;br /&gt;
speak English fluently (like Nastiness Inc, Duke,&lt;br /&gt;
Biz Kid, Bizarre, Mr Warp, Antifan, and so on)) do&lt;br /&gt;
often miss sarcastic comments. I have often got in&lt;br /&gt;
trouble in the past for speaking sarcastically, be it&lt;br /&gt;
on the phone, or in a note. It is like if I said this:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh yeah, the Airwolf Team, they WERE elite&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Obviously, due to the subject of the sentence, I am&lt;br /&gt;
speaking sarcastically (no offence to old AWT&lt;br /&gt;
members, some of them are my best scene friends),&lt;br /&gt;
but some people who do not have a great grasp of&lt;br /&gt;
the English language would not realise that I was&lt;br /&gt;
being sarcastic, and would rag on me for saying that&lt;br /&gt;
the AWT was an elite group! It has happened in the&lt;br /&gt;
past to me, when I said to someone on the phone:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hehehe (we had been joking), you're just a lamer....&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And he took great offence at this, as the guy I was&lt;br /&gt;
speaking to was what you could call &amp;quot;elite&amp;quot;, if you&lt;br /&gt;
believed in that. Whereas, when I speak to someone&lt;br /&gt;
else, who speaks fluent English, they would just&lt;br /&gt;
joke back.&lt;br /&gt;
&lt;br /&gt;
It is a problem when you have people of all levels&lt;br /&gt;
of English speaking in the scene, but I really do&lt;br /&gt;
think that now and again, some people could do with&lt;br /&gt;
looking at what they are about to do after someone&lt;br /&gt;
made a comment, and seeing if it was meant as a&lt;br /&gt;
jibe, or small joke, or if it really was meant to be&lt;br /&gt;
hurtful. Its in the context of the thing....&lt;br /&gt;
&lt;br /&gt;
---------------------------------------------&lt;br /&gt;
&lt;br /&gt;
I have been thinking a lot about the scene lately,&lt;br /&gt;
mainly because I had some serious thought about&lt;br /&gt;
quitting all my activities, due to an excess of work&lt;br /&gt;
and too much life left to live while I am young. I&lt;br /&gt;
came up with one major thing. The scene is not just&lt;br /&gt;
a hobby, it is a sort of mini-community, that is, it&lt;br /&gt;
is a kind of lifestyle, much like if you go to school,&lt;br /&gt;
there are all the people in your class, except the&lt;br /&gt;
scene is a bit bigger. And in a class, you have people&lt;br /&gt;
that you like, and people that you don't. Usually,&lt;br /&gt;
you find there are about equal numbers of people&lt;br /&gt;
you like or don't. Then look at the scene. For some&lt;br /&gt;
reason, everyone believes you have to get on with&lt;br /&gt;
all other people. But why? For the scene to work and&lt;br /&gt;
not to be incredibly boring, you need people that&lt;br /&gt;
you like, and people that you don't. If you don't&lt;br /&gt;
have a combination like that you will be bored, as&lt;br /&gt;
I don't know about you, but there are people at&lt;br /&gt;
my college that I absolutely love to take the piss&lt;br /&gt;
out of, and people that I am good friends with. For&lt;br /&gt;
a lot of people, there is the odd group here and&lt;br /&gt;
there that they insult, but it is very rare for people&lt;br /&gt;
to openly show they dislike someone, or it is straight&lt;br /&gt;
away called a war! I personally dislike one person&lt;br /&gt;
on the scene a hell of a lot (I won't say who he is, as&lt;br /&gt;
it isn't right to use this chapter just to rag on&lt;br /&gt;
people), and I enjoy ragging on him, and insulting him,&lt;br /&gt;
mainly because anyone who hears me ragging on him&lt;br /&gt;
knows what a lamer he really is, and that mean it is&lt;br /&gt;
usually quite funny. But people say to me &amp;quot;You&lt;br /&gt;
shouldn't rag on people&amp;quot;, &amp;quot;It isn't right to provoke a&lt;br /&gt;
war&amp;quot;.  If you rag on someone in a classroom, like I&lt;br /&gt;
know I do in college, as I am particularly nasty to&lt;br /&gt;
a lot of the geeks in my classes, people will either&lt;br /&gt;
laugh along or say &amp;quot;that is cruel&amp;quot;. They do not say&lt;br /&gt;
to you &amp;quot;It isn't right to start a war of words with&lt;br /&gt;
someone&amp;quot;. If they did, people would usually throw&lt;br /&gt;
stuff at them or tell them to shut up for being a&lt;br /&gt;
complete nerd by saying that. So if the scene is a&lt;br /&gt;
community, like I have said, why can't I rag on&lt;br /&gt;
someone if I want to? Sure, I think that there is a&lt;br /&gt;
line you shouldn't cross, and that you have to be&lt;br /&gt;
careful you don't go too far in your raggings on&lt;br /&gt;
people, as sometimes you can go to far (which can&lt;br /&gt;
cause a war or something like that), but surely I can&lt;br /&gt;
just say &amp;quot;I don't like this person&amp;quot; without everyone&lt;br /&gt;
getting on their high horses and accusing me of&lt;br /&gt;
being lame for saying so.&lt;br /&gt;
&lt;br /&gt;
I'm sorry to have to say that, but that is just one&lt;br /&gt;
more of the things that pisses me off on this scene,&lt;br /&gt;
with all the people who seem so fragile and weak&lt;br /&gt;
that they can't understand that sometimes you just&lt;br /&gt;
have your own opinions on something..... Oh well....&lt;br /&gt;
&lt;br /&gt;
---------------------------------------------&lt;br /&gt;
&lt;br /&gt;
OK, I want to just go onto a completely non-scene&lt;br /&gt;
subject now (well, it has a little to do with all the&lt;br /&gt;
anti-nazi attitudes in the scene). If you remember all&lt;br /&gt;
the reports there were when Germans went to see&lt;br /&gt;
the film Schinder's List, and came out truly shocked&lt;br /&gt;
by the brutality of the Nazi's and so on. Well, I went&lt;br /&gt;
to see the film Braveheart the other day, and I must&lt;br /&gt;
admit to having an idea how horrified all those&lt;br /&gt;
German's were. Being English, there were points&lt;br /&gt;
during the film when I was ashamed to actually be&lt;br /&gt;
English, seeing the true nature of my ancestors&lt;br /&gt;
(although my parents are Scottish, so I held some&lt;br /&gt;
hope that maybe I could consider myself to have&lt;br /&gt;
descended from a decent race). It was just amazing&lt;br /&gt;
to see what the English, supposedly the world's&lt;br /&gt;
most civilised race, had done in the past. I would&lt;br /&gt;
advise anyone to go and see that film...&lt;br /&gt;
&lt;br /&gt;
---------------------------------------------&lt;br /&gt;
&lt;br /&gt;
Anyway, this has been a rather slow, and sombre&lt;br /&gt;
chapter, mainly due to my boredom of the scene&lt;br /&gt;
lately, so I will end with a few phrases for all&lt;br /&gt;
non-German's to use in their notes:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Sie Schnitzelrancher&amp;quot;&lt;br /&gt;
&amp;quot;You bag of Schnitzel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Haben Sie sich etwa in mich verliebt?&amp;quot;&lt;br /&gt;
&amp;quot;Could it be you have fallen in love with me?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Was fur ein Tier war das?&amp;quot;&lt;br /&gt;
&amp;quot;Which animal was this?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
OK, you can all probably find a few times to slip&lt;br /&gt;
those little phrases into your notes to people, and&lt;br /&gt;
I am finished for now, as I think I have gone on about&lt;br /&gt;
nothing for long enough.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Shuze/Afl'70&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
?-----&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ymgve</name></author>	</entry>

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