<?xml version="1.0"?>
<?xml-stylesheet type="text/css" href="http://c64mags.untergrund.net/wiki/skins/common/feed.css?303"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
		<id>http://c64mags.untergrund.net/wiki/index.php?action=history&amp;feed=atom&amp;title=Domination_08_Demo_Reviews_2</id>
		<title>Domination 08 Demo Reviews 2 - Revision history</title>
		<link rel="self" type="application/atom+xml" href="http://c64mags.untergrund.net/wiki/index.php?action=history&amp;feed=atom&amp;title=Domination_08_Demo_Reviews_2"/>
		<link rel="alternate" type="text/html" href="http://c64mags.untergrund.net/wiki/index.php?title=Domination_08_Demo_Reviews_2&amp;action=history"/>
		<updated>2026-06-22T09:00:10Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
		<generator>MediaWiki 1.19.0</generator>

	<entry>
		<id>http://c64mags.untergrund.net/wiki/index.php?title=Domination_08_Demo_Reviews_2&amp;diff=5414&amp;oldid=prev</id>
		<title>Ymgve at 20:18, 8 June 2010</title>
		<link rel="alternate" type="text/html" href="http://c64mags.untergrund.net/wiki/index.php?title=Domination_08_Demo_Reviews_2&amp;diff=5414&amp;oldid=prev"/>
				<updated>2010-06-08T20:18:41Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;pre&amp;gt;---------------------------------------&lt;br /&gt;
                                *  Demo reviews 2  *&lt;br /&gt;
---------------------------------------&lt;br /&gt;
Presenting once again the reviews section on the&lt;br /&gt;
scenes legal releases.&lt;br /&gt;
This time hosted by Metal/Vibrants/Camelot.&lt;br /&gt;
Since the death of Skyhigh I didn't think I would do any&lt;br /&gt;
more articles - but, then out of the blue came Jazzcat&lt;br /&gt;
and asked me to conduct some reviews for the&lt;br /&gt;
Domination magazine.&lt;br /&gt;
As I like Domination and regard it as the only competitor&lt;br /&gt;
for Relax magazine (Hi Timo!), I had no long thoughts&lt;br /&gt;
about starting to write articles.&lt;br /&gt;
 &lt;br /&gt;
Enough about that - I'm back and here's what this is all&lt;br /&gt;
about - on with the reviews!&lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
                             Review of the music demo:&lt;br /&gt;
                                             BONDAGE&lt;br /&gt;
                                                   by&lt;br /&gt;
                                               CREST&lt;br /&gt;
 &lt;br /&gt;
  Featuring music from Mitch + Dane of HYPE! and Crest.&lt;br /&gt;
                         Reviewed by Metal of Vibrants.&lt;br /&gt;
 &lt;br /&gt;
The music-compilation was created mainly by Mitch and&lt;br /&gt;
Dane and was released in Autumn of 1996, thus it's&lt;br /&gt;
about time someone bothered to review this darn thing.&lt;br /&gt;
 &lt;br /&gt;
The demo starts with the by now wellknown sticky-man&lt;br /&gt;
which signatures that this is indeed a Crest production&lt;br /&gt;
Anyway, you get to choose between the demo itself and&lt;br /&gt;
an included note. Well, I'm most interested in the lurking&lt;br /&gt;
contents of the demo, so I hit the '1' key. Some chords&lt;br /&gt;
turn up and I get a little feeling of some 80's&lt;br /&gt;
instrumentation (a bit Rob'ish actually) - quite moody.&lt;br /&gt;
Shortly after a powerful bass hits and takes over the&lt;br /&gt;
action, which carries over into some classical chords&lt;br /&gt;
with a typical Jeroen Tel lead. I later found out that&lt;br /&gt;
this was  actually the beginning of the first tune&lt;br /&gt;
&amp;quot;Maine&amp;quot;.&lt;br /&gt;
The screen shifts to the main screen which is rather&lt;br /&gt;
boring to look at, even though the colorcycling plasma&lt;br /&gt;
or whatever it is (coding is not for me!) looks ok.&lt;br /&gt;
Anyway, the &amp;quot;plasma&amp;quot; runs in a regtagular square, and&lt;br /&gt;
on top is written the titlesof each of the 5 tunes.&lt;br /&gt;
The tune currently playing is highlighted.&lt;br /&gt;
Anyway - on with the review - even though I think I&lt;br /&gt;
should remark that this review is based on the fact&lt;br /&gt;
that Mitch+Dane are perhaps the best team composing&lt;br /&gt;
on the C64 these days, so instead of praising their&lt;br /&gt;
music I've focused on what could have been different&lt;br /&gt;
to add that 4th dimension to the music.&lt;br /&gt;
On with the show..&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;MAINE&amp;quot; is the first tune, and as I said before it's kind&lt;br /&gt;
of a classical tune with a touch of Jeroen Tel (the lead)&lt;br /&gt;
The tune itself is very well composed, but I think the&lt;br /&gt;
lead has a few soft spots which I think doesn't suit it&lt;br /&gt;
very well. As a point the lead makes a little squeak off&lt;br /&gt;
like a blues-lead, which I really think should have been&lt;br /&gt;
left out. Oh well, besides that little thing I think it's a&lt;br /&gt;
good tune! Using my own little review-system, which I&lt;br /&gt;
also used while writing for Skyhigh, I will give this&lt;br /&gt;
tune:&lt;br /&gt;
Style: 90/100   -   Skills: 85/100   -   Sounds: 90/100&lt;br /&gt;
Overall: 88 1/3 of 100.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Drown me in love&amp;quot; is the next tune. I had heard some of&lt;br /&gt;
this tune before, as Mitch usually sends me lots of&lt;br /&gt;
worktunes - and knowing Mitch+Dane's work as I do,&lt;br /&gt;
I think this tune is very typical for the 2 of them.&lt;br /&gt;
It's because of a funky tune which has some really&lt;br /&gt;
catchy chords and a fairly good lead. I'm ofcourse&lt;br /&gt;
here to do some critics, so I'll do that.&lt;br /&gt;
I think the lead instrument is way to squeaky - and&lt;br /&gt;
together with the echos it sounds quite annoying really&lt;br /&gt;
The bass sometimes shifts filter-settings, which in&lt;br /&gt;
some cases sounds ok, but as with most things you&lt;br /&gt;
have to know when it sounds good and when it doesn't -&lt;br /&gt;
unfortunately this tune has a few of those shifts&lt;br /&gt;
which doesn't sound that good. The lead itself has some&lt;br /&gt;
parts which I think is too messy, but still I think that&lt;br /&gt;
this tune requires these ratings:&lt;br /&gt;
Style: 90/100  -  Skills: 80/100  -  Sound: 80/100&lt;br /&gt;
Overall: 83 1/3 of 100.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Miranda&amp;quot; is up next - and here we have a genuine&lt;br /&gt;
lovesong ;) Anyway, this is a very well composed tune,&lt;br /&gt;
which has a kind of pop'ed jazz style. The rhythm and&lt;br /&gt;
the chords make a fine harmony, which at first may&lt;br /&gt;
sound a bit strange for the usual techno-listener, but&lt;br /&gt;
as we all know - listen and learn is the thing to do.&lt;br /&gt;
The lead is also very relaxed and you can almost&lt;br /&gt;
imagine some fancy fake-that singer singing the lead&lt;br /&gt;
while the crowd of 14 year old girls scream in the&lt;br /&gt;
background... hmm.. well, seriously this is a tune, which&lt;br /&gt;
could easily be converted to real-life, even though I&lt;br /&gt;
would probably have made those breaks differently:&lt;br /&gt;
Style: 85/100  -  Skills: 85/100  -  Sound: 85/100&lt;br /&gt;
Overall: 85/100.&lt;br /&gt;
&amp;quot;Liptoman&amp;quot; is next. This tune is quite funky and reminds&lt;br /&gt;
me of some old danish tv-series called: &amp;quot;En by i&lt;br /&gt;
provinsen&amp;quot; - it has some of that mellow feeling that&lt;br /&gt;
characterises a detective in his hard work trying to&lt;br /&gt;
break the next case with the help of a whiskey bottle.&lt;br /&gt;
Anyway, I think the title is a bit off, as I don't really&lt;br /&gt;
imagine myself sipping to a cup of Lipton-tea and&lt;br /&gt;
feeling like this tune. Oh well, I'm a coffee addict, so I&lt;br /&gt;
might be a bit prejudistic about that, so let's get on&lt;br /&gt;
with the tune. I think this is the best tune of the bunch&lt;br /&gt;
it's close to being perfect performed. The lead is not&lt;br /&gt;
too exagerated at any point in time, which both Drax&lt;br /&gt;
and Jeroen Tel tend to do on the PC these days (my&lt;br /&gt;
opinion). It also has something very important IMO -&lt;br /&gt;
namely an easily recognised theme which is so&lt;br /&gt;
important in the more mainstream funk-music, which&lt;br /&gt;
Mitch+Dane stands for. The funk-style is not rarely&lt;br /&gt;
seen, even though techno takes over more and more,&lt;br /&gt;
so my ratings are these:&lt;br /&gt;
Style: 90/100  -  Skills: 95/100  -  Sounds: 85/100&lt;br /&gt;
Overall: 90/100.&lt;br /&gt;
&amp;quot;Winona&amp;quot; - last tune in the pack. My first thoughts&lt;br /&gt;
were: &amp;quot;Oh? Did they convert a Laxity tune?&amp;quot;, because&lt;br /&gt;
it sounded a lot like a tune Laxity would have done.&lt;br /&gt;
Hell, even the instruments were the same - perhaps&lt;br /&gt;
not the lead, but still. The tune is a very laid back pop&lt;br /&gt;
tune with an emotional feeling.&lt;br /&gt;
I'd say that this is a very good performed tune - in&lt;br /&gt;
almost every way. As in some of the other tunes, I think&lt;br /&gt;
the lead is a bit too squeaky, which I think is a matter&lt;br /&gt;
of taste.. so, these are the ratings:&lt;br /&gt;
Style: 85/100  -  Skills:  90/100  -  Sound:  95/100&lt;br /&gt;
Overall: 90/100.&lt;br /&gt;
 &lt;br /&gt;
This concludes the review of the main part of Bondage&lt;br /&gt;
but as there was note included in the demo, we should&lt;br /&gt;
also take a look at that. We reload the demo again, and&lt;br /&gt;
press &amp;quot;2&amp;quot; for the note..&lt;br /&gt;
The note looks unlike most other notes included in&lt;br /&gt;
various demos and such. It's good to see that people&lt;br /&gt;
still bother to do a nice designed noter for their&lt;br /&gt;
productions instead ofjust using some of the noters&lt;br /&gt;
available everywhere. The tune playing here is&lt;br /&gt;
Mitch+Dane's conversion of Drax's adlib tune &amp;quot;Bus&amp;quot;,&lt;br /&gt;
and if I may say this tune is very very good, not only&lt;br /&gt;
because Drax did it, but because Mitch+Dane&lt;br /&gt;
converted it so well, that it sounds better than the&lt;br /&gt;
original! I know Drax also liked this c64 version alot,&lt;br /&gt;
so I see no other reason than to give this a total of:&lt;br /&gt;
Style: 90/100  -  Skills: 90/100  -  Sound: 100/100&lt;br /&gt;
Overall: 93 1/3 of 100.&lt;br /&gt;
 &lt;br /&gt;
In the note Mitch+Dane write their own ratings to each&lt;br /&gt;
tune - these ratings are:&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Maine&amp;quot;                        4.3 / 5 - 86 percent&lt;br /&gt;
&amp;quot;Drown me in love&amp;quot;    3.5 / 5 - 70 percent&lt;br /&gt;
&amp;quot;Miranda&amp;quot;                    4.0 / 5 - 80 percent&lt;br /&gt;
&amp;quot;Liptonman&amp;quot;                 4.6 / 5 - 92 percent&lt;br /&gt;
&amp;quot;Winona&amp;quot;                       3.8 / 5 - 76 percent&lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
My rating:&lt;br /&gt;
&amp;quot;Maine&amp;quot;                         88 1/3 percent + 2  1/3&lt;br /&gt;
&amp;quot;Drown me in love&amp;quot;     83 1/3 percent + 13  1/&lt;br /&gt;
&amp;quot;Miranda&amp;quot;                     85 percent + 5 percent&lt;br /&gt;
&amp;quot;Liptonman&amp;quot;                  90 percent - 2 percent&lt;br /&gt;
&amp;quot;Winona&amp;quot;                        90 percent + 14 percent&lt;br /&gt;
 &lt;br /&gt;
Hmm, it seems as if I have rated the tunes somewhat&lt;br /&gt;
higher than they themselves did. Oh well, the composer&lt;br /&gt;
is always the worst critic ;) That concludes this review.&lt;br /&gt;
If you haven't checked this music-demo out yet - go&lt;br /&gt;
and do so immediately!&lt;br /&gt;
 &lt;br /&gt;
    Review of the music from the music-competition at:&lt;br /&gt;
 &lt;br /&gt;
                                     THE  PARTY  6&lt;br /&gt;
 &lt;br /&gt;
                      Reviewed by Metal of Vibrants&lt;br /&gt;
 &lt;br /&gt;
First of all I'd like to say that each review of the music&lt;br /&gt;
that participated at The Party 6 was written while&lt;br /&gt;
listening to that particular tune.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;ANAL'OGUE&amp;quot; by Jeff/HYPE!/Camelot&lt;br /&gt;
Another quadro-speed hardboiled techno-tune from&lt;br /&gt;
Jeff. It's only fair to say that Jeff is the man behind&lt;br /&gt;
the absolute best techno-music produced on a c64!&lt;br /&gt;
This tune is no exception from the usual stuff Jeff&lt;br /&gt;
makes - it's very pulsating and has a lot of great&lt;br /&gt;
analogue effects, including a hard 303-like base and&lt;br /&gt;
new plings and noises I have never heard on a C64.&lt;br /&gt;
The tune itself is simple as with all other techno, but&lt;br /&gt;
it's actually quite varied as the beat is not just&lt;br /&gt;
stomping away - the snare-markings are heavily&lt;br /&gt;
influenced by the jungle-style and I believe that Jeff&lt;br /&gt;
used some shuffling in his tune, judging from the beat.&lt;br /&gt;
I must say I find it very hard to believe that this tune&lt;br /&gt;
only came 4th in the competition..&lt;br /&gt;
Style: 80/100  -  Skills: 95/100  -  Sound: 100/100&lt;br /&gt;
Overall: 91 2/3 of 100.&lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
&amp;quot;GLORIA&amp;quot; by Mitch+Dane/HYPE!/Crest&lt;br /&gt;
The first sequences of this tune are converted from&lt;br /&gt;
the pc-tune &amp;quot;stranglehold&amp;quot;, which Jeroen Tel made&lt;br /&gt;
using only sinus-samples.&lt;br /&gt;
I think the conversion together with the rest of the&lt;br /&gt;
tune, which btw, is also kind of a conversion as Mitch&lt;br /&gt;
had done some sequences of the tune on PC before&lt;br /&gt;
doing this tune with Dane. However, the finished result&lt;br /&gt;
sounds a lot better on the C64 than the PC version did&lt;br /&gt;
I found it a bit too odd even though it's very Jarre'ish&lt;br /&gt;
(not the lead!). The tune has a lot of nice melodic&lt;br /&gt;
passages which I guess is also why it won the compo -&lt;br /&gt;
it's also somewhat inspired by Jeroen Tel I think,&lt;br /&gt;
expecially the way the chords play the melody and the&lt;br /&gt;
echo on the lead in the breaks must have been some&lt;br /&gt;
what inspired by the tune Jeroen Tel did for the intro&lt;br /&gt;
in Blackmail's demo &amp;quot;Dutch Breeze&amp;quot;. However, I think&lt;br /&gt;
that if Jeroen had made a similar tune, this one would&lt;br /&gt;
be better, as it's really quite good!&lt;br /&gt;
Style: 90/100  -  Skills: 90/100  -  Sound: 90/100&lt;br /&gt;
Overall: 90/100.&lt;br /&gt;
&amp;quot;SLAPPED BASS&amp;quot; by Fuben/Oxyron&lt;br /&gt;
Another Drax like tune from Fuben. The tune is in the&lt;br /&gt;
style, which Drax usually makes his funky stuff -&lt;br /&gt;
Fuben tries to copy this and I can quickly conclude that&lt;br /&gt;
he's not even close to the real thing. Even though&lt;br /&gt;
Fuben has made some nice chords and breaks - not to&lt;br /&gt;
mention a very jazzy lead, he's made one huge mistake,&lt;br /&gt;
and that's to add some air in between all the solos!&lt;br /&gt;
Also some more variation in the sequences is needed -&lt;br /&gt;
the same chords simply play for much too long.. and&lt;br /&gt;
with that lead just jumping around on those blue notes&lt;br /&gt;
it gets kinda messy. I must say however, that&lt;br /&gt;
comparing to the Drax like tune Fuben competed with at&lt;br /&gt;
The Party 5, this tune is way better. So, Fuben - you've&lt;br /&gt;
come a bit closer, but still you're far away.. why not&lt;br /&gt;
try to create something that is really 'you' - develop&lt;br /&gt;
yourself and you'll find that you might want to do stuff&lt;br /&gt;
different from what Drax would do. It sounds like you&lt;br /&gt;
have the potential and the &amp;quot;ear&amp;quot; to go further!&lt;br /&gt;
Style: 80/100  -  Skills: 80/100  -  Sound: 80/100&lt;br /&gt;
Overall: 80/100.&lt;br /&gt;
&amp;quot;FRUIT FEST DONE&amp;quot; by Simple/Role&lt;br /&gt;
The intention was to make a funny and happy tune, and&lt;br /&gt;
that was partly achieved, but geez.. those chords!!&lt;br /&gt;
Argh... they play way off the melody! I have no further&lt;br /&gt;
words than.. go find a music-theory book ASAP!&lt;br /&gt;
Style: 60/100  -  Skills: 30/100  -  Sound: 60/100&lt;br /&gt;
Overall: 50/100.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;COMPOTUNE 1&amp;quot; by Eco/Excess&lt;br /&gt;
This tune starts off very icely with some sinus-like&lt;br /&gt;
plings carrying a nice tune, but ofcourse he had to&lt;br /&gt;
ruin it with a false chord. Anyway, I though this was&lt;br /&gt;
going to be very atmospheric tune, and then that&lt;br /&gt;
terrible kick-drum sets in.. well, euro-techno it is, and&lt;br /&gt;
besides a few errors it sounds fairly ok - the snare&lt;br /&gt;
drum sounds rather interesting. Well, as it turns out I&lt;br /&gt;
was right about the tune being atmospheric after all -&lt;br /&gt;
the tune would suit a magazine or demo quite well I think&lt;br /&gt;
Actually I like it more after a few times. You did ok, Eco.&lt;br /&gt;
Style: 70/100  -  Skills: 65/100  -  Sound: 80/100&lt;br /&gt;
Overall: 71  2/3 of 100.&lt;br /&gt;
&amp;quot;SPACE DREAM&amp;quot; by Idefix/Smash Design&lt;br /&gt;
Errr... techno-music sounding like it was made in&lt;br /&gt;
Future Composer. This is total crap. Full of annoying&lt;br /&gt;
shifts and erros... geez... I can't even hear this to the&lt;br /&gt;
end.&lt;br /&gt;
Style: 50/100  -  Skills: 25/100  -  Sound: 10/100&lt;br /&gt;
Overall: 28 1/3 of 100.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;FIVE PEOPLE IN A FORD FIESTA&amp;quot; by Bordeaux/Acrise&lt;br /&gt;
Considering Bordeaux had help from Eco/Ecess, I&lt;br /&gt;
still think this tune is helplessly annoying! I know&lt;br /&gt;
Bordeaux likes PVCF's music a lot, but comparing this&lt;br /&gt;
to any of the work PVCF did, I prefer PVCF's techno&lt;br /&gt;
over this, and bear in mind how much I can't stand PVCF&lt;br /&gt;
music.. puke.. When I first saw the results from TP6&lt;br /&gt;
and saw that Bordeaux came 2nd I wondered if perhaps&lt;br /&gt;
he had done something new and innovative (coz I&lt;br /&gt;
actually DO like techno and trance - even the hard&lt;br /&gt;
stuff!), but then Mitch tells me about a certain guy&lt;br /&gt;
fixing a lot of votes and thereby secure himself a high&lt;br /&gt;
position. Well, Bordeaux, those tricks might work at a&lt;br /&gt;
party, but it sure as hell won't affect my review -&lt;br /&gt;
this tune is nothing special, and infact if someone&lt;br /&gt;
cared to do a conversion of this and turn it into a&lt;br /&gt;
real song I find it hard to believe that it would sound&lt;br /&gt;
good...&lt;br /&gt;
Style: 50/100  -  Skills: 40/100  -  Style: 40/100&lt;br /&gt;
Overall: 43 1/3 of 100.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;SVERIGE&amp;quot; by Cyberbrain/No Name&lt;br /&gt;
A load of hardcore samples put together in order to&lt;br /&gt;
create a tune.. well, they DID make a tune, and it sounds&lt;br /&gt;
ok too, but come on.. this is not the PC - samples suck&lt;br /&gt;
on a C64, but someone still hasn't figured that out.&lt;br /&gt;
I admit that the sample quality is good, but still I think&lt;br /&gt;
that this is not at all what C64 music competition is all&lt;br /&gt;
about.. since this tune is all samples, I find no use for&lt;br /&gt;
the ratings.&lt;br /&gt;
Overall: n/a.&lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
&amp;quot;NITRO&amp;quot; by Soney/Smash Design&lt;br /&gt;
Another techno-like tune which sounds like it was made&lt;br /&gt;
with Future Composer... what's with those Smash-guys?&lt;br /&gt;
Well, this tune is no exception from the other Smash&lt;br /&gt;
tune - it's full of harmonic errors which make it hard&lt;br /&gt;
to listen to without feeling that ache in your stomach..&lt;br /&gt;
burp..&lt;br /&gt;
Style: 50/100  -  Skills: 50/100  -  Sound: 50/100&lt;br /&gt;
Overall: 50/100.&lt;br /&gt;
 &lt;br /&gt;
This concludes the reviews of the music from TP6.&lt;br /&gt;
As usual I end this by putting up a table which shows the&lt;br /&gt;
tune's position in the original TP6 results - and besides&lt;br /&gt;
that I put the positions compiled from my overall&lt;br /&gt;
ratings. Usually I get a totally different result than the&lt;br /&gt;
original, but then again - this is just my opinion..&lt;br /&gt;
 &lt;br /&gt;
On the next page is the chart, with the number in the&lt;br /&gt;
brackets showing the results from TP6.&lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
1. (4) &amp;quot;Anal'ogue&amp;quot; by Jeff/HYPE/Cml       - 91 2/3 perc.&lt;br /&gt;
2. (1) &amp;quot;Gloria&amp;quot; by Mitch+Dane/HYPE/Crest  - 90 perc.&lt;br /&gt;
3. (3) &amp;quot;Slapped Bass&amp;quot; by Fuben/Oxyron  - 80 perc.&lt;br /&gt;
4. (7) &amp;quot;Compo tune 1&amp;quot; by Eco/Excess    - 71 2/3 perc.&lt;br /&gt;
5. (14) &amp;quot;Fruit Fest Done&amp;quot; by Simple/Role   - 50 perc.&lt;br /&gt;
    (12) &amp;quot;Nitro&amp;quot; by Soney/Smash Design     -50 perc.&lt;br /&gt;
6. (2) &amp;quot;F.p.i.a.f.f.&amp;quot; by Bordeaux/Acrise   - 43 1/3 perc.&lt;br /&gt;
7. (15) &amp;quot;Space Dream&amp;quot; by Idefix/Smash  - 28 1/3 perc.&lt;br /&gt;
n/a (11) &amp;quot;Sverige&amp;quot; by Cyberbrain/NoName   - n/a.&lt;br /&gt;
 &lt;br /&gt;
It seems I pushed Mitch+Dane off the number 1 spot -&lt;br /&gt;
I think it was caused by the score I gave Jeff for his&lt;br /&gt;
sound, but his sound his really quite unique. I think we&lt;br /&gt;
all know why Bordeaux ended up at 7.. If we look at the&lt;br /&gt;
rest of the tunes I think the positions are approx. the&lt;br /&gt;
same.&lt;br /&gt;
 &lt;br /&gt;
                                                                                            Yours;&lt;br /&gt;
                                                                                          Torben&lt;br /&gt;
                                                                           Metal/Vibrants&lt;br /&gt;
 &lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ymgve</name></author>	</entry>

	</feed>