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		<title>Xiii: Created page with &quot;&lt;pre&gt; MUSICSCENE ISSUE 5, ADDYBOOK NUMBER 10 ! ----------------------------------------                                          yeeeaaaaahhhh! finally here is addybook  numbe...&quot;</title>
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				<updated>2013-10-31T20:47:52Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;lt;pre&amp;gt; MUSICSCENE ISSUE 5, ADDYBOOK NUMBER 10 ! ----------------------------------------                                          yeeeaaaaahhhh! finally here is addybook  numbe...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;pre&amp;gt;&lt;br /&gt;
MUSICSCENE ISSUE 5, ADDYBOOK NUMBER 10 !&lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
yeeeaaaaahhhh! finally here is addybook &lt;br /&gt;
number 10!! i really hope you like the  &lt;br /&gt;
new outfit and vote for us like hell!   &lt;br /&gt;
by the way, this is MR.MOUSE at the keys&lt;br /&gt;
here and i am going to have a whole lot &lt;br /&gt;
of text here! i have got some music from&lt;br /&gt;
you guys and i must say thanks for      &lt;br /&gt;
sending! i guess you all thought that   &lt;br /&gt;
BLAZE had died or something. well, we   &lt;br /&gt;
didn't!! and we have returned from our  &lt;br /&gt;
summerbreak. thanks to some very cool   &lt;br /&gt;
dudes in blaze we've got this nice      &lt;br /&gt;
outfit and i would like to point out    &lt;br /&gt;
that i am just a writer for addybook;   &lt;br /&gt;
yes, i know i make music, but i think   &lt;br /&gt;
those other members are the ones who    &lt;br /&gt;
make addybook alive: coders, graphicians&lt;br /&gt;
and swappers! and of course musicians.  &lt;br /&gt;
(heheheh!) anyway, let me tell you what &lt;br /&gt;
i got for you this time:                &lt;br /&gt;
                                        &lt;br /&gt;
REVIEWS:                                &lt;br /&gt;
--------                                &lt;br /&gt;
                                        &lt;br /&gt;
*MATEUS/t.o.m./trash                    &lt;br /&gt;
*TOP SECRET/t.o.m./trash                &lt;br /&gt;
*ANDRE/antic/sunrise                    &lt;br /&gt;
*GUY SHAVITT/scs                        &lt;br /&gt;
*GASTON/tia                             &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
METAL NEWS:                             &lt;br /&gt;
-----------                             &lt;br /&gt;
                                        &lt;br /&gt;
*new megadeth album                     &lt;br /&gt;
*accept rejoined                        &lt;br /&gt;
*kiss is back with &amp;quot;revenge&amp;quot;            &lt;br /&gt;
*new black sabbath album                &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
so, i think that is enough. let us begin&lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
handle    : ANDRE                       &lt;br /&gt;
real name : andre                       &lt;br /&gt;
group     : antic and sunrise           &lt;br /&gt;
sex       : male                        &lt;br /&gt;
age       : ?                           &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
before i go off talking about his music &lt;br /&gt;
i'll give some personal info about him. &lt;br /&gt;
he started about 6 months ago and it was&lt;br /&gt;
very difficult, because as he claims he &lt;br /&gt;
was busy as a painter and megaswapper   &lt;br /&gt;
too. so his songs as he said were very  &lt;br /&gt;
bad at first. but after a while he      &lt;br /&gt;
finally understood how to work with     &lt;br /&gt;
VOICETRACKER. according to him he tought&lt;br /&gt;
himself the rules of voicetracker.      &lt;br /&gt;
as we all did, i think. but ok, enough  &lt;br /&gt;
crap about that.                        &lt;br /&gt;
he send me some songs which were brand  &lt;br /&gt;
new, or at least i may expect so,       &lt;br /&gt;
because i am not allowed to release them&lt;br /&gt;
as thay are exclusively made for various&lt;br /&gt;
groups. so the song that is added to    &lt;br /&gt;
this addybook is not his latest tune.   &lt;br /&gt;
but first i want to talk about the un-  &lt;br /&gt;
released sounds. from the 5 tunes about &lt;br /&gt;
3 songs are build on the same notes:    &lt;br /&gt;
a, f, g and e. the basspatterns are very&lt;br /&gt;
alike and just basic c64 voicetracker   &lt;br /&gt;
patterns. the solosounds are also basic &lt;br /&gt;
voicetracker sounds. i think he should  &lt;br /&gt;
try and invent original sounds.         &lt;br /&gt;
now when the bass plays a &amp;quot;g&amp;quot; for       &lt;br /&gt;
example, the other instruments play a   &lt;br /&gt;
&amp;quot;g&amp;quot; too. he forgets that there are more &lt;br /&gt;
notes in a chord! so using the same     &lt;br /&gt;
notes on all tracks at the same time is &lt;br /&gt;
just a save way of not being false!     &lt;br /&gt;
but i think that is not the correct way.&lt;br /&gt;
variety is not to be found. when you've &lt;br /&gt;
heard one tune, you've heard them all.  &lt;br /&gt;
what about the rhythm? let us take the  &lt;br /&gt;
song made for excess.                   &lt;br /&gt;
pattern number 03 is rhythmetic faulty. &lt;br /&gt;
this is a short piece of it:            &lt;br /&gt;
                                        &lt;br /&gt;
faulty:    better:                      &lt;br /&gt;
-------    -------                      &lt;br /&gt;
ins.02     ins.02                       &lt;br /&gt;
g-1.03     g-1.03                       &lt;br /&gt;
g-1.03     g-2.03                       &lt;br /&gt;
g-2.03     ins.01                       &lt;br /&gt;
ins.01     a-1.03                       &lt;br /&gt;
a-1.03     ins.02                       &lt;br /&gt;
           g-1.03                       &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
both lenghts are: 80                    &lt;br /&gt;
but the snaredrum(snd.01) should be on  &lt;br /&gt;
the 3, not the 4. the same goes for a   &lt;br /&gt;
song composed for oxyron:               &lt;br /&gt;
normally(basic loop) you would have this&lt;br /&gt;
(*=bass -=hihatt &amp;amp;=snare):              &lt;br /&gt;
                                        &lt;br /&gt;
* - - - &amp;amp; - - -                         &lt;br /&gt;
                                        &lt;br /&gt;
1   2   3   4                           &lt;br /&gt;
                                        &lt;br /&gt;
but andre has:                          &lt;br /&gt;
                                        &lt;br /&gt;
* - - - - &amp;amp; - -                         &lt;br /&gt;
                                        &lt;br /&gt;
1   2   3   4                           &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
now if he would have done this on       &lt;br /&gt;
purpose he should have made the other   &lt;br /&gt;
patterns fit for it.                    &lt;br /&gt;
so, overall i can say that andre must   &lt;br /&gt;
improve on soundediting, variety in     &lt;br /&gt;
patterns and solo and he should improve &lt;br /&gt;
on originality how difficult this may be&lt;br /&gt;
to all of us. so andre, nothing is lost!&lt;br /&gt;
continue and you'll become better!      &lt;br /&gt;
you CAN do it.                          &lt;br /&gt;
                                        &lt;br /&gt;
ANDRE/antic    percent    average       &lt;br /&gt;
-----------    -------    -------       &lt;br /&gt;
                                        &lt;br /&gt;
introability     58%                    &lt;br /&gt;
longplay         50        52.50        &lt;br /&gt;
rhythmetic       50        -----        &lt;br /&gt;
melody           52                     &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
address of this fellow:                 &lt;br /&gt;
                                        &lt;br /&gt;
xxxxxxxxxxx                             &lt;br /&gt;
xxxxxxxxxxx                             &lt;br /&gt;
xxxxxxxxxxx                             &lt;br /&gt;
xxxxxxxxxxx                             &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
next review                             &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
handle    : MATEUS                      &lt;br /&gt;
real name : ?                           &lt;br /&gt;
group     : t.o.m. and trash            &lt;br /&gt;
sex       : male                        &lt;br /&gt;
age       : 19                          &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
this dude works on the music assembler  &lt;br /&gt;
version 1.3 as i am told and started his&lt;br /&gt;
own music group: TORTURE OF MUSIC.      &lt;br /&gt;
let's hope the name is not what it      &lt;br /&gt;
sounds like!! i'd hate to see good music&lt;br /&gt;
turned into a mess!                     &lt;br /&gt;
they set up t.o.m. because the group    &lt;br /&gt;
TRASH needed an own musicsection. so    &lt;br /&gt;
mateus got busy on becoming a musician. &lt;br /&gt;
then they made a few collections (2).   &lt;br /&gt;
i got send some music from PINA of trash&lt;br /&gt;
and i shall review it now.              &lt;br /&gt;
so first mateus.                        &lt;br /&gt;
let's talk about SCORE #33 from t.o.m.  &lt;br /&gt;
the intro is okay and there are some    &lt;br /&gt;
nice sounds. the basspattern is nice and&lt;br /&gt;
you get to hear a nice rhythmetic change&lt;br /&gt;
during the song. but the basspattern    &lt;br /&gt;
stays the same, that means not that     &lt;br /&gt;
varied. the solosound should have been  &lt;br /&gt;
more modern, it is a bit too simple.    &lt;br /&gt;
and the accompanying sounds could have  &lt;br /&gt;
been more varied too. but overall this  &lt;br /&gt;
song is okay.                           &lt;br /&gt;
now ZAK 4 TRIAD 1. very nice intro with &lt;br /&gt;
an excellent atmospheric solosound.     &lt;br /&gt;
it fits real good to the chordsounds    &lt;br /&gt;
which accompany the bass and solo.      &lt;br /&gt;
there is variety in solosound and the   &lt;br /&gt;
solo itself. it doesn't take long, but  &lt;br /&gt;
it has got a good change of chords,     &lt;br /&gt;
nice drumsound. i think this is a very  &lt;br /&gt;
nice song indeed and perfect for a game.&lt;br /&gt;
last song: ZAK 4 TRIAD 2. intro is okay &lt;br /&gt;
and the sound too. the solo which       &lt;br /&gt;
repeats itself now and then is also nice&lt;br /&gt;
to listen to.                           &lt;br /&gt;
the basspattern however contains the    &lt;br /&gt;
snare drum at one point and because the &lt;br /&gt;
basssound uses a filter and the snare   &lt;br /&gt;
doesn't you get an irritating &amp;quot;tick!&amp;quot;   &lt;br /&gt;
whenever the filter is switched on/off. &lt;br /&gt;
there is only one solo.                 &lt;br /&gt;
the song is atmospheric and it is above &lt;br /&gt;
average so it's okay.                   &lt;br /&gt;
ZAK 4 TRIAD 1 is added to this issue.   &lt;br /&gt;
well, i think that mateus is an okay to &lt;br /&gt;
a good musician and every musician      &lt;br /&gt;
can't always be excellent.              &lt;br /&gt;
                                        &lt;br /&gt;
MATEUS/t.o.m.     percent    average    &lt;br /&gt;
-------------     -------    -------    &lt;br /&gt;
                                        &lt;br /&gt;
introability    :   70                  &lt;br /&gt;
longplay        :   68        67.00     &lt;br /&gt;
rhythmetic feel :   60        -----     &lt;br /&gt;
melody          :   70                  &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
address of mateus is not known          &lt;br /&gt;
but contact PINA of trash:              &lt;br /&gt;
                                        &lt;br /&gt;
martin pilny                            &lt;br /&gt;
k.bartose 412/43                        &lt;br /&gt;
530 09 pardubice                        &lt;br /&gt;
czechoslovakia                          &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
next review                             &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
handle    : GUY SHAVITT                 &lt;br /&gt;
real name : guy shavitt                 &lt;br /&gt;
group     : scs and the force           &lt;br /&gt;
sex       : male                        &lt;br /&gt;
age       : ?                           &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
so, i guess you all know this dude or   &lt;br /&gt;
don't ya? you've seen him in the charts &lt;br /&gt;
and you've heard from him in various    &lt;br /&gt;
programmes and scs's scores.            &lt;br /&gt;
the thing is with some musicians,that   &lt;br /&gt;
when they are in the charts everyone    &lt;br /&gt;
imediately likes the new tunes they make&lt;br /&gt;
even if it is really bullshit.          &lt;br /&gt;
take jeroen tel for example: during the &lt;br /&gt;
Maniacs Of Noise days, charles deenen   &lt;br /&gt;
and he made good, original music.       &lt;br /&gt;
they became worldfamous. then they broke&lt;br /&gt;
up and jeroen tel went solo.            &lt;br /&gt;
and nowadays he lives from the name he  &lt;br /&gt;
has earned, not from his good music,    &lt;br /&gt;
because he doesn't make good music!     &lt;br /&gt;
but when people are filling in the vote-&lt;br /&gt;
sheets they remember him from his good  &lt;br /&gt;
days and they put him on the sheet!     &lt;br /&gt;
how incredibly stupid! there are people &lt;br /&gt;
who make far more better music then he  &lt;br /&gt;
does, but who don't get a chance.       &lt;br /&gt;
therefore it was good to see a new      &lt;br /&gt;
person in the charts. so forget about   &lt;br /&gt;
the old generation, vote for the new    &lt;br /&gt;
musicians!! and when you've become a    &lt;br /&gt;
musician just to get in the charts, then&lt;br /&gt;
you are no real musician.               &lt;br /&gt;
anyway, enough bullshit, let's talk     &lt;br /&gt;
about guy.                              &lt;br /&gt;
he has made several good tunes and i am &lt;br /&gt;
supposed to review scs score 17 or scs  &lt;br /&gt;
score 18. well, i choose for 18, because&lt;br /&gt;
number 17 is rather boring.             &lt;br /&gt;
but 18 is a nice tune and i'll tell you &lt;br /&gt;
why.                                    &lt;br /&gt;
it has a nice starwarsish intro with an &lt;br /&gt;
okay solosound.(when i talk about sounds&lt;br /&gt;
i mean the colour!)                     &lt;br /&gt;
there is one solo for the whole song    &lt;br /&gt;
which repeats itself, with only a change&lt;br /&gt;
of solosound. the solosounds are good,  &lt;br /&gt;
so you almost feel like there's a whole &lt;br /&gt;
lot to the song.                        &lt;br /&gt;
the chord-sounds accompany the solo+bass&lt;br /&gt;
very nicely indeed.                     &lt;br /&gt;
as does the bassline, although the sound&lt;br /&gt;
is a popular basscolour.                &lt;br /&gt;
the bassline repeats itself too during  &lt;br /&gt;
the main solo, but it is nice and simple&lt;br /&gt;
which means it is not in the solo's way.&lt;br /&gt;
after two times of playing the solo,    &lt;br /&gt;
there's the end. the starwars-intro     &lt;br /&gt;
repeats itself several times and fades  &lt;br /&gt;
away.                                   &lt;br /&gt;
all in all a good song, although i must &lt;br /&gt;
say that it is not an original style;   &lt;br /&gt;
i'd almost say it is commercial!!       &lt;br /&gt;
but guy knows what he is doing and i've &lt;br /&gt;
heard he recorded in a studio recently  &lt;br /&gt;
just like reyn ouwehand or me!          &lt;br /&gt;
anyway, i'll round up this review.      &lt;br /&gt;
                                        &lt;br /&gt;
GUY SHAVITT/scs   percent    average    &lt;br /&gt;
---------------   -------    -------    &lt;br /&gt;
                                        &lt;br /&gt;
introability    :   78                  &lt;br /&gt;
longplay        :   60        69.50     &lt;br /&gt;
rhythmetic feel :   70        -----     &lt;br /&gt;
melody          :   70                  &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
address of guy:                         &lt;br /&gt;
                                        &lt;br /&gt;
guy shavitt/scs                         &lt;br /&gt;
p.o. box 39057                          &lt;br /&gt;
ramat-aviv                              &lt;br /&gt;
tel-aviv                                &lt;br /&gt;
israel                                  &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
next review                             &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
handle    : TOP SECRET                  &lt;br /&gt;
real name : ?                           &lt;br /&gt;
group     : t.o.m.                      &lt;br /&gt;
sex       : male                        &lt;br /&gt;
age       : ?                           &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
well, well, this is the second person   &lt;br /&gt;
from t.o.m. and i don't know much about &lt;br /&gt;
him. but he makes music and i'll review &lt;br /&gt;
one song. it is called HIGHWAY and it   &lt;br /&gt;
is also added to addybook.              &lt;br /&gt;
i always make some notes while i listen &lt;br /&gt;
to the music to review and for this     &lt;br /&gt;
song i noted: &amp;quot;this is a very excellent &lt;br /&gt;
intro song&amp;quot;. it is done with music      &lt;br /&gt;
assembler, i assume. there's a nice     &lt;br /&gt;
intro. the overal effects are nice, too &lt;br /&gt;
although they're from the good ol' days.&lt;br /&gt;
it has got a good atmosphere, this is   &lt;br /&gt;
also due to the drum sounds. the solo-  &lt;br /&gt;
sound is good, but the solo itself      &lt;br /&gt;
however could have been better.         &lt;br /&gt;
there is no excellent fantastic solo,   &lt;br /&gt;
but it is a perfect intro sound and even&lt;br /&gt;
a demopart i'd think.                   &lt;br /&gt;
i haven't heard much from top secret so &lt;br /&gt;
i'll just leave it to that and would    &lt;br /&gt;
somebody please pick up the phone?      &lt;br /&gt;
what? oh, it's the end of highway...    &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
TOP SECRET/t.o.m.   percent  average    &lt;br /&gt;
-----------------   -------  -------    &lt;br /&gt;
                                        &lt;br /&gt;
introability      :   75                &lt;br /&gt;
longplay          :   60      64.00     &lt;br /&gt;
rhythmetic feel   :   60      -----     &lt;br /&gt;
melody            :   65                &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
all in all a good music group.          &lt;br /&gt;
address of top secret is not known.     &lt;br /&gt;
contact PINA of trash:                  &lt;br /&gt;
                                        &lt;br /&gt;
martin pilny                            &lt;br /&gt;
k.bartose 412/43                        &lt;br /&gt;
530 09 pardubice                        &lt;br /&gt;
czechoslovakia                          &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
last review                             &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
handle    : GASTON                      &lt;br /&gt;
real name : ?                           &lt;br /&gt;
group     : tia                         &lt;br /&gt;
sex       : male                        &lt;br /&gt;
age       : ?                           &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
as you all may know, tia has been turned&lt;br /&gt;
into a musiclabel and they kicked the   &lt;br /&gt;
non-musicians out. THE SYNDROM is the   &lt;br /&gt;
leader of tia and his fellow musician   &lt;br /&gt;
is GASTON. you all know the syndrom by  &lt;br /&gt;
now, but what about gaston? well, the   &lt;br /&gt;
syndrom asked me to review his music,   &lt;br /&gt;
which i got from tia collection 2 and   &lt;br /&gt;
i will do so.                           &lt;br /&gt;
i have heard three songs from gaston and&lt;br /&gt;
i picked that song which i think is the &lt;br /&gt;
best.                                   &lt;br /&gt;
it is released in survive, a demo by    &lt;br /&gt;
tia. let us say, the last demo by tia.  &lt;br /&gt;
i think the particular song is very     &lt;br /&gt;
ATMOSPHERIC. there are some cool sounds &lt;br /&gt;
and there's good use of them. the bass  &lt;br /&gt;
line is very well formed. although there&lt;br /&gt;
is not much variety in solo, the solo's &lt;br /&gt;
that DO exist are very nice to listen   &lt;br /&gt;
to. they represent the whole feel of the&lt;br /&gt;
song. the shitty thing about it is that &lt;br /&gt;
the song is too long, because there is  &lt;br /&gt;
not much solovariety. when you listen to&lt;br /&gt;
it at first you can be very astounded,  &lt;br /&gt;
but because of the fact that it takes   &lt;br /&gt;
too long, you won't be interested for   &lt;br /&gt;
long. that is really a shame, because   &lt;br /&gt;
the song is of good quality! well,      &lt;br /&gt;
despite that minor fact, i like the     &lt;br /&gt;
song. and although the songs from the   &lt;br /&gt;
syndrom are more or less close to this  &lt;br /&gt;
one sometimes, you can hear that gaston &lt;br /&gt;
is different. we all know that the      &lt;br /&gt;
syndrom is a cool musician, but i think &lt;br /&gt;
it won't take long for gaston to reach  &lt;br /&gt;
that point too.                         &lt;br /&gt;
well, enough talked, let's hit it.      &lt;br /&gt;
                                        &lt;br /&gt;
GASTON/tia        percent   average     &lt;br /&gt;
----------        -------   -------     &lt;br /&gt;
                                        &lt;br /&gt;
introability    :   58                  &lt;br /&gt;
longplay        :   76       68.00      &lt;br /&gt;
rhythmetic feel :   66       -----      &lt;br /&gt;
melody          :   72                  &lt;br /&gt;
                                        &lt;br /&gt;
address of gaston:                      &lt;br /&gt;
                                        &lt;br /&gt;
tia                                     &lt;br /&gt;
xxxxxxxxxxx                             &lt;br /&gt;
xxxxxxxxxxx                             &lt;br /&gt;
xxxxxxxxxxx                             &lt;br /&gt;
germany                                 &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
well, well, that has been quite a bit of&lt;br /&gt;
text and there's more!!                 &lt;br /&gt;
if anyone of those who are reviewed do  &lt;br /&gt;
not agree with my ratings, then please  &lt;br /&gt;
send your declarations of war, hired    &lt;br /&gt;
guns or just threatening letters to me. &lt;br /&gt;
don't take the reviews too personal.    &lt;br /&gt;
right. before i go on with the news     &lt;br /&gt;
especially for our metal fans, i just   &lt;br /&gt;
like to greet a few people.             &lt;br /&gt;
                                        &lt;br /&gt;
HENRY of faces: it has been a cool      &lt;br /&gt;
                meeting and i liked it. &lt;br /&gt;
                anytime again.          &lt;br /&gt;
                if you could send some  &lt;br /&gt;
                pictures of us 4, send  &lt;br /&gt;
                them, please!           &lt;br /&gt;
                greetings to you friend!&lt;br /&gt;
                and fuck it, partytime! &lt;br /&gt;
                                        &lt;br /&gt;
SLICE of shine: hetzelfde voor jou!     &lt;br /&gt;
                volgende keer maar geen &lt;br /&gt;
                trein meer missen!      &lt;br /&gt;
                goed, extra groeten uit &lt;br /&gt;
                addybook van mij!       &lt;br /&gt;
                                        &lt;br /&gt;
ACTIVE/xentax/: hoe is het, pal!        &lt;br /&gt;
varsity         ik hoop goed!           &lt;br /&gt;
                tot ziens!              &lt;br /&gt;
                                        &lt;br /&gt;
THE STRANGER/ : how are ya dude!        &lt;br /&gt;
xentax/f4cg     special greetings to ya!&lt;br /&gt;
                                        &lt;br /&gt;
THE GEE/xentax: hahaaa! wie is koning?  &lt;br /&gt;
                uiteraard! ik!          &lt;br /&gt;
                uitstekend! captain,    &lt;br /&gt;
                all weapons armed.      &lt;br /&gt;
                excellent, lut. worf... &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
METALSECTION                            &lt;br /&gt;
------------                            &lt;br /&gt;
                                        &lt;br /&gt;
yes, here we go with news on the new    &lt;br /&gt;
MEGADETH album.                         &lt;br /&gt;
name: countdown to extinction           &lt;br /&gt;
                                        &lt;br /&gt;
the new album is a record which         &lt;br /&gt;
imediately kicks your ears, then        &lt;br /&gt;
disapoints you, but which is all in all &lt;br /&gt;
a fantastic album at last.              &lt;br /&gt;
the song &amp;quot;skin o' my teeth&amp;quot; is the first&lt;br /&gt;
on the album and you'll swing your shoes&lt;br /&gt;
off when you listen to it.              &lt;br /&gt;
it is really something else than        &lt;br /&gt;
the album &amp;quot;rest in peace&amp;quot;, more subtle. &lt;br /&gt;
but it has got as much to offer as that &lt;br /&gt;
album. tempochanges in &amp;quot;symphony of     &lt;br /&gt;
destruction&amp;quot; and the megaheavy          &lt;br /&gt;
&amp;quot;this was my life&amp;quot; are very brilliantly &lt;br /&gt;
done. the songs are that good composed/ &lt;br /&gt;
arranged that they lock on at eachother &lt;br /&gt;
very easily! the titletrack and the song&lt;br /&gt;
&amp;quot;foreclosure of a dream&amp;quot; are a bit on   &lt;br /&gt;
the commercial side, but hey who cares. &lt;br /&gt;
the old fashion mean &amp;quot;psychotron&amp;quot;,      &lt;br /&gt;
the superterrifying &amp;quot;captive honour&amp;quot; and&lt;br /&gt;
the epic &amp;quot;ashes in your mouth&amp;quot; are the  &lt;br /&gt;
last three masterpieces on the album.   &lt;br /&gt;
megadeth is still megacool. buy or die. &lt;br /&gt;
                                        &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
ACCEPT rejoined!                        &lt;br /&gt;
----------------                        &lt;br /&gt;
                                        &lt;br /&gt;
after being split up for 6 years accept &lt;br /&gt;
has taken the step to rejoin again.     &lt;br /&gt;
they broke up in 1986 which set all     &lt;br /&gt;
accept fans in tears(well, nearly).     &lt;br /&gt;
why did they rejoin? because of all the &lt;br /&gt;
fans they had and still have.           &lt;br /&gt;
they broke up and the amount of fanmail &lt;br /&gt;
from acceptfans kept coming in and the  &lt;br /&gt;
rockjournalists kept talking about      &lt;br /&gt;
accept when they had the chance to talk &lt;br /&gt;
to one the former-accept members, which &lt;br /&gt;
had all formed other bands!             &lt;br /&gt;
they were really sick of it.            &lt;br /&gt;
to make a long story short, the four    &lt;br /&gt;
acceptmembers decided after 6 years of  &lt;br /&gt;
begging from the fans to rejoin.        &lt;br /&gt;
UDO DIRKSCHNEIDER, WOLF HOFFMANN,       &lt;br /&gt;
PETER BALTES and STEFAN KAUFMANN.       &lt;br /&gt;
they had played whith all kinds of      &lt;br /&gt;
people in the non-accept days, but the  &lt;br /&gt;
right stuff was never there. those      &lt;br /&gt;
people were very good indeed, but not   &lt;br /&gt;
the same as the accept formula.         &lt;br /&gt;
slowly and surely they became aware of  &lt;br /&gt;
the fact that ACCEPT had always been    &lt;br /&gt;
something special and they longed for   &lt;br /&gt;
eachother.                              &lt;br /&gt;
when they finally played together in    &lt;br /&gt;
a rehears-area they imediately loved it.&lt;br /&gt;
none of them regrets this step.         &lt;br /&gt;
but if it weren't for the fans, they    &lt;br /&gt;
would have never rejoined.              &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
KISS is back with &amp;quot;REVENGE&amp;quot;             &lt;br /&gt;
---------------------------             &lt;br /&gt;
                                        &lt;br /&gt;
the promise that this latest album would&lt;br /&gt;
be heavier than ever before is most     &lt;br /&gt;
certainly realised!                     &lt;br /&gt;
PAUL STANLEY is very proud of the album.&lt;br /&gt;
in the American Billboard top 100 the   &lt;br /&gt;
album has newly entered on place 6!!    &lt;br /&gt;
paul claims:&amp;quot;it is good for us to       &lt;br /&gt;
realise that we really can do better    &lt;br /&gt;
than we thought we could.               &lt;br /&gt;
there have been times that everything   &lt;br /&gt;
went shit and that we just didn't do    &lt;br /&gt;
our best. but during the last stage of  &lt;br /&gt;
&amp;quot;revenge&amp;quot; we realised that this album   &lt;br /&gt;
would beat all other kiss-albums.       &lt;br /&gt;
we hope that the fans will agree.&amp;quot;      &lt;br /&gt;
he also says that kiss can make good    &lt;br /&gt;
albums in their sleep, but to make      &lt;br /&gt;
top-albums is the only acceptable goal. &lt;br /&gt;
if they would fail to be as good as     &lt;br /&gt;
in the earlier days, they might aswell  &lt;br /&gt;
quit.                                   &lt;br /&gt;
producer is again BOB EZRIN. after they &lt;br /&gt;
checked if bob had not changed in way   &lt;br /&gt;
of thinking kiss, they started working  &lt;br /&gt;
on &amp;quot;revenge&amp;quot;.                           &lt;br /&gt;
paul has written some songs together    &lt;br /&gt;
with former kiss-guitarist VINNIE       &lt;br /&gt;
VINCENT. but only because they can      &lt;br /&gt;
write good songs together, not because  &lt;br /&gt;
he likes the person.                    &lt;br /&gt;
as you can hear in his songtext, paul is&lt;br /&gt;
(as we all) a man with different        &lt;br /&gt;
personalities. he loves hard, hot and   &lt;br /&gt;
sweaty sex, but he also claims there is &lt;br /&gt;
nothing more perfect then a good        &lt;br /&gt;
relationship.                           &lt;br /&gt;
let me round op this crap with saying   &lt;br /&gt;
that kiss is still a very professional  &lt;br /&gt;
band and uptodate! after 20 years!      &lt;br /&gt;
----------------------------------------&lt;br /&gt;
                                        &lt;br /&gt;
now LOAD please MUSIC 2 to read the rest&lt;br /&gt;
of this chapter!!!!                     &lt;br /&gt;
                                        &lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>Xiii</name></author>	</entry>

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