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		<id>http://c64mags.untergrund.net/wiki/index.php?title=Propaganda_24_ch10&amp;diff=1613&amp;oldid=prev</id>
		<title>Ymgve at 20:58, 18 June 2007</title>
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				<updated>2007-06-18T20:58:06Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;pre&amp;gt;        +----------------------+&lt;br /&gt;
       -|MEET THE PRESS        |-&lt;br /&gt;
       -|MEET THE PRESS BY DUKE|-&lt;br /&gt;
        +----------------------+&lt;br /&gt;
&lt;br /&gt;
T&lt;br /&gt;
The scene media has profound power to be&lt;br /&gt;
a positive influence. It has the chance&lt;br /&gt;
to tie the link between the consumer&lt;br /&gt;
and the producer, but also the other&lt;br /&gt;
way around. It represents the voice of&lt;br /&gt;
the scene, and does therefore deserve&lt;br /&gt;
to be heard.&lt;br /&gt;
&lt;br /&gt;
MEET THE PRESS is dedicated to the&lt;br /&gt;
people behind the magazines, who are&lt;br /&gt;
responsible for the scene being one,&lt;br /&gt;
a family - together.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     +---------------------------+&lt;br /&gt;
 **  |HIGHLIGHTING               |   **&lt;br /&gt;
 \/  |HIGHLIGHTING - THIS EDITION|   \/&lt;br /&gt;
     +---------------------------+&lt;br /&gt;
&lt;br /&gt;
  T&lt;br /&gt;
- THE MAGAZINE NEWS            THE NEWS&lt;br /&gt;
  _________________            ________&lt;br /&gt;
  T&lt;br /&gt;
- THE MEDIA TODAY              DEBATE&lt;br /&gt;
  _______________              ______&lt;br /&gt;
  W&lt;br /&gt;
- WORLD OF DEMOS RETURN        ARTICLE&lt;br /&gt;
  _____________________        _______&lt;br /&gt;
  T&lt;br /&gt;
- THE MAGAZINE REVIEWS         JUST OUT&lt;br /&gt;
  ____________________         ________&lt;br /&gt;
&lt;br /&gt;
            AND MUCH MORE..&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
THE C64 IS NOT A PC...&lt;br /&gt;
________________________________________&lt;br /&gt;
What does VANDALISM NEWS and THE TRIBUNE&lt;br /&gt;
have in common with WINDOWS and the PC?&lt;br /&gt;
&lt;br /&gt;
The answer is: THE PAUSE SCREEN. The&lt;br /&gt;
annoying pause screen rather.&lt;br /&gt;
&lt;br /&gt;
This screen may have a real purpose on&lt;br /&gt;
the PC, as it prevents the screen from&lt;br /&gt;
becoming damaged by whatever text or&lt;br /&gt;
graphics, that may be on the screen -&lt;br /&gt;
however, the C64 has no need for such&lt;br /&gt;
a &amp;quot;tool&amp;quot;, so why do these magazines&lt;br /&gt;
insist on having one installed?&lt;br /&gt;
&lt;br /&gt;
The C64 is not, and will never be, a&lt;br /&gt;
PC - no matter how much certain people&lt;br /&gt;
would like it to be.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Stop converting PC ideas to the C64, as&lt;br /&gt;
it will only undermine the C64, and will&lt;br /&gt;
certainly not help its struggle for&lt;br /&gt;
survival.&lt;br /&gt;
&lt;br /&gt;
Leave the readers to work with other&lt;br /&gt;
things while going through a magazine,&lt;br /&gt;
without having to remove that really&lt;br /&gt;
irritating screen, when they return to&lt;br /&gt;
read some more.&lt;br /&gt;
                                  ..&lt;br /&gt;
It serves absolutely no purpose!  &amp;amp;gt;&amp;amp;lt;&lt;br /&gt;
&lt;br /&gt;
         +-------------------+&lt;br /&gt;
         |     PROPAGANDA    |&lt;br /&gt;
         |     PROPAGANDA    |&lt;br /&gt;
         |                   |&lt;br /&gt;
         |ALWAYS ON YOUR MIND|&lt;br /&gt;
         +-------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
         -+R-----------S----+-&lt;br /&gt;
         =|REMEMBERING SHOCK|=&lt;br /&gt;
         -+-----------------+-&lt;br /&gt;
&lt;br /&gt;
Today, September of 1997, it has been&lt;br /&gt;
just about 5 and a half years, since&lt;br /&gt;
perhaps the greatest magazine-phenomenon&lt;br /&gt;
released its very last edition.&lt;br /&gt;
&lt;br /&gt;
SHOCK, dutch based, took the world by&lt;br /&gt;
storm, and impressed everyone to a&lt;br /&gt;
degree, previously unheard of. The&lt;br /&gt;
editors became SUPERSTARS, and to this&lt;br /&gt;
day, it is remembered as undoubtedly&lt;br /&gt;
the best magazine ever.&lt;br /&gt;
&lt;br /&gt;
But was it in fact deserving of such&lt;br /&gt;
great attention and praise, as it&lt;br /&gt;
received? Now, having collected all&lt;br /&gt;
issues of SHOCK ever released, I dig&lt;br /&gt;
&lt;br /&gt;
down into the facts of this famous&lt;br /&gt;
production, and take a look at the&lt;br /&gt;
magazine - both inside and out.&lt;br /&gt;
&lt;br /&gt;
How SHOCK was voted into a top position&lt;br /&gt;
worldwide is a mystery to me today. When&lt;br /&gt;
SHOCK had its glory days, I was also&lt;br /&gt;
struck by the hype, but today, having&lt;br /&gt;
been awarded with the ability to see&lt;br /&gt;
more clearly - perhaps provoked by age -&lt;br /&gt;
I see SHOCK in a completely different&lt;br /&gt;
way.&lt;br /&gt;
&lt;br /&gt;
SHOCK covered the elite scene, and had&lt;br /&gt;
no interest in - or even in serving -&lt;br /&gt;
anyone else, meaning the thousands of&lt;br /&gt;
others part of the scene. How could it&lt;br /&gt;
then possibly become voted into a top&lt;br /&gt;
position, if it had nothing to offer&lt;br /&gt;
the rest of the scene?&lt;br /&gt;
&lt;br /&gt;
The elite do not make out a great enough&lt;br /&gt;
number to vote anyone into a chart, so&lt;br /&gt;
it had to have been a hit in the&lt;br /&gt;
general scene for it to have made it to&lt;br /&gt;
a top position.&lt;br /&gt;
&lt;br /&gt;
SHOCK was in many ways a ground-breaking&lt;br /&gt;
magazine. It was absolutely adored by&lt;br /&gt;
everyone, and for most of its short&lt;br /&gt;
life - only releasing 1O editions - it&lt;br /&gt;
totally dominated the charts. The&lt;br /&gt;
competitors - PROPAGANDA and MAMBA -&lt;br /&gt;
were left in shock, and had very little&lt;br /&gt;
to say during this age.&lt;br /&gt;
&lt;br /&gt;
SKATER and MIRAGE, the editors of SHOCK,&lt;br /&gt;
had a way of charming their way into the&lt;br /&gt;
market, that was quite unique. They&lt;br /&gt;
produced probably the most beautiful&lt;br /&gt;
outfit ever, and they were extremely&lt;br /&gt;
&lt;br /&gt;
friendly with almost everyone, later&lt;br /&gt;
earning SKATER a top position in the&lt;br /&gt;
much debated MOST LIKED chart on the&lt;br /&gt;
boards.&lt;br /&gt;
&lt;br /&gt;
PROPAGANDA was controversial, SHOCK was&lt;br /&gt;
not. SHOCK was the pretty boy, who could&lt;br /&gt;
not do anything wrong or state an ugly&lt;br /&gt;
fact. SHOCK never really shocked the&lt;br /&gt;
world with its journalism or even -&lt;br /&gt;
some might say - said a word at all.&lt;br /&gt;
&lt;br /&gt;
The chapters were short, far too short.&lt;br /&gt;
When BIZZMO and DEEK from GENESIS&lt;br /&gt;
PROJECT quit the scene, all they had to&lt;br /&gt;
say about it, was exactly that. BIZZMO&lt;br /&gt;
and DEEK quit the scene! No comments&lt;br /&gt;
about the achievements of these people,&lt;br /&gt;
no sadness to spot, no nothing.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
But hey, they had a smashing outfit!&lt;br /&gt;
When the text was read in about two&lt;br /&gt;
minutes, you could always stare at the&lt;br /&gt;
logo for another two hours, while&lt;br /&gt;
writing down SHOCK on all the vote-&lt;br /&gt;
sheets.&lt;br /&gt;
&lt;br /&gt;
SHOCK, however, worked as a fantastic&lt;br /&gt;
motivator. Everyone wanted to be in&lt;br /&gt;
their charts, commented in their news&lt;br /&gt;
or reviewed in their demo chapter. Why?&lt;br /&gt;
Because it was read by all and loved by&lt;br /&gt;
all - which equals fantastic exposure.&lt;br /&gt;
&lt;br /&gt;
Perhaps SHOCK will remain a mystery to&lt;br /&gt;
me forever, much like MARILYN MONROE is&lt;br /&gt;
a mystery, and sadly PRINCESS DIANA will&lt;br /&gt;
too - now that she is gone too.&lt;br /&gt;
                                 ..&lt;br /&gt;
                                 /\&lt;br /&gt;
&lt;br /&gt;
What we do know though, and most editors&lt;br /&gt;
of today agree, SHOCK would have been&lt;br /&gt;
beaten silly, had it tried to make a&lt;br /&gt;
comeback today.&lt;br /&gt;
&lt;br /&gt;
The competition and level of journalism&lt;br /&gt;
is quite simply too advanced, too&lt;br /&gt;
detailed, too, well, unlike SHOCK. SHOCK&lt;br /&gt;
was just pretty! But hey, if an outfit&lt;br /&gt;
is great, the text must be too! ..&lt;br /&gt;
                                &amp;amp;gt;&amp;amp;lt;&lt;br /&gt;
&lt;br /&gt;
     +---------------------------+&lt;br /&gt;
    -|Read SCENE ILLUSTRATED,    |-&lt;br /&gt;
     |which features an exclusive|&lt;br /&gt;
     |interview with WESTBAM of  |&lt;br /&gt;
     |LEGEND - and covers all  **|&lt;br /&gt;
    -|about their comeback.    \/|-&lt;br /&gt;
     +---------------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
           +T---M-----T----+&lt;br /&gt;
          -|THE MEDIA TODAY|-&lt;br /&gt;
           +---------------+&lt;br /&gt;
&lt;br /&gt;
         &amp;quot;MOTIVATING THE SCENE&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The 9O's have been a wonderful decade&lt;br /&gt;
for the magazines on the C64. They have&lt;br /&gt;
earned themselves a place in all disk&lt;br /&gt;
drives, and play a real role in keeping&lt;br /&gt;
the scene together. The sceners love&lt;br /&gt;
them, read them and will continue to do&lt;br /&gt;
so - at least that appears to be the&lt;br /&gt;
tendency.&lt;br /&gt;
&lt;br /&gt;
Today there is a good handful of decent&lt;br /&gt;
magazines. There is certainly also a&lt;br /&gt;
good number of horrible magazines,&lt;br /&gt;
which should have never been made. Most,&lt;br /&gt;
however, serve the readers with an&lt;br /&gt;
&lt;br /&gt;
acceptable coverage, leaving little to&lt;br /&gt;
remain unknown about the current status&lt;br /&gt;
of the scene.&lt;br /&gt;
&lt;br /&gt;
But what is the current status of the&lt;br /&gt;
magazines then? What do they do to&lt;br /&gt;
remain interesting for the sceners -&lt;br /&gt;
and are they at all heard by the&lt;br /&gt;
sceners? There are many questions to be&lt;br /&gt;
asked, but few know exactly what the&lt;br /&gt;
situation looks like at the moment.&lt;br /&gt;
&lt;br /&gt;
Most would agree though, that the news,&lt;br /&gt;
and the charts, are the most important&lt;br /&gt;
parts of a magazine - and should&lt;br /&gt;
therefore be treated by the editors as&lt;br /&gt;
such. These two parts are read by the&lt;br /&gt;
most people, and generally the readers&lt;br /&gt;
tend to read them first.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
However, even though the charts have a&lt;br /&gt;
vital importance in keeping the scene&lt;br /&gt;
motivated, it seems as though they have&lt;br /&gt;
become somewhat of a chore for most&lt;br /&gt;
editors. There is done very little to&lt;br /&gt;
improve the way of the charts, and they&lt;br /&gt;
have therefore remained pretty much&lt;br /&gt;
untouched since they first came about.&lt;br /&gt;
&lt;br /&gt;
It should not only be informative&lt;br /&gt;
reading the charts, it should also be&lt;br /&gt;
interesting - maybe even exciting. But&lt;br /&gt;
we can hardly say, they are anything but&lt;br /&gt;
informative today, and that is a real&lt;br /&gt;
shame. Every now and again the number&lt;br /&gt;
one position is replaced by a new group,&lt;br /&gt;
person or magazine, and all the editors&lt;br /&gt;
have to say about this, is just stating&lt;br /&gt;
the facts - instead of elaborating on&lt;br /&gt;
why this is, and casting more light on&lt;br /&gt;
&lt;br /&gt;
the new star in the scene.&lt;br /&gt;
&lt;br /&gt;
The voters have received a lot of&lt;br /&gt;
criticism for the poor state the charts&lt;br /&gt;
often are in. By poor state, I refer to&lt;br /&gt;
the tons of inactive sceners currently&lt;br /&gt;
ruling the charts - which is hardly&lt;br /&gt;
fair.&lt;br /&gt;
&lt;br /&gt;
But the voters seem to think so, and to&lt;br /&gt;
be honest, the blame is on the magazine&lt;br /&gt;
editors themselves - and not the voters.&lt;br /&gt;
The magazine editors claim the voters&lt;br /&gt;
should keep up to date themselves, but&lt;br /&gt;
quite frankly, who's responsibility is&lt;br /&gt;
it to keep the voters up to date? The&lt;br /&gt;
answer is obvious: The magazines!&lt;br /&gt;
&lt;br /&gt;
Many magazines tend to go with what is&lt;br /&gt;
known to be a success. It is rare to see&lt;br /&gt;
&lt;br /&gt;
a new chapter, that looks at the C64&lt;br /&gt;
scene in a different way, but still&lt;br /&gt;
remains objective and informative at the&lt;br /&gt;
same time. There are plenty of room for&lt;br /&gt;
improvements in the magazines of today,&lt;br /&gt;
and they need to use a lot more energy&lt;br /&gt;
on this, than they do typing in&lt;br /&gt;
addresses in the address chapters.&lt;br /&gt;
&lt;br /&gt;
Keeping the scene motivated is the&lt;br /&gt;
number one responsibility of a magazine,&lt;br /&gt;
at least in my opinion. How do we do&lt;br /&gt;
this best? Or rather, how do we do this&lt;br /&gt;
better? In the upcoming editions of MEET&lt;br /&gt;
THE PRESS, I will be discussing this&lt;br /&gt;
topic with some of the best magazine&lt;br /&gt;
editors in the scene, and hopefully a&lt;br /&gt;
Aood debate will come of it.&lt;br /&gt;
&lt;br /&gt;
MOTIVATING THE SCENE will continue..&lt;br /&gt;
&lt;br /&gt;
WORLD OF DEMOS WILL RETURN...&lt;br /&gt;
________________________________________&lt;br /&gt;
Perhaps the most detailed demo covering&lt;br /&gt;
chapter in the world, WORLD OF DEMOS, is&lt;br /&gt;
set for a comeback in PROPAGANDA, once&lt;br /&gt;
a staff has been assigned.&lt;br /&gt;
&lt;br /&gt;
The chapter that took the world by storm&lt;br /&gt;
in the deceased, THE PULSE MAGAZINE, was&lt;br /&gt;
visited by some of the biggest names in&lt;br /&gt;
the demo-scene, such as; MADUPLEC and&lt;br /&gt;
SYNDROM/CREST, STEVE/X-FACTOR, DRAX and&lt;br /&gt;
METAL/VIBRANTS, TDJ/FOCUS and even&lt;br /&gt;
MR.SEX/BYTERAPERS.&lt;br /&gt;
&lt;br /&gt;
It was not only a demo reviewing concept&lt;br /&gt;
alone, we also had ideas on expanding,&lt;br /&gt;
making more informative chapters for the&lt;br /&gt;
demo community - all to be part of the&lt;br /&gt;
WORLD OF DEMOS.&lt;br /&gt;
&lt;br /&gt;
We never succeeded completely in making&lt;br /&gt;
WORLD OF DEMOS as great, as it certainly&lt;br /&gt;
had potential of becoming, but now we&lt;br /&gt;
have been awarded with a second chance.&lt;br /&gt;
WORLD OF DEMOS is set for a comeback&lt;br /&gt;
under the PROPAGANDA label!&lt;br /&gt;
&lt;br /&gt;
We have only just begun searching for&lt;br /&gt;
fitting names to be the new WORLD OF&lt;br /&gt;
DEMOS staff, and hopefully we would have&lt;br /&gt;
completed this task by the time, the&lt;br /&gt;
next PROPAGANDA issue hits the market.&lt;br /&gt;
&lt;br /&gt;
If you have any suggestions, as to how&lt;br /&gt;
we could cover the demo-scene better,&lt;br /&gt;
please send them to us, and we will be&lt;br /&gt;
most appreciative.&lt;br /&gt;
&lt;br /&gt;
               PROPAGANDA&lt;br /&gt;
            one hot magazine&lt;br /&gt;
&lt;br /&gt;
         +T---M--------R------+&lt;br /&gt;
        -|THE MAGAZINE REVIEWS|-&lt;br /&gt;
         +--------------------+&lt;br /&gt;
&lt;br /&gt;
Welcome to the obligatory magazine&lt;br /&gt;
reviews, which has always been a popular&lt;br /&gt;
part of meet the press.&lt;br /&gt;
&lt;br /&gt;
I have made myself the owner of the&lt;br /&gt;
latest c64 magazines to have reached the&lt;br /&gt;
internet, and will now serve you my&lt;br /&gt;
humble opinion, on the experience of&lt;br /&gt;
reading them.&lt;br /&gt;
&lt;br /&gt;
The point-system on which the magazines&lt;br /&gt;
are rated should be obvious once it&lt;br /&gt;
appears. They will appear after all of&lt;br /&gt;
the reviews. Hope they are taken as a&lt;br /&gt;
sign, that improvement is always a&lt;br /&gt;
possibility in the world. Remember that!&lt;br /&gt;
&lt;br /&gt;
SUBJECT : VANDALISM NEWS, 28TH EDITION.&lt;br /&gt;
LABEL   : ONSLAUGHT.&lt;br /&gt;
________________________________________&lt;br /&gt;
VENGEANCE is back and so VANDALISM NEWS&lt;br /&gt;
also saw its way to the drives around&lt;br /&gt;
the world once again. VANDALISM NEWS is&lt;br /&gt;
VANDALISM NEWS, and VENGEANCE is and&lt;br /&gt;
will always be VENGEANCE. Whether you&lt;br /&gt;
like it or not. VENGEANCE has a special&lt;br /&gt;
way of editing VANDALISM NEWS, that is&lt;br /&gt;
probably unique in the world. He speaks&lt;br /&gt;
his mind freely, and much of the&lt;br /&gt;
magazine is used for self-serving&lt;br /&gt;
propaganda, instead of objective&lt;br /&gt;
journalism. He has been criticised for&lt;br /&gt;
this in the past, but today there is no&lt;br /&gt;
doubt - VANDALISM NEWS is VENGEANCE&lt;br /&gt;
NEWS.&lt;br /&gt;
&lt;br /&gt;
It is really unfair of me to rate this&lt;br /&gt;
&lt;br /&gt;
edition, as it is more of a comeback&lt;br /&gt;
edition, than a real release of usual&lt;br /&gt;
standard. VENGEANCE came back, and had&lt;br /&gt;
a lot on his mind - which is natural.&lt;br /&gt;
This edition had pretty much all the&lt;br /&gt;
defects a comeback issue would have,&lt;br /&gt;
but in time, when VENGEANCE settles into&lt;br /&gt;
the rhythm, it will no doubt rise in&lt;br /&gt;
quality again. This edition, however,&lt;br /&gt;
was poorly written, which is surprising,&lt;br /&gt;
as it is edited by an Australian, who&lt;br /&gt;
has English as his prime language. It is&lt;br /&gt;
also filled with spelling errors, and&lt;br /&gt;
reeks of stress.&lt;br /&gt;
&lt;br /&gt;
VANDALISM NEWS is assisted in the news&lt;br /&gt;
department by JAZZCAT, and as a result&lt;br /&gt;
is more or less a direct copy of the&lt;br /&gt;
coverage found in DOMINATION. JAZZCAT&lt;br /&gt;
and VENGEANCE may be friends and close&lt;br /&gt;
&lt;br /&gt;
colleagues in the same group, but they&lt;br /&gt;
ought to settle on doing their own&lt;br /&gt;
magazine or do what most would probably&lt;br /&gt;
find most fitting - merge, and make&lt;br /&gt;
DOMINATION and VANDALISM NEWS one.&lt;br /&gt;
&lt;br /&gt;
The point of the LIGHTERSIDE is not to&lt;br /&gt;
amuse, but to offend. It was founded as&lt;br /&gt;
a competitor to SATIRICA (now THE SCENE&lt;br /&gt;
SHOW), but never found the style of&lt;br /&gt;
which the chapter ought to be written&lt;br /&gt;
in. Again VENGEANCE uses his opportunity&lt;br /&gt;
as editor to rag on opponents. I have&lt;br /&gt;
high hopes for the future though. VANDA-&lt;br /&gt;
LISM NEWS can be much better than this,&lt;br /&gt;
and no doubt VENGEANCE can too. When&lt;br /&gt;
this edition is forgotten, VANDALISM&lt;br /&gt;
NEWS will once again be a real player -&lt;br /&gt;
who can be respected by its competitors,&lt;br /&gt;
instead of just disappointing.&lt;br /&gt;
&lt;br /&gt;
SUBJECT : VITALITY, 2ND EDITION.&lt;br /&gt;
LABEL   : ALBION CREW.&lt;br /&gt;
________________________________________&lt;br /&gt;
VITALITY, another new magazine to have&lt;br /&gt;
hit the scene, has golden dreams of&lt;br /&gt;
becoming a famous magazine, read and&lt;br /&gt;
loved by all. Although it may not be a&lt;br /&gt;
current goal, it seems to be one for the&lt;br /&gt;
future - and at first glance, it did not&lt;br /&gt;
appear to be that unrealistic a hope,&lt;br /&gt;
till reading the text opened my eyes to&lt;br /&gt;
the facts.&lt;br /&gt;
&lt;br /&gt;
VITALITY, which is edited by DR.SOFT,&lt;br /&gt;
UNLOCK, KMEG, QUESTOR of ALBION and&lt;br /&gt;
MAVERICK of SAMAR, carries itself&lt;br /&gt;
gracefully. The English is somewhat&lt;br /&gt;
acceptable, although they are by no&lt;br /&gt;
means top of the class.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Here comes the problems. VITALITY claims&lt;br /&gt;
to target primarily the ever growing&lt;br /&gt;
Polish scene, but also cover very little&lt;br /&gt;
of the news outside of Poland - very&lt;br /&gt;
little indeed.&lt;br /&gt;
&lt;br /&gt;
As the scene basically includes the&lt;br /&gt;
world, this magazine fails to satisfy&lt;br /&gt;
anyone but the Polish scene. I fail to&lt;br /&gt;
see how a Dane, like myself, should be&lt;br /&gt;
at all interested in a magazine like&lt;br /&gt;
VITALITY - and I recent the fact, that&lt;br /&gt;
it is released world-wide, when it&lt;br /&gt;
really only concerns the Polish scene.&lt;br /&gt;
It even calls itself an English magazine&lt;br /&gt;
and with English being the only real&lt;br /&gt;
language in the scene, it should be&lt;br /&gt;
directed towards all sceners. It should&lt;br /&gt;
have been written in Polish, not that I&lt;br /&gt;
in any way would approve of that, but it&lt;br /&gt;
&lt;br /&gt;
basically would have made no real&lt;br /&gt;
difference to me, if it had.&lt;br /&gt;
&lt;br /&gt;
However, with that being said, they&lt;br /&gt;
still serve charts, which does not&lt;br /&gt;
restrict itself to Poland alone, but is&lt;br /&gt;
open for all to enter. This magazine&lt;br /&gt;
ought to make up its mind and figure&lt;br /&gt;
out, whether it wants to cover the&lt;br /&gt;
Polish scene - or just the general&lt;br /&gt;
scene.&lt;br /&gt;
&lt;br /&gt;
The interview with MR.SEX surprised me -&lt;br /&gt;
although reading the words of master&lt;br /&gt;
TATU is always inspiring - as I thought&lt;br /&gt;
he was from Finland. Well, he is, and&lt;br /&gt;
that is just another paradox in this&lt;br /&gt;
magazine, that has no real plan in who&lt;br /&gt;
they want to target as an audience,&lt;br /&gt;
but probably ends up being read and&lt;br /&gt;
&lt;br /&gt;
voted on by the Polish people in the&lt;br /&gt;
end anyway.&lt;br /&gt;
&lt;br /&gt;
VITALITY seems like a good magazine. It&lt;br /&gt;
has a lot of good sides to it, and if&lt;br /&gt;
it would broaded its horizon, it could&lt;br /&gt;
perhaps become a player in the scene.&lt;br /&gt;
But this would have to include letting&lt;br /&gt;
the rest of the scene be a part of the&lt;br /&gt;
magazine, instead of just one people,&lt;br /&gt;
one nationality, one slice of the scene.&lt;br /&gt;
&lt;br /&gt;
The scene is one - and should be only&lt;br /&gt;
one. DRIVEN is in my mind the only&lt;br /&gt;
magazine, that has successfully targeted&lt;br /&gt;
one continent - but they have a real&lt;br /&gt;
purpose, VITALITY do not.&lt;br /&gt;
&lt;br /&gt;
All VITALITY does is divide the scene&lt;br /&gt;
into countries. What a shame!&lt;br /&gt;
&lt;br /&gt;
SUBJECT : PALLADIUM, 3RD EDITION.&lt;br /&gt;
LABEL   : ASCRAEUS.&lt;br /&gt;
________________________________________&lt;br /&gt;
Although I rarely bother commenting on&lt;br /&gt;
the outfit of a magazine - considering&lt;br /&gt;
the text is what should matter - I will&lt;br /&gt;
make an exception in this case. This&lt;br /&gt;
outfit is just about the most annoying&lt;br /&gt;
I have ever seen, and trust me, I have&lt;br /&gt;
seen quite a few.&lt;br /&gt;
&lt;br /&gt;
The graphics is horrible, and beams&lt;br /&gt;
(flickers) like crazy. They have the&lt;br /&gt;
nerve to be using IFLI graphics,&lt;br /&gt;
claiming they are setting a new standard&lt;br /&gt;
for magazines. What a joke! Please, if&lt;br /&gt;
anything, you are setting a new LOWER&lt;br /&gt;
standard.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
As luck would have it, my version of&lt;br /&gt;
this magazine was bugged like hell -&lt;br /&gt;
here I am talking about my disk - and&lt;br /&gt;
because of that, many chapters refused&lt;br /&gt;
to load. However, what I could load, I&lt;br /&gt;
took as a sign of the overall strength&lt;br /&gt;
of the magazine, and a review came from&lt;br /&gt;
that.&lt;br /&gt;
&lt;br /&gt;
What is required from a decent magazine?&lt;br /&gt;
Good English! Does PALLADIUM have good&lt;br /&gt;
English? Certainly not! Horrible in&lt;br /&gt;
fact, but unfortunately a lot of mags&lt;br /&gt;
are no better - some are even worse,&lt;br /&gt;
if that is possible. &amp;quot;Everybody wants&lt;br /&gt;
to do their own mag&amp;quot; said a great&lt;br /&gt;
scener once, and he was right. Even&lt;br /&gt;
those, who were not meant to do one -&lt;br /&gt;
and that includes many.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Another horrible side to this magazine&lt;br /&gt;
is a chapter called FANTASTIC, edited by&lt;br /&gt;
ARCANE. This editor seem to think the&lt;br /&gt;
world deserves to know about his many&lt;br /&gt;
problems in life - his struggle to face&lt;br /&gt;
the reality, we are all going to die,&lt;br /&gt;
and why politicians are cheating us into&lt;br /&gt;
a corrupt society. Please, oh please!&lt;br /&gt;
&lt;br /&gt;
I have absolutely nothing against a good&lt;br /&gt;
political debate, but I prefer it to be&lt;br /&gt;
between someone who actually knows&lt;br /&gt;
about it. Life is not black and white,&lt;br /&gt;
there are thousands of nuances, and&lt;br /&gt;
attempting to see and analyse them all&lt;br /&gt;
is impossible.&lt;br /&gt;
&lt;br /&gt;
Please, oh please! Write about the C64&lt;br /&gt;
and the scene, we are all a part of, and&lt;br /&gt;
leave &amp;quot;the real world&amp;quot; out of it.&lt;br /&gt;
&lt;br /&gt;
When I turn on my computer, I do not&lt;br /&gt;
want to read about politics - just as&lt;br /&gt;
well as I do not want to read about the&lt;br /&gt;
C64, when I read about politics. It is&lt;br /&gt;
two separate worlds, or at least it&lt;br /&gt;
should be.&lt;br /&gt;
&lt;br /&gt;
RAZOR RAMON's chapter, DR.RAZOR's, is no&lt;br /&gt;
better either. It is an absolutely&lt;br /&gt;
uninteresting chapter, that serves no&lt;br /&gt;
purpose as an informative or even&lt;br /&gt;
entertaining role in this magazine. But&lt;br /&gt;
then again, why break a bad rhythm,&lt;br /&gt;
when you have found it. I have not seen&lt;br /&gt;
the first two editions of this magazine,&lt;br /&gt;
but I assume it was not much better.&lt;br /&gt;
&lt;br /&gt;
The only chapters, that come close to a&lt;br /&gt;
decent rating, would have to be the news&lt;br /&gt;
chapters. They are fairly well written,&lt;br /&gt;
&lt;br /&gt;
but unfortunately drowns in the overall&lt;br /&gt;
incompetence of the rest of the&lt;br /&gt;
magazine. Once again we have been&lt;br /&gt;
&amp;quot;awarded&amp;quot; a new magazine, that has&lt;br /&gt;
absolutely nothing new or original to&lt;br /&gt;
offer us. It is just another magazine&lt;br /&gt;
in a line of many, and they will never,&lt;br /&gt;
ever make it anywhere.&lt;br /&gt;
&lt;br /&gt;
PALLADIUM is written by and for its own&lt;br /&gt;
editors. They, and no one else, could&lt;br /&gt;
possibly have any interest in reading&lt;br /&gt;
this pathetic excuse of a C64 magazine.&lt;br /&gt;
&lt;br /&gt;
       +------------------------+&lt;br /&gt;
       |       PROPAGANDA       |&lt;br /&gt;
       |Automatic for the People|&lt;br /&gt;
       +------------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
SUBJECT : THE CREST, 2ND EDITION.&lt;br /&gt;
LABEL   : INDEPENDENT.&lt;br /&gt;
________________________________________&lt;br /&gt;
There has been a lot of controversy&lt;br /&gt;
following the release of this brand new&lt;br /&gt;
magazine to have seen the light of day&lt;br /&gt;
in the scene. It is mainly directed by&lt;br /&gt;
dytec members; hardsequencer and dodger.&lt;br /&gt;
&lt;br /&gt;
The controversy has not been surrounding&lt;br /&gt;
the contents or look of the magazine,&lt;br /&gt;
but instead the name of the magazine.&lt;br /&gt;
Magazines have been a draw of contro-&lt;br /&gt;
versy since antichrist invented the&lt;br /&gt;
conncept, but never has the name been&lt;br /&gt;
the cause of the controversy. Till now!&lt;br /&gt;
&lt;br /&gt;
the crest is a magazine, not a group. So&lt;br /&gt;
begins the magazine its informative&lt;br /&gt;
quest to set the readers straight on&lt;br /&gt;
&lt;br /&gt;
scene affairs. &amp;quot;This magazine has&lt;br /&gt;
nothing to do with the group crest&amp;quot; is&lt;br /&gt;
written in a intro page to the magazine,&lt;br /&gt;
and followed by the proud words of the&lt;br /&gt;
modern editor; &amp;quot;This is an independent&lt;br /&gt;
production&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Not only does the name of the magazine&lt;br /&gt;
bring back memories of great demo group,&lt;br /&gt;
the outfit also has scary similarities&lt;br /&gt;
to the style of crest - especially the&lt;br /&gt;
logo. But, I am by no means a demo&lt;br /&gt;
fanatic, so I will leave this alone.&lt;br /&gt;
&lt;br /&gt;
I took the liberty of looking up the&lt;br /&gt;
world crest in a dictionary, and found&lt;br /&gt;
it had a few different meanings. It&lt;br /&gt;
could mean a shield, but also the&lt;br /&gt;
feathery thing found on the head of a&lt;br /&gt;
rooster. Why do I mention this? Well,&lt;br /&gt;
&lt;br /&gt;
basically just because the editors of&lt;br /&gt;
the crest claimed they were in love&lt;br /&gt;
with the meaning of the name, and&lt;br /&gt;
therefore refused to drop it.&lt;br /&gt;
&lt;br /&gt;
The magazine itself is fairly main-&lt;br /&gt;
stream. It does not revolutionize - or&lt;br /&gt;
even attempt to - the magazine industry,&lt;br /&gt;
but instead concentrates on what is&lt;br /&gt;
well known to be a success. They cover&lt;br /&gt;
the news well, and that is a good sign&lt;br /&gt;
of proper scene journalism. The release&lt;br /&gt;
charts is also offered to the illegal&lt;br /&gt;
part of the scene, and the graphics&lt;br /&gt;
reviews satisfy some parts of the legal&lt;br /&gt;
scene. Then we have the interviews and&lt;br /&gt;
the editor, who speaks his mind - on&lt;br /&gt;
what other subject, than of course:&lt;br /&gt;
the crest. Where is the debates about&lt;br /&gt;
scene affairs? Cut out I suppose.&lt;br /&gt;
&lt;br /&gt;
The crest is an ambitious and clean cut&lt;br /&gt;
magazine, but also a new magazine, and&lt;br /&gt;
unless they can figure out ways to&lt;br /&gt;
attract the readers, I see no reason why&lt;br /&gt;
they should get any at all.&lt;br /&gt;
&lt;br /&gt;
the crest covers some of what the&lt;br /&gt;
larger, more established magazines,&lt;br /&gt;
offers. It is a case of deciding between&lt;br /&gt;
peter andre and michael jackson. peter&lt;br /&gt;
andre tries to sing like wacko jacko,&lt;br /&gt;
but he lacks the experience - and&lt;br /&gt;
certainly the talent. Whether the crest&lt;br /&gt;
has any talent or not remains to be&lt;br /&gt;
seen. They did however not fall through&lt;br /&gt;
in this edition, but still need to&lt;br /&gt;
improve, instead of just working the&lt;br /&gt;
mainstream - which is boring.&lt;br /&gt;
&lt;br /&gt;
We await the future of The crest!&lt;br /&gt;
&lt;br /&gt;
            +--------------+&lt;br /&gt;
 **........ |JUDGEMENT PAGE| ........**&lt;br /&gt;
 \/\/--/\&amp;amp;gt;&amp;amp;lt; |JUDGEMENT PAGE| &amp;amp;gt;&amp;amp;lt;/\--\/\/&lt;br /&gt;
            +--------------+&lt;br /&gt;
&lt;br /&gt;
VANDALISM NEWS                        ..&lt;br /&gt;
VANDALISM NEWS 28TH EDITION           /\&lt;br /&gt;
________________________________________&lt;br /&gt;
VITALITY                              ..&lt;br /&gt;
VITALITY 2ND EDITION                  &amp;amp;gt;&amp;amp;lt;&lt;br /&gt;
________________________________________&lt;br /&gt;
PALLADIUM                             ..&lt;br /&gt;
PALLADIUM 3RD EDITION                 &amp;amp;gt;&amp;amp;lt;&lt;br /&gt;
________________________________________&lt;br /&gt;
THE CREST                             ..&lt;br /&gt;
THE CREST 2ND EDITION                 /\&lt;br /&gt;
________________________________________&lt;br /&gt;
&lt;br /&gt;
           BYE FOR NOW, DUKE&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ymgve</name></author>	</entry>

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