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		<id>http://c64mags.untergrund.net/wiki/index.php?title=Propaganda_24_ch05&amp;diff=1608&amp;oldid=prev</id>
		<title>Ymgve at 20:55, 18 June 2007</title>
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				<updated>2007-06-18T20:55:50Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 +------------------------+&lt;br /&gt;
 |One of the Transformers |&lt;br /&gt;
 |was called Hound and the|&lt;br /&gt;
 |other one Jazzcat, the  |&lt;br /&gt;
 |latter a name he fancied|&lt;br /&gt;
 |so much he decided to   |&lt;br /&gt;
 |use it himself.         |&lt;br /&gt;
 +---------------FROM TRANSFORMERTOYS&lt;br /&gt;
                 FROM TRANSFORMERTOYS&lt;br /&gt;
                     TO ONSLAUGHT&lt;br /&gt;
                     TO ONSLAUGHT.&lt;br /&gt;
&lt;br /&gt;
             PROPAGANDA MEETS JAZZCAT.&lt;br /&gt;
              EARLY SEPTEMBER, 1997.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Our Australian friend has been active&lt;br /&gt;
on what seems to be a 24-hour basis over&lt;br /&gt;
the past years. When Propaganda met up&lt;br /&gt;
with him we met an openminded Austral-&lt;br /&gt;
ian who speaks of his past, the setup&lt;br /&gt;
of ONSLAUGHT and the eternal 1OO%-&lt;br /&gt;
version-debate.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 ______________________________________&lt;br /&gt;
JAZZCAT has been on the boards on an al-&lt;br /&gt;
most daily basis since 2 or 3 years&lt;br /&gt;
back - An admirable effort in itself.&lt;br /&gt;
Doing so, JAZZCAT has established him-&lt;br /&gt;
self as one of the powerful institutions&lt;br /&gt;
of the modern market. He is organizing&lt;br /&gt;
&lt;br /&gt;
 ______________________________________&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 ______________________________________&lt;br /&gt;
and leading ONSLAUGHT, a big group from&lt;br /&gt;
the new generation. He edits one of the&lt;br /&gt;
public's favorite magazines. There have&lt;br /&gt;
been 8 juicy issues of DOMINATION. As if&lt;br /&gt;
that wasn't enough he helps his friend&lt;br /&gt;
and partner VENGEANCE with VANDALISM&lt;br /&gt;
NEWS. On the legal side, he edits a mag-&lt;br /&gt;
azine called COMMODORE FEVER and further&lt;br /&gt;
helps with COMMODORE SCENE, a Brittish&lt;br /&gt;
magazine. And of course, as with every&lt;br /&gt;
crackinggroup today, he is also involved&lt;br /&gt;
in gamesales. So this is old news. This&lt;br /&gt;
is JAZZCAT today. What was JAZZCAT like&lt;br /&gt;
yesterday?&lt;br /&gt;
&lt;br /&gt;
 ______________________________________&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
               **........&lt;br /&gt;
               \/\/--/\&amp;amp;gt;&amp;amp;lt;&lt;br /&gt;
&lt;br /&gt;
JAZZCAT describes himself as a typical&lt;br /&gt;
hangaround in his early days on the&lt;br /&gt;
scene. His sources of software were&lt;br /&gt;
limited and he swapped pirated games&lt;br /&gt;
on a local level. TRIAD, FAIRLIGHT,&lt;br /&gt;
GENESIS and LEGEND were great fascina-&lt;br /&gt;
tion to the young JAZZCAT and he was&lt;br /&gt;
intruiged with the idea of taking part&lt;br /&gt;
in the scene himself. Back then, TRANS-&lt;br /&gt;
FORMERS were popular toys and JAZZCAT&lt;br /&gt;
happened to be owner of two.&lt;br /&gt;
One of the TRANSFORMERS was called&lt;br /&gt;
HOUND and the other one JAZZCAT, the&lt;br /&gt;
latter a name he fancied so much he&lt;br /&gt;
decided to use it himself.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
  +----------------------------------+&lt;br /&gt;
  |&amp;quot;..WHICH LED BOTH DEFF/AVANTGARDE |&lt;br /&gt;
  |    AND WESTBAM/LEGEND TO OFFER   |&lt;br /&gt;
  |          HIM MEMBERSHIPS.&amp;quot;       |&lt;br /&gt;
  +----------------------------------+&lt;br /&gt;
&lt;br /&gt;
His first groups were POWERCREW and&lt;br /&gt;
CPG, unknown to the wide masses but it&lt;br /&gt;
was also here he met some of the people&lt;br /&gt;
we'd later see in ONSLAUGHT. GRIZE (cre-&lt;br /&gt;
ator of MISFORTUNE) and SHADES were both&lt;br /&gt;
part of the two groups and not long af-&lt;br /&gt;
ter he ran into VENGEANCE, then in THE&lt;br /&gt;
FORCE. VENGEANCE adds into the story&lt;br /&gt;
later, as we all know.&lt;br /&gt;
&lt;br /&gt;
JAZZCAT expanded quickly and as the&lt;br /&gt;
Australian group BODYCOUNT started,&lt;br /&gt;
he was let in on trial with his 15O&lt;br /&gt;
&lt;br /&gt;
contacts. VANDALISM was also published&lt;br /&gt;
under the BODYCOUNTlabel. It may come&lt;br /&gt;
as a surprise for many of you, but it&lt;br /&gt;
was in fact JAZZCAT'S job to edit the&lt;br /&gt;
magazine. From BODYCOUNT the story&lt;br /&gt;
moves on quickly. JAZZCAT enters his&lt;br /&gt;
first European journey REBELS and gets&lt;br /&gt;
a modem from SUBZERO/CODERS and from&lt;br /&gt;
REBELS into ALPHA FLIGHT. JAZZCAT re-&lt;br /&gt;
members the days with ALPHA FLIGHT as&lt;br /&gt;
pleasant ones, and recalls the fierce&lt;br /&gt;
competition with RED SECTOR at the time.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     +----------------------------+&lt;br /&gt;
     |&amp;quot;   ..WE WERE ALL FED UP    |&lt;br /&gt;
     |WITH OUR GROUPS AND NEEEDED |&lt;br /&gt;
     |    SOMETHING DIFFERENT.  &amp;quot; |&lt;br /&gt;
     +----------------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
It would still prove that ALPHA FLIGHT&lt;br /&gt;
was not all glitter and flash. Sceners&lt;br /&gt;
among many groups must have been start-&lt;br /&gt;
led by the Australian around-the-clock&lt;br /&gt;
scener which led both DEFF/AVANTGARDE&lt;br /&gt;
and WESTBAM/LEGEND to offer him member-&lt;br /&gt;
ships. For many, the decision would pro-&lt;br /&gt;
bably have been fairly obvious. AVANT-&lt;br /&gt;
GARDE still had a couple of years of&lt;br /&gt;
activity ahead of them while LEGEND were&lt;br /&gt;
hanging on to the last mile and had put&lt;br /&gt;
their more active days in the past.&lt;br /&gt;
JAZZCAT however still had an old respect&lt;br /&gt;
for the will of God and decided to jump&lt;br /&gt;
on the the train, even though it was&lt;br /&gt;
their last. The decision must have upset&lt;br /&gt;
DEFF who was used to getting served on&lt;br /&gt;
silverplate. Since that day, they have&lt;br /&gt;
&lt;br /&gt;
never been on a friendly basis, JAZZCAT&lt;br /&gt;
adds.&lt;br /&gt;
&lt;br /&gt;
[P] PUTTING ONSLAUGHT TOGETHER MUST HAVE&lt;br /&gt;
BEEN EXCITING LOOKING AT WHAT YOU'VE&lt;br /&gt;
ACCOMPLISHED WITH IT NOW. WHAT WERE&lt;br /&gt;
THE INTENTIONS AND MAINGOALS OF THE&lt;br /&gt;
NEW GROUP?&lt;br /&gt;
&lt;br /&gt;
- Yes, it was rather exciting in several&lt;br /&gt;
ways, one of the mainreasons was to sh-&lt;br /&gt;
rug this &amp;quot;Australian only&amp;quot; type feeling&lt;br /&gt;
and have a big break ino the scene on&lt;br /&gt;
an international level. ONSLAUGHT was&lt;br /&gt;
created by myself, VENGEANCE/SCS*TRC&lt;br /&gt;
and MAJESTY/TALENT. At that time we were&lt;br /&gt;
all fed up with our present groups and&lt;br /&gt;
needed something different.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[P] SPEAKING OF VENGEANCE, HE IS SOME-&lt;br /&gt;
WHAT YOUR SECOND HALF IN PUBLIC. IS YOUR&lt;br /&gt;
FRIENDSHIP VALUABLE FOR PRODUCTIVITY?&lt;br /&gt;
&lt;br /&gt;
- Yes our friendship is very valuable,&lt;br /&gt;
it gives you reliability and it also&lt;br /&gt;
gives you a reassurance of getting the&lt;br /&gt;
job done. I know Matt has relied on me&lt;br /&gt;
seveeral times with helping him with&lt;br /&gt;
his magazine. With other people he can-&lt;br /&gt;
not ask this as the friendship is not&lt;br /&gt;
as strong so neither is the responsi-&lt;br /&gt;
bility level. In ONSLAUGHT it is an im-&lt;br /&gt;
portant thing that all members are fr-&lt;br /&gt;
iends. I don't want the group to be like&lt;br /&gt;
a business but a productive hobby. If&lt;br /&gt;
thingswent inactive the frienship would&lt;br /&gt;
still be there to hold the group to-&lt;br /&gt;
gether, ready for another day to strike&lt;br /&gt;
&lt;br /&gt;
again.&lt;br /&gt;
&lt;br /&gt;
[P] SO WHAT WOULD A NORMAL DAY BEHIND&lt;br /&gt;
THE ONSLAUGHT-CURTAINS LOOK LIKE?&lt;br /&gt;
&lt;br /&gt;
- Normally we just laugh and talk about&lt;br /&gt;
what's going on in real life. Sotimes&lt;br /&gt;
I ring up Matt (VENGEANCE) and we don't&lt;br /&gt;
even speak of anything that is scene-&lt;br /&gt;
related. We just have conversations on&lt;br /&gt;
matters of real life interest and girl&lt;br /&gt;
problems and ways of solving them.&lt;br /&gt;
Scenewise, we urge members to get work-&lt;br /&gt;
ing hard on current releases that are&lt;br /&gt;
in the pipeline - there is always some-&lt;br /&gt;
thing happening  in the crew, hence it's&lt;br /&gt;
name.&lt;br /&gt;
&lt;br /&gt;
    HOLY MOSES. MY DISKS ARE ALIVE.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
  +-----------------------------------+&lt;br /&gt;
  |&amp;quot; ..HE IS NOT THERE TO SEE WHAT    |&lt;br /&gt;
  |    TAKES PLACE AND HAS TO GET     |&lt;br /&gt;
  |  INFORMATION FROM HIS SO CALLED   |&lt;br /&gt;
  |       &amp;quot;RELIABLE SOURCES&amp;quot;..       &amp;quot;|&lt;br /&gt;
  +-----------------------------------+&lt;br /&gt;
&lt;br /&gt;
[P] AS PART OF A CRACKINGGROUP, THERE&lt;br /&gt;
HAVE LATELY BEEN SEVERAL INFECTED DE-&lt;br /&gt;
BATES BETWEEN THE GROUPS ON THE BOARDS.&lt;br /&gt;
ULTIMATELY, IT ALL COMES DOWN TO RE-&lt;br /&gt;
LEASES, FIXES AND 100%-VERSIONS. WHAT&lt;br /&gt;
IS YOUR OPINION ON THE ENTIRE AFFAIR?&lt;br /&gt;
&lt;br /&gt;
- I think because originals are getting&lt;br /&gt;
more scarce that groups are wanting the&lt;br /&gt;
points so much that 1OO%-versions are&lt;br /&gt;
becoming more and more evident. Groups&lt;br /&gt;
like AFL criticize others for hunting&lt;br /&gt;
&lt;br /&gt;
points when they are the ones who poorly&lt;br /&gt;
crack and rush releases such as MAGICAL&lt;br /&gt;
FORMULA to try and steal some points.&lt;br /&gt;
They are the ones who do the majority&lt;br /&gt;
of the 1OO%-versions, yet when it is&lt;br /&gt;
done to them (URINE) they cry like&lt;br /&gt;
children. Why I react so much on this&lt;br /&gt;
particular group is because of it's&lt;br /&gt;
habit in contradicting itself. People&lt;br /&gt;
should just learn to get originals from&lt;br /&gt;
elsewhere, or make their own and sell&lt;br /&gt;
them and then crack them, like we do&lt;br /&gt;
sometimes - where there is no harm done.&lt;br /&gt;
&lt;br /&gt;
I would also like to add the fact that&lt;br /&gt;
some magazines like RELAX are used by&lt;br /&gt;
ALPHA FLIGHT as a tool for their con-&lt;br /&gt;
troversies and problems they find with&lt;br /&gt;
the majority of the crackinggroups. I&lt;br /&gt;
feel that the editor, RRR, only sticks&lt;br /&gt;
&lt;br /&gt;
up for them and what they do so much&lt;br /&gt;
because of being a former member of the&lt;br /&gt;
group and because a large number of the&lt;br /&gt;
RELAX editors are members of AFL. When&lt;br /&gt;
criticized about this RRR awlays ex-&lt;br /&gt;
plains  about his wishes to keep the&lt;br /&gt;
magazine objective and so on. He should&lt;br /&gt;
not be a spokesman on the subject of&lt;br /&gt;
1OO%-releases or any topics that are&lt;br /&gt;
board-related. Fact is, he never calls&lt;br /&gt;
any C64-boards, the only one he called&lt;br /&gt;
was EDGE OF MIDNIGHT when it had a a&lt;br /&gt;
O13O-German tollfree number routed to&lt;br /&gt;
it and that was only for a couple of&lt;br /&gt;
months. He has therefore not enough&lt;br /&gt;
knowledge and experience to make any&lt;br /&gt;
judgements or even try and write an&lt;br /&gt;
article on any situations that are&lt;br /&gt;
caused by AFL. He is not there to see&lt;br /&gt;
what takes place and has to get info-&lt;br /&gt;
&lt;br /&gt;
rmation from his so called &amp;quot;reliable&lt;br /&gt;
sources&amp;quot; and all of these are either in-&lt;br /&gt;
volved in argumentative situations with&lt;br /&gt;
me or my group or are willing to take&lt;br /&gt;
side of the idiots who are trying to&lt;br /&gt;
bombarde the scene with lies and actions&lt;br /&gt;
that simply just never took place in&lt;br /&gt;
the past.&lt;br /&gt;
&lt;br /&gt;
[P] I SEE. SPEAKING OF RELAX, YOU ARE&lt;br /&gt;
EDITOR OF THE MUCH ACCLAIMED DOMINATION.&lt;br /&gt;
HOW WOULD YOU GRADE YOUR WORK AS A&lt;br /&gt;
JOURNALIST?&lt;br /&gt;
&lt;br /&gt;
- As an editor you see your own mistakes&lt;br /&gt;
more than the reader. I have noticed my&lt;br /&gt;
errors in the past and I think I am&lt;br /&gt;
getting better and better at what I do.&lt;br /&gt;
I am not someone that is over modest&lt;br /&gt;
so it is a hard question you ask. I&lt;br /&gt;
&lt;br /&gt;
prefer other people judge me. But I also&lt;br /&gt;
think that before you judge others, you&lt;br /&gt;
must jusge yourself first.&lt;br /&gt;
&lt;br /&gt;
[P]THE MAGAZINEMARKET IS PROBABLY THE&lt;br /&gt;
ONE THAT HAS BEEN EXPANDING THE MOST&lt;br /&gt;
AND GROWING IN TERMS OF QUALITY. WHAT&lt;br /&gt;
DO YOU THINK OF THE MAGAZINES AND COMP-&lt;br /&gt;
ETITION TODAY?&lt;br /&gt;
&lt;br /&gt;
- Competition is still there today. it&lt;br /&gt;
was fun and fierce in '94 and '95 when&lt;br /&gt;
THE PULSE and SKYHIGH were still around,&lt;br /&gt;
but as you said the quality is still&lt;br /&gt;
improving. VANDALISM, RELAX, PROPAGANDA&lt;br /&gt;
and DRIVEN and the other mags offer good&lt;br /&gt;
competition as far as breaking news and&lt;br /&gt;
getting that special original chapter&lt;br /&gt;
across. Other mags that I see that will&lt;br /&gt;
eventually also be ones to watch out for&lt;br /&gt;
&lt;br /&gt;
are EMPHATIC, VITALITY, NEWSPRESS and&lt;br /&gt;
PALLADIUM.&lt;br /&gt;
&lt;br /&gt;
[P] I AGREE, AND IT IS GOOD WE ARE FIN-&lt;br /&gt;
ALLY SEEING A NEW GENERATION OF MAGA-&lt;br /&gt;
ZINES COMING ALONG. ANY SPECIAL JOURN-&lt;br /&gt;
ALIST-FAVORITES ON THE SCENE?&lt;br /&gt;
&lt;br /&gt;
- I respect the work of SKATER/CENSOR,&lt;br /&gt;
he was very objective and his chapters&lt;br /&gt;
were very understandable and entertain-&lt;br /&gt;
ing. Another editor I like is JACK&lt;br /&gt;
DANIELS from CORRUPTION and REMIX from&lt;br /&gt;
CLIQUE for his work on the SCRIPT-mag-&lt;br /&gt;
azine. He would probably be the friend-&lt;br /&gt;
liest editor in the scene.&lt;br /&gt;
&lt;br /&gt;
    ..- RRR: I AM ANGRY.&lt;br /&gt;
    --  MARC: ME TOO. LET'S MAKE&lt;br /&gt;
              SOME CHAPTERS.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[P] THE C64-SCENE IS CONSTANTLY CHANG-&lt;br /&gt;
ING BUT NEVER SEEMS TO GO AWAY. WILL&lt;br /&gt;
YOU LEAVE THE SHIP OR STAY PUT WITH&lt;br /&gt;
ONSLAUGHT AND YOUR MAGAZINE?&lt;br /&gt;
&lt;br /&gt;
- I think I will be in ONSLAUGHT until&lt;br /&gt;
either the group dies (which I doubt)&lt;br /&gt;
or the scene does. My magazine will con-&lt;br /&gt;
tinue as well as our other productions&lt;br /&gt;
unless some wild circumstances in rea-&lt;br /&gt;
lity give me other reasons. I have&lt;br /&gt;
thought of other projects and things I&lt;br /&gt;
could do, but I am happy with the cur-&lt;br /&gt;
rent  circtumstances and look forward&lt;br /&gt;
to the future.&lt;br /&gt;
 +------------------------------------+&lt;br /&gt;
 |.. RRR: MAKE SURE THEY'RE 100%.     |&lt;br /&gt;
 |-- MARC: URINE WILL TAKE CARE OF IT.|&lt;br /&gt;
 +------------------------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[P] IS THERE AN IDEAL GROUP AND HOW&lt;br /&gt;
WOULD THAT LOOK?&lt;br /&gt;
&lt;br /&gt;
- CENSOR have always been one of the&lt;br /&gt;
groups I looked up to, they were great&lt;br /&gt;
in the magazine-, cracking- and demo-&lt;br /&gt;
scenes. These days I don't think there&lt;br /&gt;
is any ideal group. I could say my own,&lt;br /&gt;
but that would be a lie. But, we are&lt;br /&gt;
working on a demo. It will come! Then&lt;br /&gt;
I could say ONSLAUGHT. 8)&lt;br /&gt;
&lt;br /&gt;
[P] FUTUREVISIONS FOR ONSLAUGHT AND THE&lt;br /&gt;
C64? ANY PLANS TO EXPAND TO ANOTHER&lt;br /&gt;
FORMAT LIKE F4CG AND HITMEN?&lt;br /&gt;
&lt;br /&gt;
- I doubt it. The only true scene is&lt;br /&gt;
C64. Other scenes are just for wares&lt;br /&gt;
and that's why they suck. If were to&lt;br /&gt;
&lt;br /&gt;
venture onto another platform it would&lt;br /&gt;
be under a new name anyway. But I don't&lt;br /&gt;
see this happening, at least not with&lt;br /&gt;
the inner organization anyway.&lt;br /&gt;
&lt;br /&gt;
[P] BUT WHAT ABOUT THE LEGAL MARKET?&lt;br /&gt;
HOW MUCH INVOLVED ARE YOU?&lt;br /&gt;
&lt;br /&gt;
- Actually I have been involved with&lt;br /&gt;
quite a lot of projects. I hooked up&lt;br /&gt;
John and Steve Rowlands from APEX with&lt;br /&gt;
Phil Thorton/SYSTEM3 and they now (or&lt;br /&gt;
did have) a 3D PC-project with 18-month&lt;br /&gt;
contract. Also I have some gameprojects&lt;br /&gt;
of my own in the pipeline, like GOD-&lt;br /&gt;
FLESH, a beat'em-up game with the same&lt;br /&gt;
type of play as IK+ from SYSTEM3 and&lt;br /&gt;
MORTAL KOMBAT. It features graphics by&lt;br /&gt;
CRUISE/TABOO and DEEKAY/CREST/ONSLAUGHT&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
and also music from GEIR TJELTA and&lt;br /&gt;
MORBID/BASS/ONSLAUGHT. Coding is being&lt;br /&gt;
done by JOLZ, but the delay of the&lt;br /&gt;
productions is the sprites, which I wish&lt;br /&gt;
to be very well animated and detailed.&lt;br /&gt;
&lt;br /&gt;
 ______________________________________&lt;br /&gt;
JAZZCAT in a nutshell, that may be. He&lt;br /&gt;
has to rush of to his parttime job now.&lt;br /&gt;
STAR BAR CAFE consumes time, as does&lt;br /&gt;
his girlfriend and studies. Where he&lt;br /&gt;
finds time to do strolls on the scene,&lt;br /&gt;
we still do not know. By the way, did&lt;br /&gt;
you know JAZZCAT is one mother at mart-&lt;br /&gt;
ial arts. Kung fu is a great hobby of,&lt;br /&gt;
so make sure to keep that in mind if&lt;br /&gt;
you meet him in a dark alley at night.&lt;br /&gt;
Or after several rags at a copyparty.&lt;br /&gt;
Don't say PROPAGANDA didn't warn you.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 +-----------------+&lt;br /&gt;
 |JAZZCAT FAVORITES|&lt;br /&gt;
 +-----------------+-----------------+&lt;br /&gt;
  |GROUP................LEGEND, IKARI|&lt;br /&gt;
  |DEMOGROUP.....CENSOR, CREST, FOCUS|&lt;br /&gt;
  |BOARD.................TST, DBL, TO|&lt;br /&gt;
  |MAG........SHOCK, REMARK, REVEALED|&lt;br /&gt;
  +----------------------------------+&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     &amp;quot;I RESPECT ALL IN THE SCENE.&lt;br /&gt;
FOR STAYING WITH THIS ANCIENT COMPUTER.&lt;br /&gt;
   KEEP IT ALIVE! THE COMPUTER IS NOT&lt;br /&gt;
    THE SCENE, THE WARES ARE NOT THE&lt;br /&gt;
        SCENE - THE PEOPLE ARE.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
                         JAZZCAT,&lt;br /&gt;
                      SEPTEMBER 1997&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ymgve</name></author>	</entry>

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